Un joven talentoso se debate entre su inesperado amor por la danza y la desintegración de su familia.Un joven talentoso se debate entre su inesperado amor por la danza y la desintegración de su familia.Un joven talentoso se debate entre su inesperado amor por la danza y la desintegración de su familia.
- Dirección
- Guionista
- Elenco
- Nominado a 3 premios Óscar
- 55 premios ganados y 71 nominaciones en total
Colin MacLachlan
- Mr. Wilkinson
- (as Colin Maclachlan)
Matthew James Thomas
- Simon
- (as Matthew Thomas)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Billy Elliot is a truly inspirational movie. It reminds us of the human potential to transcend our economic surroundings and the expectations of society by doing something so simple, and yet sometimes so very difficult, as simply being ourselves.
Born in a socially and economically repressed mining town, Billy is told that boys box or wrestle; boys don't dance. But Billy loves to dance and does so every chance that he gets.
Does a love of ballet make you gay? Does it matter if your best friend is a crossdresser? How far will a father go when he realizes the truth about his son? This is a movie of change, growth and emotion, with characters and actors so real and fully developed that they pull your heart forth and place it firmly upon the screen. We literally feel the brittleness of judgement, the despair of lost hope, and the joy of acceptance.
It is easy to see why this small British film has won so many foreign awards and nominations, and I only hope it will be given the chance it deserves to inspire and transform US audiences as well.
Born in a socially and economically repressed mining town, Billy is told that boys box or wrestle; boys don't dance. But Billy loves to dance and does so every chance that he gets.
Does a love of ballet make you gay? Does it matter if your best friend is a crossdresser? How far will a father go when he realizes the truth about his son? This is a movie of change, growth and emotion, with characters and actors so real and fully developed that they pull your heart forth and place it firmly upon the screen. We literally feel the brittleness of judgement, the despair of lost hope, and the joy of acceptance.
It is easy to see why this small British film has won so many foreign awards and nominations, and I only hope it will be given the chance it deserves to inspire and transform US audiences as well.
I have been looking for Billy Elliot for more than two years. I heard that it should be very good or even excellent film and another reason for watching it was that I have seen several Working Title films before (About a Boy, Notting Hill, Love Actually, Four Weddings and a Funeral) and I found all of them much more sincere and emotional than average Hollywood products. Also these British films have something to offer that you rarely can find in Hollywood movies: a charming heartwarming mixture of sweet and funny comedy and inspiring and touching drama. Last month, finally, I found the tape. From very first moments of the movie my eyes were riveted to the screen and when the movie ended feelings and emotions overflowed me. Billy Elliot in my opinion Billy Elliot is a brilliant movie, easily one of the best movies of the year and most likely of the current decade.
Director of the movie Stephen Daldry brought to us an exceptional, truly inspiring and moving, emotional and poignant movie. The entire story and all the characters are completely believable and the atmosphere of small provincial town somewhere in North-Eastern England skillfully captured and transmitted to us. Sometimes the movie is sad, sometimes it's funny but Stephen Daldry's work never leave you indifferent. The story occurs in a small coal-mining town in 1984 and there are signs of a severe depression all over the town. You can see all around a shadow of distress and even poverty. Some simple but incredibly powerful scenes bring to us sad feeling of hopelessness and even despair. There is a big coalminers strike in the town but it's easy to see that it's also the hopeless strike. But all this is only a masterfully recreated background for main story of the title character, a twelve years old boy. He recently lost his mother and both his father and elder brother are striking coalminers. Billy is forced by his father to attend boxing classes and one day accidentally he see the girl ballet classes that occur in same room and he find ballet much more interesting than hated stupid boxing. So he attends those ballet classes instead the boxing and there is nothing surprising that after a few weeks his father suddenly finds out that Billy didn't attend boxing and worst of all he is attending the ballet classes. The main conflict occurs.
Billy must fight for his choice, fight against his own family. There are two stereotypes against him. First one is that ballet for girls, not for boys (lads do football... or boxing... or wrestling). And second sounds even worse: all male ballet dancers are gays. Billy is not but no one from his family except aged grandma want even heard about ballet. There are only two people in the whole town, who support him middle-aged ballet teacher Mrs. Wilkinson and his friend Michael, who is the same age as Billy and who found that he is possibly a gay. This gay subplot easily became for conservative audience a very controversial question. But the fact is that such stereotypes are not invented by the director of the movie and if you would try to learn more about this terrific picture you will found that Jamie Bell, who took dance lessons from age six, suffered from similar sneers and taunts. Billy's problem is that he must fight not only against bad obstacles and misunderstanding but also against strong social stereotypes. Several brilliant come scenes and bright humor greatly emphasize the struggles of the main hero.
