El libro de piedra

Can I make a bit of gratuitous and shameless promotion? "Evil Seeds", put together and edited by Vanessa Morgan, is a must-have book in case you are even slightly fascinated by horror movies featuring evil children! The obvious titles are included, (like "Children of the Corn"), the guilty pleasures ("The Children of Ravensbeck"), and the less-obvious foreign masterpieces ("Who Can Kill a Child?"). But the book also contains essays on several films that are completely obscure and unknown, but worth seeking out, like the Mexican sleeper gem "The Book of Stone".

Many reviewers around here state it's one of the scariest and most unsettling movies they've ever seen. I wouldn't go so far, but it's definitely a great example of a slow (better make that VERY slow-) brooding and 200% atmosphere-driven tale, with the emphasis on meticulous character development and plot accuracy, and not nearly on fake-scares, ghostly apparitions, or special effects. Writer/director Carlos Enrique Taboada found for sure inspiration in the legendary story of "The Tale of the Screw", and for the ambience he rivals Jack Clayton's "The Innocents" (also an adaptation of that same tale). The tale of a young child and her unusual friendship with a boy named Hugo, and her good-hearted governess attempting to get through to her is elegant and mature, but you must be in a certain mood/mindset to watch it. It's not exactly a very cheerful or relaxing thriller.

I saw this movie when I was 9 years old. To this day I don't understand how they allowed children into the movie theatre in Mexico to watch this type of movie. I still remember bits and pieces of it and they all come together to recreate the nightmares I had after watching this movie. Without giving away the ending, the movie is about a rich man who moves into a huge old mansion in the middle of the country with his new young wife and the daughter he had with his first wife. Along with them comes a woman who plays the role of nanny and governess for the young girl. In the enormous backyard, which is mostly covered with weeds and bordered by the woods, the young girls discovers a grave guarded over by the statue of an angel that holds open a huge stone book in his arms. Sometime in the first part of the movie, the young girls confesses to her nanny that she has found a secret playmate, a young boy, but nobody pays attention to her until very mysterious things start to happen and tragedy strikes the new household. I only wish that someday the Mexican Institute of Film would help recover and releases to the general public this and other gems of the Mexican cinema.

This might be the best of the few Mexican horror films. The story revolves about a statue of a boy which is found in the forest near the main character´s house. Legend says that the statue is not really what it seems to be. As with most horror films prior to the 70,s, this movie lacks gore or flashy fx but compensates it with solid acting from most part of the cast and a very creepy and uneasy atmosphere that leaves you looking twice over your shoulder or looking more carefully at the shadows in the corners even after repeated viewings.

The governess Julia Septién (Marga López) arrives at the real estate of Eugenio Ruvalcaba (Joaquín Cordero) to work with his daughter Silvia (Lucy Buj), who had meningitis when she was very young, and is hired. Eugenio introduces his wife Mariana (Norma Lazareno) and then Julia befriends the girl, who was playing with her friend Hugo. Then she learns from Eugenio and Mariana that Hugo is an imaginary friend. Julia questions Silvia about Hugo, and she learns that the boy is from Eastern Europe that is waiting for his father, a powerful wizard from the Eighteenth Century that will bring him back to life. Soon Silvia's godfather Carlos (Aldo Monti) arrives at home with his dog, but Silvia did not like the dog. Julia finds that Hugo is connected to a creepy statue from Europe in the garden of a boy with a book of stone that was in the real estate when Eugenio bought the property. When weird and macabre things happen in the place, Julia questions whether Hugo is really an imaginary friend or being from the beyond.

"El libro de Piedra", a.k.a "The Book of Stone", is a creepy 1969 Mexican horror movie by the master of horror Carlos Enrique Taboada. The plot is scary and supported by a wonderful black-and-white cinematography. The screenplay is well-written, with explanation for the events, but the conclusion is unexpected and surprising. Looking forward to see other films by Carlos Enrique Taboada. My vote is eight.

Title (Brazil): "O Livro de Pedra" ("The Book of Stone")

I swear this has to be the scariest movie I´ve ever seen in my entire life, and I´ve seen plenty, but the whole aura that is involved in the facts that surrounds the goth horror in El libro de piedra (The stone book), it´s real frightening. Maybe I should say that I watched the movie on TV when I was nine or ten, and of course left me full of chills the whole evening; and in days after. I couldn´t look at the curtains in my room at night, or to a rear view mirror. If you can see the movie sometime, you´ll understand what I'm talkin' about. The fact is that I catched again the film like four years ago; I haven't seen it in a long time, and it happened the same: I was so thrilled about the experience, that I got scared again like the very first time, and maybe even more because I was chillin' on anticipation for what I knew it was coming. And I was already on my late 20's.

Director´s Taboada, as far as I know, it´s better known outside México for some of his horror movies. Hasta el viento tiene miedo (Even the wind's scared 1968) and Más negro que la noche (Blacker than the night 75-76), are some of his finest efforts in the horror ground. And I´ve seen those two -on tv also-, but it's El libro... the greatest of them all. Of course there are some flaws in the screenplay, in the acting and in direction matters, but on the other hand, it has some of the very best tricks to create fear without the effects that has been used and abused nowadays. This movie has the magic of the psychological tease that has inspired some of Guillermo del Toro works -just see the liquid footprints on El espinazo del diablo- and all around the ghost seeking revenge theme.

Another high point of El libro... i'ts that the ending it's not your cliché finale. It's so powerful and unexpected, that instead of getting a feel of relief -you may know what I mean-, it leaves you more than shocked and horrified. Taboada was a master on this matters, and if you're ever able to check his other works, you may enjoy it as well. The first half of Hasta el viento tiene miedo it's brilliant too, and Más negro... it's good just as reference. But if you can, try another mexican horror movies like Ladrón de cadáveres (Thief of corpses), and El escapulario.