Agrega una trama en tu idiomaA rivalry develops between a showbiz veteran and an upstart newcomer.A rivalry develops between a showbiz veteran and an upstart newcomer.A rivalry develops between a showbiz veteran and an upstart newcomer.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Iain Rogerson
- Mr. Arkwright
- (as Ian Rogerson)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
When J.J. Curtis got his break in show business (as a result of the headliner being crippled after a fall) he got a shot on his own gameshow, The Big Prize. The show was mostly ignored by the critics apart from those that derided it for its blatant promotion of greed but, of course, is watched by millions and millions of families around the UK. Diagnosed with brain cancer, Curtis decides to ignore the condition and employs award winner new author Jonathan Snitch to write the story of his life. Curtis accepts and becomes a witness in Curtis' descent as he gets drawn into a ratings war with the younger and crueler presenter Dave Turner.
It is easy to see the potential in this film because it is darkly comic, interesting and attempts to hit targets within the world of celebrity and the media. However it is also hard to ignore the fact that it fails to do it in a totally convincing manner indeed the excesses within the script mean that the subtleties and intelligence is rather overwhelmed with the noise. It is a shame because behind the story of a ratings war going to absurd extents, this is a great little piece about the nature of celebrity and, more importantly, how that world has had its toll on Curtis. This produces great little moments of pain and character that made this film just about work for me although I must admit that a lot of it came from the skill of the actors rather than the material. Sadly the main story that acts as a frame for all this is delivered in a rather too messy fashion and the excesses put me off just as the smaller touches drew me in; I would have liked the ratings war to be less about murder etc but more in Curtis' head it wouldn't have damaged the dark comedy (because it wasn't funny anyway) but it would have avoided the mess.
Like I said though, the cast are a big part of the smaller moments coming through because they are mostly good. O'Toole gives a great performance; he hams it a bit on the excesses but he never loses touch with his character and thus is always there for the better moments. Like another reviewer has said, to me it was an award-winning performance and would have been if it had been in a less messy film. Gillen goes the same road but has less to do beyond the excess, although he manages well enough. Lester is a really good actor and shows class here but he has very little to work with other than being a good narrator. The support cast features many famous faces such as Sawalha, Brown, Robertson, Williams and a few others but really it is O'Toole's to dominate and he does (mostly in a good way).
Sadly though the total film is not that good even if the potential does become apparent in a handful of scenes where the finer detail shines through. The excessive nature of the story tends to dominate the character side and it is to the film's detriment because it makes it noisy, messy and unconvincing. The cast try to fight this and occasionally win but the overall impression is one of messy excess and, although I liked part of it, I completely understand why this film wasn't seen by many people and that those that did, didn't like it that much.
It is easy to see the potential in this film because it is darkly comic, interesting and attempts to hit targets within the world of celebrity and the media. However it is also hard to ignore the fact that it fails to do it in a totally convincing manner indeed the excesses within the script mean that the subtleties and intelligence is rather overwhelmed with the noise. It is a shame because behind the story of a ratings war going to absurd extents, this is a great little piece about the nature of celebrity and, more importantly, how that world has had its toll on Curtis. This produces great little moments of pain and character that made this film just about work for me although I must admit that a lot of it came from the skill of the actors rather than the material. Sadly the main story that acts as a frame for all this is delivered in a rather too messy fashion and the excesses put me off just as the smaller touches drew me in; I would have liked the ratings war to be less about murder etc but more in Curtis' head it wouldn't have damaged the dark comedy (because it wasn't funny anyway) but it would have avoided the mess.
Like I said though, the cast are a big part of the smaller moments coming through because they are mostly good. O'Toole gives a great performance; he hams it a bit on the excesses but he never loses touch with his character and thus is always there for the better moments. Like another reviewer has said, to me it was an award-winning performance and would have been if it had been in a less messy film. Gillen goes the same road but has less to do beyond the excess, although he manages well enough. Lester is a really good actor and shows class here but he has very little to work with other than being a good narrator. The support cast features many famous faces such as Sawalha, Brown, Robertson, Williams and a few others but really it is O'Toole's to dominate and he does (mostly in a good way).
Sadly though the total film is not that good even if the potential does become apparent in a handful of scenes where the finer detail shines through. The excessive nature of the story tends to dominate the character side and it is to the film's detriment because it makes it noisy, messy and unconvincing. The cast try to fight this and occasionally win but the overall impression is one of messy excess and, although I liked part of it, I completely understand why this film wasn't seen by many people and that those that did, didn't like it that much.
