CALIFICACIÓN DE IMDb
5.6/10
38 k
TU CALIFICACIÓN
Orin Boyd, un policía duro de un distrito del centro de la ciudad descubre una red de policías ingratos y corrupción.Orin Boyd, un policía duro de un distrito del centro de la ciudad descubre una red de policías ingratos y corrupción.Orin Boyd, un policía duro de un distrito del centro de la ciudad descubre una red de policías ingratos y corrupción.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I had believed that Steven Seagal's exit wounds would be as good as under siege 2 which was his best film. Exit wounds does start well with a good fight scene but unfortunately the film lacks pace & too often wonders around going nowhere. IT could certainly have done without tom arnold who turns up as unwanted as a weak bowel.
DMX whoever he is seems comfortable in his role but I never really found out what his operation was. The bad cops in the film were good & there was plenty of decent action with them.
Steven Seagal once again proves himself as a top class actor with those scowls & frowns & that calmness he displays everytime he appears in a scene
Not a bad film but a liitle long
DMX whoever he is seems comfortable in his role but I never really found out what his operation was. The bad cops in the film were good & there was plenty of decent action with them.
Steven Seagal once again proves himself as a top class actor with those scowls & frowns & that calmness he displays everytime he appears in a scene
Not a bad film but a liitle long
'Exit Wounds' begins explosively with a terrorist raid on the Vice President, who is surrounded by an array of police escorts
When renegade Detroit detective Orin Boyd (Seagal) takes on the whole Michigan militant group to save the man's life, in true action hero fashion, he is punished for his lack of respect for authority and procedure and sent to one of the toughest precincts in the city of Detroit, the 15th
Once there, Seagal begins his usual habit of investigating things he's not assigned to, and quickly begins to suspect police corruption involving a major heroin operation
Seagal plays a super tough cop who stays in trouble for complaints filed against him for excessive force
He lands in a bad dangerous precinct and before you know it finds himself in nonstop furious action, trying to clean up the streets while taking on drug dealers and dirty cops pretty much all by himself
Seagal is accompanied in this film by rapper DMX and a few other familiar faces including Anthony Anderson who is absolutely hilarious
When renegade Detroit detective Orin Boyd (Seagal) takes on the whole Michigan militant group to save the man's life, in true action hero fashion, he is punished for his lack of respect for authority and procedure and sent to one of the toughest precincts in the city of Detroit, the 15th
Once there, Seagal begins his usual habit of investigating things he's not assigned to, and quickly begins to suspect police corruption involving a major heroin operation
Seagal plays a super tough cop who stays in trouble for complaints filed against him for excessive force
He lands in a bad dangerous precinct and before you know it finds himself in nonstop furious action, trying to clean up the streets while taking on drug dealers and dirty cops pretty much all by himself
Seagal is accompanied in this film by rapper DMX and a few other familiar faces including Anthony Anderson who is absolutely hilarious
Typical Seagal movie. Someone pushes him around and he fights back. Always a good watch. There's a a few cool moves he makes, but don't expect too much from this movie. The plot moves quickly and really isn't that interesting. It's all about the fight scenes.
One thing that really got to me was the movie takes place in Detroit City but there's almost a Canadian landmark in each scene. "Welcome to Detroit AM" [CN tower in the background], Sky dome signs, Canadian food chains and even in the first few scenes there's filming right in front of City landmarks. Why not just say Toronto rather than Detroit?
One thing that really got to me was the movie takes place in Detroit City but there's almost a Canadian landmark in each scene. "Welcome to Detroit AM" [CN tower in the background], Sky dome signs, Canadian food chains and even in the first few scenes there's filming right in front of City landmarks. Why not just say Toronto rather than Detroit?
In the movie there is action , tongue-in-cheek , struggles of Kung Fu style , pursuits , comedy and packs a lot of bemusement . This is a buddy movie action film with nice protagonists as Steven Seagal , DMX and Isaiah Washington Jr .Elaborately produced action film with two-fisted Seagal is just another action film full of struggles , thrills, noisy action , car crashes and lots of violence . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop eliminating enemies of incredible manners , as he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . He's Orin Boyd (Steven Seagal) , a Detroit cop who after saving the Vice President by violating every order he received he is transferred to one of the worst precincts in the city commanded by a stubborn boss , Annette Mulcahy (Jill Hennessy ) . Shortly after , he encounters a cobweb of corruption and dirty policemen . What Can Two Men Do Against A Gang Of Crooked Cops? Whatever It Takes. This Is Gonna Hurt .