Jamie Bell playing Billy has on of the best performances ever among young actors. His performance (and particularly dance sequences) is so genuine, bright and sincere that all the time we can easily feel an expression of a young boy, not a director, choreographer or writer. BAFTA award for best actor of the year is well-deserved and it is pity that conservatism of the Academy too often becomes an insuperable obstacle for many great movies. Julie Walters (an Academy nomination for best supporting actress) as Billy's ballet teacher also did a great job as a talented woman as a talented women who forced to teach in small provincial town for pitiful salary. The chemistry between teacher and student is another great line in Billy Elliot. Two other important supporting characters Billy's father and elder brother Tony are also excellent and their evolution is perfectly showed by Stephen Daldry's direction. The beautiful soundtrack is a perfect combination of a classic (including a nice reference to great Swan Lake) and modern music.
The original "R" rating shouldn't mislead you. Except for strong language it should be easily a PG-13. But this is a very rare case where some strong language and profanity are necessary for authenticity and characters understanding. The movie is suitable for teens and it definitely is able to give some good lessons for them.
10 out of 10 looks well deserved. Thanks for reading and sorry for my bad English
Director of the movie Stephen Daldry brought to us an exceptional, truly inspiring and moving, emotional and poignant movie. The entire story and all the characters are completely believable and the atmosphere of small provincial town somewhere in North-Eastern England skillfully captured and transmitted to us. Sometimes the movie is sad, sometimes it's funny but Stephen Daldry's work never leave you indifferent. The story occurs in a small coal-mining town in 1984 and there are signs of a severe depression all over the town. You can see all around a shadow of distress and even poverty. Some simple but incredibly powerful scenes bring to us sad feeling of hopelessness and even despair. There is a big coalminers strike in the town but it's easy to see that it's also the hopeless strike. But all this is only a masterfully recreated background for main story of the title character, a twelve years old boy. He recently lost his mother and both his father and elder brother are striking coalminers. Billy is forced by his father to attend boxing classes and one day accidentally he see the girl ballet classes that occur in same room and he find ballet much more interesting than hated stupid boxing. So he attends those ballet classes instead the boxing and there is nothing surprising that after a few weeks his father suddenly finds out that Billy didn't attend boxing and worst of all he is attending the ballet classes. The main conflict occurs.
Billy must fight for his choice, fight against his own family. There are two stereotypes against him. First one is that ballet for girls, not for boys (lads do football... or boxing... or wrestling). And second sounds even worse: all male ballet dancers are gays. Billy is not but no one from his family except aged grandma want even heard about ballet. There are only two people in the whole town, who support him middle-aged ballet teacher Mrs. Wilkinson and his friend Michael, who is the same age as Billy and who found that he is possibly a gay. This gay subplot easily became for conservative audience a very controversial question. But the fact is that such stereotypes are not invented by the director of the movie and if you would try to learn more about this terrific picture you will found that Jamie Bell, who took dance lessons from age six, suffered from similar sneers and taunts. Billy's problem is that he must fight not only against bad obstacles and misunderstanding but also against strong social stereotypes. Several brilliant come scenes and bright humor greatly emphasize the struggles of the main hero.
Jamie Bell playing Billy has on of the best performances ever among young actors. His performance (and particularly dance sequences) is so genuine, bright and sincere that all the time we can easily feel an expression of a young boy, not a director, choreographer or writer. BAFTA award for best actor of the year is well-deserved and it is pity that conservatism of the Academy too often becomes an insuperable obstacle for many great movies. Julie Walters (an Academy nomination for best supporting actress) as Billy's ballet teacher also did a great job as a talented woman as a talented women who forced to teach in small provincial town for pitiful salary. The chemistry between teacher and student is another great line in Billy Elliot. Two other important supporting characters Billy's father and elder brother Tony are also excellent and their evolution is perfectly showed by Stephen Daldry's direction. The beautiful soundtrack is a perfect combination of a classic (including a nice reference to great Swan Lake) and modern music.
The original "R" rating shouldn't mislead you. Except for strong language it should be easily a PG-13. But this is a very rare case where some strong language and profanity are necessary for authenticity and characters understanding. The movie is suitable for teens and it definitely is able to give some good lessons for them.
