Italiano para principiantes

A clever film, with low production values but a witty script and great cast. The characters are so real and vivid. You sympathize with them, want them to succeed. There are so many tiny little things that make it leap from the screen. As you become caught up in the story you forget that the camera is a little shaky, the video not always perfectly focused. The scenes in Italy are absolutly beautiful. The director uses colors well, the color of the characters clothes reflects their emotions. Never heavy handed or pushy, just a sweet little film.

At the time of writing, "Italian for beginners" is a big hit on the Berlin Film Festival. The reason may be that it´s another film made under the Dogme 95 certificate, but it can easily stand on its own, without comparison to "The Celebration", "The Idiots" and "Mifune". Basically it´s a comedy-drama (although one of the Dogme rules prohibits genre definition) telling several interwoven stories connected by the Italian-for-beginners-class. There are a whole variety of characters: the young pastor, the hothead short order cook from the sports restaurant, the clumsy girl from the bakery etc. All very recognizable everyday types, but beautifully realized by its talented cast, with special kudos to Peter Gantzler, cast against type and hilariously underplaying as the nerdish impotent hotel clerk. Lars Kaalund is also very funny, sporting a very authentic sounding Italian.

Director Lone Scherfig has made a very endearing, romantic film that is very universal in its tone, which is probably why it has performed so well at the Berlin film festival. For a feel-good movie experience, you should definitely go see "Italian for beginners".

What a pleasure "Italian for Beginners" is. Each character is appealing as well as complex and recognizable. A new pastor, bereft after his wife's death, interacts with an assortment of people who by accident or stumbling and fumbling intent come together in overlapping relationships. Romance is in the air, deaths dislocate several of the characters' lives, comedic movements help all to cope with the vagaries of life.

Taking place mostly in Denmark (with a restaurant manager whose style convinces me that he must have done an internship in a New York City eatery), the story revolves around the central goal of learning Italian. Only one of the main characters is from Italy, a beautiful waitress with the clearest agenda of anyone in the film. After wrestling through a non-Berlitz approach to the language all head for Venice where hearts meet and fun reigns.

Dogma 95 certificate or not, this is a convincing, endearing, excellent film. By intent or otherwise, many scenes are shot with a slight jerkiness that adds to a viewer's sense of inclusion.

Unfortunately this film won't screen in many theatres and rentals and sales will be the path to a wider audience. And this film merits a very big following.

This is a very intimate and enjoyable film. It shows every day characters in their own surroundings interacting in a manner that is very naturalistic and true. Director Lone Scherfig has directed with a sure hand and the situation is believable.

The ensemble cast plays well, as it is with the majority of the Dogme95 films. At times, they make us forget that we are watching a film, as it struck me, that I was just intruding in the life of a bunch of people in that town in Denmark.

What is amazing is that the film doesn't become an Italian travelogue as it would have been the case had this story been done by a non-Scandinavian director with pressures from studio heads. It has the right amount ingredients and it makes a delicious minestrone for all to enjoy.

Bravi a tutti!

The thing I appreciated about this flick were the actors. Here I saw real people acting the way folks like you and me act in similar situations. None of the silly fresh faced cuteness that one sees on local programming of the 'Friends' genre. Here were people we could all relate with, people we know and have interacted with. After watching the various romances unfold I left the theater with the good feeling of, 'yep, that's the way it really happens.'