Well-paced action film with two-fisted Seagal is just another action film full of struggles , thrills , noise and lots of violence with overwhelming and breathtaking set pieces . Violent and not particularly literary but worthy entry in action genre and realized in ¨Seagal¨ style . Wooden Seagal plays the violent Orin Boyd , he cleans up the city by means of punches , kicks and leaps by using abundant martial arts with fights certainly slick . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop , he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . Performances are middling but it's an action film where important are the quarrels and the pursuits . He picture was made in the Seagal's best period when he played high budget movies such as ¨Hard to kill¨(1990 by Bruce Malmuth) , ¨Under siege¨ ( Seagal's best film to date, 92) , and the sequel titled : ¨Dark territory¨ (1995, Geoff Murphy), ¨Executive decision¨ (96 by Stuart Baird), ¨Glimmer man¨ (96, John Gray) , ¨Exit wounds¨(2001, Andre Bartkowiak) , among others . Nowadays ,he does fairly low standards, lesser budget and direct to video , such as ¨Half past dead¨, ¨The foreigner¨ and its sequel, ¨Shadow man ¨, ¨Flight of fury¨, ¨Urban justice¨ and many others . Co-stars the recently deceased DMX who performed three nice action films : Romeo must die , Exit Wounds and Cradle 2 The Grave along with Seagal , Jet Li and Anthony Anderson. Cradle 2 the grave is not only the 2nd film to star DMX, Jet Li, and Anthony Anderson together , it is the first film where all three of them share screen time with each other . All three of them starred in Romeo Must Die . Support cast is pretty good , such as : Isaiah Washington , Anthony Anderson , Michael Jai White , Jill Hennessy , Bill Duke , Tom Arnold , Bruce McGill , David Vadim and Eva Mendes . Here stands out Tom Arnold and Anthony Anderson who interpret a humorous and first-rate couple .
It contains a colorful and evocative cinematography by Glen MacPherson . As well as a thrilling and stirring musical score by Damon 'Grease' Blackman and Jeff Rona . The motion picture was regular but professionally directed by Andrzej Bartowiak . This filmmaker as member of the American Society of Cinematographers (ASC) is considered to be one of the best cameramen and occassionaly has directed some movies . Breakthrough film was his work as a cameraman on the gritty urban thriller Prince of City (1981) , his first collaboration with Sidney Lumet. Bartkowiak worked on the director's next 11 films over the next 12 years. Bartkowiak became much in demand after his taut camera work in Speed (1994) and has worked twice for Barbra Streisand in Nuts (1987) and The mirror has two faces (1996) . Rating Exit Wounds(2001) : 5.5/10 , mediocre but entertaining . Acceptable and passable.
Well-paced action film with two-fisted Seagal is just another action film full of struggles , thrills , noise and lots of violence with overwhelming and breathtaking set pieces . Violent and not particularly literary but worthy entry in action genre and realized in ¨Seagal¨ style . Wooden Seagal plays the violent Orin Boyd , he cleans up the city by means of punches , kicks and leaps by using abundant martial arts with fights certainly slick . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop , he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . Performances are middling but it's an action film where important are the quarrels and the pursuits . He picture was made in the Seagal's best period when he played high budget movies such as ¨Hard to kill¨(1990 by Bruce Malmuth) , ¨Under siege¨ ( Seagal's best film to date, 92) , and the sequel titled : ¨Dark territory¨ (1995, Geoff Murphy), ¨Executive decision¨ (96 by Stuart Baird), ¨Glimmer man¨ (96, John Gray) , ¨Exit wounds¨(2001, Andre Bartkowiak) , among others . Nowadays ,he does fairly low standards, lesser budget and direct to video , such as ¨Half past dead¨, ¨The foreigner¨ and its sequel, ¨Shadow man ¨, ¨Flight of fury¨, ¨Urban justice¨ and many others . Co-stars the recently deceased DMX who performed three nice action films : Romeo must die , Exit Wounds and Cradle 2 The Grave along with Seagal , Jet Li and Anthony Anderson. Cradle 2 the grave is not only the 2nd film to star DMX, Jet Li, and Anthony Anderson together , it is the first film where all three of them share screen time with each other . All three of them starred in Romeo Must Die . Support cast is pretty good , such as : Isaiah Washington , Anthony Anderson , Michael Jai White , Jill Hennessy , Bill Duke , Tom Arnold , Bruce McGill , David Vadim and Eva Mendes . Here stands out Tom Arnold and Anthony Anderson who interpret a humorous and first-rate couple .