10 out of 10 looks well deserved. Thanks for reading and sorry for my bad English
This is one of those really great dramas that only come around maybe once a year. This is my pick for the best drama of 2000. Filled with amazing characters, a great plot, and circumstances that seem too real, the wonderfully underplayed value of it takes precedence over anything set against it.
There are some great performances here, so let's get to em.
Jamie Bell plays the lead role, in an astonishing performance. Amazing dance routines done in perfect sync, I can just imagine the time he had memorizing all the steps. A knockout performance, with some of the most dramatic scenes played out with perfect honesty and realism.
Another notable performance comes from Julie Walters, who plays Mrs. Wilkinson, the dance instructor in the mining town where Billy lives. Once a great dancer but now forced to work in the bottom floor of a boxing hall, she plays her part wonderfully, showing the lack of compassion and jadedness without words but only through expressions, deep hurt lying beneath all that scorn, but love shining through as she sees Billy's true talent.
Finally, performance wise, we have Gary Lewis, who plays Billy's father. With wonderful scenes that play themselves out with harsh reality, I never tire of seeing the hurt in his eyes when he sees that his little boy isn't going to be a boxer or a football player, but a dancer, then seeing him again with the love and appreciation for his dancing son. Some things must be experienced, and the deep hurt he carries about the death of his wife is one of those. Greatness all around.
The one problem I did have with this movie is that it is first of all rated R. Why?! If it weren't for the few (and very effective) uses of the 'F' word, it would've gotten a PG-13 rating. It so strongly needs the 'F' word, yet it needs to be seen by a PG-13 audience! This is a move that truly should be shown to middle schoolers all over the country, showing that you should believe in yourself and no one else. Follow your dreams. Not only is this message not shoved down your throat (as some other movies shamelessly do), but it is done in such a way that you truly believe it. You want good things to happen, and you get that, but not spotless and clean. Nothing is done easily, and there will always be someone who will try and stop your dreams from coming true.
Another (and the only other problem) are the accents. The British definitely have a style of speaking all their own, and it sometimes took a moment for all the dialogue to register. Sometimes I'd miss half a scene, trying to decipher out exactly what was said. However, the tones and emotions of most scenes were enough to let you know what was said. Everything didn't have to be spelt out, but I can imagine that after I get this DVD I will sit down with the captions on, just to know I didn't miss anything. This is one of the only complaints I have for another favorite of mine, Lock, Stock and Two Smoking Barrels.
Billy Elliot is a true rag-to-riches story that unfolds amazingly well without pulling your heartstrings shamelessly as other movies love to do. I recommend this to all, expect to be entertained with great plot twists as well as interesting characters, wonderful dialogue, and a story that can never grow old: Follow your dreams.
There are some great performances here, so let's get to em.
Jamie Bell plays the lead role, in an astonishing performance. Amazing dance routines done in perfect sync, I can just imagine the time he had memorizing all the steps. A knockout performance, with some of the most dramatic scenes played out with perfect honesty and realism.
Another notable performance comes from Julie Walters, who plays Mrs. Wilkinson, the dance instructor in the mining town where Billy lives. Once a great dancer but now forced to work in the bottom floor of a boxing hall, she plays her part wonderfully, showing the lack of compassion and jadedness without words but only through expressions, deep hurt lying beneath all that scorn, but love shining through as she sees Billy's true talent.
Finally, performance wise, we have Gary Lewis, who plays Billy's father. With wonderful scenes that play themselves out with harsh reality, I never tire of seeing the hurt in his eyes when he sees that his little boy isn't going to be a boxer or a football player, but a dancer, then seeing him again with the love and appreciation for his dancing son. Some things must be experienced, and the deep hurt he carries about the death of his wife is one of those. Greatness all around.
The one problem I did have with this movie is that it is first of all rated R. Why?! If it weren't for the few (and very effective) uses of the 'F' word, it would've gotten a PG-13 rating. It so strongly needs the 'F' word, yet it needs to be seen by a PG-13 audience! This is a move that truly should be shown to middle schoolers all over the country, showing that you should believe in yourself and no one else. Follow your dreams. Not only is this message not shoved down your throat (as some other movies shamelessly do), but it is done in such a way that you truly believe it. You want good things to happen, and you get that, but not spotless and clean. Nothing is done easily, and there will always be someone who will try and stop your dreams from coming true.