I recently watched this film on the Sundance channel, and it was wonderful. The performances were great, and it was especially enjoyable to watch Peter O'Toole. I think he gave one of his best contemporary performances in this film. You can tell he is still a master at his craft. This is a great film to watch on a rainy afternoon - great story, great cast. This film is wonderful and it gives you a glimpse into the dark world of show business - the shrewdness, the sometimes shady dealings that get people where they are in the industry. The tale the film tells is well woven and well told. I would recommend this film for younger audiences (18+) who maybe have not seen some of Peter O'Toole's older films. I think it is a great way for them to see a true master who is still at the top of his craft even though he is in the autumn of his years. A great film!
Who on earth would enjoy a dark and cynical comedy full of unappealing characters and unpleasant plot twists? .I suppose I would, however unwillingly. Peter O'Toole plays the aging actor/entertainer JJ Curtis, whose fame now revolves around `The Big Prize', the tacky game show he produces and hosts. While trying to make a lucrative deal to air his program in the U.S., the competition rears its ugly head in the form of young Dave Turner, host of a different tacky and truly `shocking' game show (pun intended). Both are willing to play dirty to get the U.S. deal--in fact no tactic is too twisted or drastic for either men--and I promise you a few surprisingly nasty tricks.
Also thrown into the mix is Adrian Lester as the emerging writer (and narrator of this tale) Jonathan Snitch, an interesting surname since he is hired to write JJ Curtis' memoirs. JJ is particularly anxious to get his life story recorded for posterity since he has just been diagnosed with terminal cancer; and lest you think this condition makes his character more sympathetic--think again. Snitch stands out as the only decent character in the cast, and Adrian Lester does a superb job. Adrian Gillen deftly handles the unlikable Dave Turner, and Julia Sawalha (Saffy in the Brit TV series
Absolutely Fabulous) appears as Dave's hapless assistant.
Peter O'Toole, not surprisingly, is Absolutely Fabulous as JJ. The characters may be drawn with a wide brush, but O'Toole somehow finds the subtleties and nuances that make JJ a three-dimensional creature. I honestly think this is an award-deserving performance.
But, this film won't (and didn't) win any awards in America; in fact I wonder if anyone but the 10 of us rating it on this site saw the film. Black humor and a story that defies categorizing ensure a small audience for this quirky movie. But hey, I enjoy watching a movie and being surprised and deliciously horrified. I enjoy wonderful performances in a small but slickly executed production. I like a film that is not so bland that I've forgotten it 10 minutes later. It's not for everyone--but I hope it will find the audience it deserves.
Also thrown into the mix is Adrian Lester as the emerging writer (and narrator of this tale) Jonathan Snitch, an interesting surname since he is hired to write JJ Curtis' memoirs. JJ is particularly anxious to get his life story recorded for posterity since he has just been diagnosed with terminal cancer; and lest you think this condition makes his character more sympathetic--think again. Snitch stands out as the only decent character in the cast, and Adrian Lester does a superb job. Adrian Gillen deftly handles the unlikable Dave Turner, and Julia Sawalha (Saffy in the Brit TV series
Absolutely Fabulous) appears as Dave's hapless assistant.
Peter O'Toole, not surprisingly, is Absolutely Fabulous as JJ. The characters may be drawn with a wide brush, but O'Toole somehow finds the subtleties and nuances that make JJ a three-dimensional creature. I honestly think this is an award-deserving performance.
But, this film won't (and didn't) win any awards in America; in fact I wonder if anyone but the 10 of us rating it on this site saw the film. Black humor and a story that defies categorizing ensure a small audience for this quirky movie. But hey, I enjoy watching a movie and being surprised and deliciously horrified. I enjoy wonderful performances in a small but slickly executed production. I like a film that is not so bland that I've forgotten it 10 minutes later. It's not for everyone--but I hope it will find the audience it deserves.
As I saw in the last review I read, not many in this country have even seen it, But I viewed it today on cable and thought it was worth some thumbs up on my TiVo. It was of a class with O'Toole's "The Ruling Class" and (tho' he's aged much since that) shows that he still has a flair for the slightly sick comedy that many of us love. All I can say is I'm happy for digital cable with all the choices and TiVo for finding things that I enjoy. None of the other actors were known to me and I did not recognize the gal from "AB-FAB" but overall, it was a fun movie to watch. Much better than the "lesson" movies that Hollywood has chosen to give us in recent years. I am happy to confine my movie viewing to those of vintage (30's and 40s), foreign (even with subtitles) and the offerings of IFC and Sundance.
The performances and the production values are high quality. I watched the movie on cable TV. I found myself engaged in the story line, the dialogue and the plot. But, near the end, it was clear where the plot was going before it actually got there. This, plus the unredeemming qualities of the main character, lead me to place it on my personal not-worth-watching-again list.
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- TriviaLouise Brill's final acting role.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Final Curtain
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 25 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was The Final Curtain (2002) officially released in India in English?
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