It contains a colorful and evocative cinematography by Glen MacPherson . As well as a thrilling and stirring musical score by Damon 'Grease' Blackman and Jeff Rona . The motion picture was regular but professionally directed by Andrzej Bartowiak . This filmmaker as member of the American Society of Cinematographers (ASC) is considered to be one of the best cameramen and occassionaly has directed some movies . Breakthrough film was his work as a cameraman on the gritty urban thriller Prince of City (1981) , his first collaboration with Sidney Lumet. Bartkowiak worked on the director's next 11 films over the next 12 years. Bartkowiak became much in demand after his taut camera work in Speed (1994) and has worked twice for Barbra Streisand in Nuts (1987) and The mirror has two faces (1996) . Rating Exit Wounds(2001) : 5.5/10 , mediocre but entertaining . Acceptable and passable.
Anybody should know when you're getting ready to see a Steven Seagal movie you're not getting ready to see a Greek tragedy. What makes "Exit Wounds" special is it's all in good fun. There's no pretentions whatsoever. In fact, it even leaves a good share of the running time for comic relief. You have spectacular action in one corner...you have hilarious comedy in the other...what the hell more can you ask for?
Seagal hasn't made an action flick in a while, so it was great to see him again on the silver screen. He takes a lot of flack for gaining a little weight. OK, so he's heavier than normal. So maybe him and Sammo Hung been hanging out in the same buffet. But Seagal can still kick butt like he did back in "Above the Law" and "Hard to Kill." His action scenes are always fun to watch. As I tell people, I'm not easily aroused by action scenes. I can be just as bored by an action scene as one would get bored during an episode of "Masterpiece Theater." But Seagal's action scenes have a sense of originality and flare. Big deal. He's not the best actor. Does his work require great dramatic acting? Would a dramatic monologue be appropriate during one of HIS movies? Let's be sensible. I think people are way too hard on the man. He's still cool with me.
In the comedy department, we have the uninhibited Tom Arnold. Arnold plays the stereotypical cheesy talk show host, who takes anger-management classes with Seagal. There's a hilarious scene where Seagal loses his temper and throws a fit, yelling to the teacher "I'm a happy person!" with anger in his eyes. Then Arnold decides that Seagal would be a perfect guest for his show. Also, we have Anthony Anderson of "Me Myself and Irene" fame. He was one of the foul-mouthed African-American brothers in the Farrelly Brothers comedy. He gets an even bigger opportunity to flaunt his comic chops in this flick. In fact, him and Tom Arnold have a hysterically funny conversation at the end credits, so PLEASE don't be so quick to walk out the theater.
DMX is not a terrific actor, but he's fairly good. He proves his discipline as an actor in a more restrained role than his starring role in Hype Williams' "Belly." In that film, he pretty much portrayed a character out of all his rap videos. So that wasn't a big stretch. "EW" gives him more to work with. Not the role of a lifetime, but meatier than a drug-dealing "gangsta." And did I mention Jill Hennesy is in the cast? Oh...mannnnn! She is an absolute knockout! Perfect eye candy! Throw in a gratuitous strip club scene(which this film has), and we have the ultimate guy flick.
With DMX in the lead, naturally we have to expect some of his songs on the soundtrack. And he provides some good stuff. One--which was used in the previews and thankfully was used in the movie too--is a remix of "Ain't No Sunshine When She's Gone." It's quite innovative how they insert an artist's songs into a movie's soundtrack. There's also a scene where DMX is picking out a car and blasts on the stereo his song "Why Do Good Girls Love Bad Guys."
There isn't much depth to "Exit Wounds." In fact, I don't know if there's any depth. But a film like this is meant strictly for exhibition. And in that department, it really really delivers! It's exciting! It's funny! It's rousing! It's a thrill a minute! You won't be bored for a second! An hour and thirty minutes of sheer, uninhibited fun! "Exit Wounds" won't have you heading to the exit. In fact, you probably won't even want to go out for popcorn you'll be having such a great time! Strap in!
