Water

It was on a lark that four of us attended the movie 'Water'. We ranged in age from 24 to 41 and we're all still talking about it two weeks later, in fact we're planning to go see it again before it's out of the theater. The movie entertained and educated, while giving at once an insight into the beauty of the country and the viciousness of some cultural norms. It seems impossible to believe that some of the things in this movie could have actually happened, and that perhaps today there are women (widows) living in similar circumstances. The characters in this movie are easy to identify with, to love and to despise. Despite the bleak conditions portrayed in the movie, there are moments of wonder and comedy and great love. The vistas are stunning, as are the character portrayals. Enjoy this movie on the big screen and then rush out to buy your own copy as soon as it's available. I too now 'want a ladoo'.

WATER is delivered likened to a fable, yet the story told is not at all a fantasy. In fact, another film, "White Rainbow" by w-d Dharan Mandrayar, delivers a tale of four women with similar subject matter in a modern day setting vs. the 1930's Colonial India of Mehta's "Water." The deplorable deprivation situation of the widows of India with powerless means is real.

Check out the production notes on WATER, you'd learn of the travails and hurdles filmmaker Mehta has to go through, determined and dauntlessly she forged on. We are fortunate to be able to see the result (thanks to Fox Searchlight Pictures distribution). Perhaps the casting ten years after could very well meant to be: Seema Biswas as Shakuntula - the protective, courageous Didi with unyielding faith; Lisa Ray as Kalyani, the beautiful 'sole bread-winner' with lovely hair and a tender companion to young Chuyia; John Abraham as Narayan, the idealistic young man returning to the village after his law exam and smitten by Kalyani; introducing the talented 8 year old Sarala from a village near Galle, Sri Lanka playing Chuyia, the 'girl widow'- she sure captures the spirit of the story/film.

Seeing what these women had to endure/endured all these years, prompts us to think how lucky we are - not to assume/take for granted the goodness and abundance we so readily have. The struggles/problems we may have compared to their grievous hardship sure makes one rethink - putting things in perspective. The film is not preachy at all, in fact, it's dramatic with mystery and secrets, not depressive in spite of the storyline but contains dashes of hope, laughter and tender moments. An impressive production all round, with cinematography by Giles Nuttgens, who collaborated with w-d Mehta on her trilogy installments: FIRE 1996 and EARTH 1998; music complements from Mychael Danna, who participated with w-d Mira Nair in "Monsoon Wedding" and "Kama Sutra: A Tale of Love" and on fellow Canadian filmmaker Atom Egoyan's ventures.

The film, with its controversial political ripples 'at home', is a human story with much kindness at heart. It's intriguing and a tear-jerker for me - it's naturally emotional. Somehow WATER also reminds me of director Jag Mundhra's "Bavandar" (2000, India: Hindi title aka "The Sand Storm") - another worthwhile film from India.

This is perhaps one of the most gripping films I have ever seen. The theme of water is so beautifully intertwined with the story in the location shots, boats across a lake/river and the ever falling rain to deliver an impact upon the characters and their journey.

The treatment of these widows, and the intense life that these women are forced to live was eye opening.

John Abraham gave a good performance. Lisa Ray was decent. Chuiya was great. With its top-notch acting, cinematography and music, Water is definitely worth the watch. Excellent effort by Deepa Mehta. Awesome cinematography Giles Nuttgens. Nicely edited by Colin Monie. Screenplay by Anurag Kashyap was awesome so were his dialogues. Set decoration by Rumana hamied n Lal harindranath was brilliant. Good music by Mychael Danna n A.R Rehman. Roger Ebert of Chicago Sun-Times @ The film is lovely in the way Satyajit Ray's films are lovely and the best elements of Water involve the young girl and the experiences seen through her eyes.

I felt really really sad after watching this movie. After watching a movie like this one feels empathy towards the women. We know women and children are being treating worse than animals...by patriarchy.

Most women in the western world to not even know the meaning of this word. In North America what is the worse thing that happens to us...we encounter betrayal and gossip mostly by other women. We are too busy comparing ourselves to even appreciate our rights. Oprah (has said) that we are lucky just to be born in North America.

All the women in this movie were strong willful characters, like many Indian women they accepted their fate, BUT they still made choices. Lisa Ray's character still fell in love despite her destiny. Despite her circumstances she was so mentally, spiritually, emotionally and overall more evolved than John's character.

One even feels empathy towards him, as a man he is so out of touch with reality...he lives life according to his idealism. This is how he copes with struggles in his life. He choices are also constrained by circumstance From an outsiders point of view, John's character seems to have it all, respect, a sweet mom (Waheeda). I loved WR in Guide that is one of my favorites. His world shatters when he learns of his fathers secrets...

Lisa's character knows her fate, yet she takes the initiative to follow her heart. As a Canadian I am really proud of WATER, I usually do not watch these kinds of movies but sometimes a wake up call is necessary especially when we are wrapped up in our own selfish needs. Water is masterpiece...I am proud of Lisa Ray for taking the time and actually learning about the craft of acting.

One of the most powerful movies I have ever seen! The actors were fearless. The story was honest, raw and moving. I feel changed by it. Deepa Mehta' created something out of love, vision and fearlessness and it shows. I was brought to tears by the end of the film, not because of pity for the characters but rather out of pride. Though the film deals with heavy issues the actors carried it with dignity. The script articulates the tragedy and hypocrisy these women must bare but it also illustrates the quiet revolution we must all experience in order to grow, in order to change. I have seen Earth, Fire and now Water and Mehta has done justice to all of them.