My score: 7 (out of 10)
Seagal hasn't made an action flick in a while, so it was great to see him again on the silver screen. He takes a lot of flack for gaining a little weight. OK, so he's heavier than normal. So maybe him and Sammo Hung been hanging out in the same buffet. But Seagal can still kick butt like he did back in "Above the Law" and "Hard to Kill." His action scenes are always fun to watch. As I tell people, I'm not easily aroused by action scenes. I can be just as bored by an action scene as one would get bored during an episode of "Masterpiece Theater." But Seagal's action scenes have a sense of originality and flare. Big deal. He's not the best actor. Does his work require great dramatic acting? Would a dramatic monologue be appropriate during one of HIS movies? Let's be sensible. I think people are way too hard on the man. He's still cool with me.
In the comedy department, we have the uninhibited Tom Arnold. Arnold plays the stereotypical cheesy talk show host, who takes anger-management classes with Seagal. There's a hilarious scene where Seagal loses his temper and throws a fit, yelling to the teacher "I'm a happy person!" with anger in his eyes. Then Arnold decides that Seagal would be a perfect guest for his show. Also, we have Anthony Anderson of "Me Myself and Irene" fame. He was one of the foul-mouthed African-American brothers in the Farrelly Brothers comedy. He gets an even bigger opportunity to flaunt his comic chops in this flick. In fact, him and Tom Arnold have a hysterically funny conversation at the end credits, so PLEASE don't be so quick to walk out the theater.
DMX is not a terrific actor, but he's fairly good. He proves his discipline as an actor in a more restrained role than his starring role in Hype Williams' "Belly." In that film, he pretty much portrayed a character out of all his rap videos. So that wasn't a big stretch. "EW" gives him more to work with. Not the role of a lifetime, but meatier than a drug-dealing "gangsta." And did I mention Jill Hennesy is in the cast? Oh...mannnnn! She is an absolute knockout! Perfect eye candy! Throw in a gratuitous strip club scene(which this film has), and we have the ultimate guy flick.
With DMX in the lead, naturally we have to expect some of his songs on the soundtrack. And he provides some good stuff. One--which was used in the previews and thankfully was used in the movie too--is a remix of "Ain't No Sunshine When She's Gone." It's quite innovative how they insert an artist's songs into a movie's soundtrack. There's also a scene where DMX is picking out a car and blasts on the stereo his song "Why Do Good Girls Love Bad Guys."
There isn't much depth to "Exit Wounds." In fact, I don't know if there's any depth. But a film like this is meant strictly for exhibition. And in that department, it really really delivers! It's exciting! It's funny! It's rousing! It's a thrill a minute! You won't be bored for a second! An hour and thirty minutes of sheer, uninhibited fun! "Exit Wounds" won't have you heading to the exit. In fact, you probably won't even want to go out for popcorn you'll be having such a great time! Strap in!
My score: 7 (out of 10)
¿Sabías que…?
- TriviaIn an interview with Huffpost Live, Tom Arnold claimed that Steven Seagal fell into the water while filming a scene on his character's houseboat: Seagal had opted to shoot the scene without rehearsal and mistakenly exited through the wrong door, leading him to drop into the bay.
- ErroresDuring the shootout on the bridge, Orin Boyd knocks out an enemy and takes from him a submachine gun. Though each following shot shows Boyd wielding a .45 semiautomatic pistol instead of the weapon he just took, the gun still fires in automatic mode, which is impossible for that kind of weapon.
- Créditos curiososWhen the end credits start rolling, T.K. is a guest on Henry Wayne's TV talk show. They talk about T.K.'s operation. T.K. greets his parents. Then they talk about things that turn them on.
- Versiones alternativasGerman retail video version is cut for violence to secure a "Not under 16" rating.
- ConexionesFeatured in HBO First Look: Making 'Exit Wounds' (2001)
- Bandas sonorasFeelin' The Hate
Written by Ja Rule (as Jeffrey Atkins), Caddillac Tah, Romel Gill, Irv Gotti,
Ronie Lane, Tiffany Lane, Renan Thybulle and Roashoun Casey
Performed by Ja Rule
Courtesy of Def Jam Records
Under License From Universal Music Enterprises
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- How long is Exit Wounds?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Exit Wounds
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 51,758,599
- Fin de semana de estreno en EE. UU. y Canadá
- USD 18,485,586
- 18 mar 2001
- Total a nivel mundial
- USD 79,958,599
- Tiempo de ejecución1 hora 41 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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