Another (and the only other problem) are the accents. The British definitely have a style of speaking all their own, and it sometimes took a moment for all the dialogue to register. Sometimes I'd miss half a scene, trying to decipher out exactly what was said. However, the tones and emotions of most scenes were enough to let you know what was said. Everything didn't have to be spelt out, but I can imagine that after I get this DVD I will sit down with the captions on, just to know I didn't miss anything. This is one of the only complaints I have for another favorite of mine, Lock, Stock and Two Smoking Barrels.
Billy Elliot is a true rag-to-riches story that unfolds amazingly well without pulling your heartstrings shamelessly as other movies love to do. I recommend this to all, expect to be entertained with great plot twists as well as interesting characters, wonderful dialogue, and a story that can never grow old: Follow your dreams.
I had seen the commercials and they emphasize the dancing aspect of the story which is great but there is so much more to this movie. It deals with death and it touches on Mens feelings of loss and what a Man is and even deals a bit with homosexuality. Theres not many times where I sit though the end credits anymore but I was mesmorized. I laughed in this movie and I cried too. The dance scenes were terrific too. The boy who played Billy should get an award hands down for this movie. I watched the emotion on his face and it was amazing. This is the best breakout performance by a young boy since haley Joel Osmant in Sixth Sense. I have to say I just loved Julie Walters too. Where has she been since Educating Rita. Inspite of the swear words this is a movie that families should see. Its hard to believe this gets an R rating and movies like Scary Movie get...only R ratings. I dont get it. Strange that two of my favorite recent movies are from the British...This and Croupier. Word to Hollywood, make more movies like this or at lease import more like this. Dont miss this one!
After revisiting this film again recently, I stick my chest out and state proudly that the film touches me on so many levels that my emotions go all over the shop. For a film that is in essence a feel good coming of age drama it is mightily impressive that the film never veers down that street known as sickly boulevard.
Set against the grim backdrop of the English Coal Miners strikes the film tackles an array of subjects, class struggles, fear of homosexuality, youthful adventure in discovering potential adulthood, and the universal joy that music and dance can bring to us all, even in the most trying of circumstances. So many great scenes here that are both happy and sad, Billy's father feels he has to break the strike to give Billy a chance in life, this leads to a truly heartbreaking scene between him and his eldest son, I weep unashamedly at the realism of it all, the dancing is just wonderful, with too many great scenes to only pick just one out, the film is a seamless classic that ticks every box that I personally require from a film like this.
The cast are magnificent, Jamie Bell perfectly layers the lead role of Billy by fusing confusion, joy, fear, hope, and sorrow into one almighty performance. Julie Walters is up to her usual standard of greatness, whilst Gary Lewis as the father is nothing short of tremendous, they all can take a bow for making such a wonderful movie. The soundtrack is music gold, you can never have enough T-Rex in your life, ever, and I ask if there has ever been a more appropriate use of music than the use of The Jam's-Town Called Malice? Paul Weller's up tempo beat belies it's sombre lyrics, the song is about a town besieged by unemployment, a great scene accompanies the song as Billy dances out his frustrations down the street; "you either cut down on the beer or the kids new gear, it's a big decision in a town called Malice".
Brilliant! Maybe I'm biased because I remember the miners strikes, a sad and desperate time for the industry that was about to go under, perhaps I love it for the sheer sympathy the characters garner, or could it just be that it's an incredibly human story that is laid out fantastically well with an ending that demands a positive response from the viewer? Either way it rates 10/10 for me and it always will.
Set against the grim backdrop of the English Coal Miners strikes the film tackles an array of subjects, class struggles, fear of homosexuality, youthful adventure in discovering potential adulthood, and the universal joy that music and dance can bring to us all, even in the most trying of circumstances. So many great scenes here that are both happy and sad, Billy's father feels he has to break the strike to give Billy a chance in life, this leads to a truly heartbreaking scene between him and his eldest son, I weep unashamedly at the realism of it all, the dancing is just wonderful, with too many great scenes to only pick just one out, the film is a seamless classic that ticks every box that I personally require from a film like this.
The cast are magnificent, Jamie Bell perfectly layers the lead role of Billy by fusing confusion, joy, fear, hope, and sorrow into one almighty performance. Julie Walters is up to her usual standard of greatness, whilst Gary Lewis as the father is nothing short of tremendous, they all can take a bow for making such a wonderful movie. The soundtrack is music gold, you can never have enough T-Rex in your life, ever, and I ask if there has ever been a more appropriate use of music than the use of The Jam's-Town Called Malice? Paul Weller's up tempo beat belies it's sombre lyrics, the song is about a town besieged by unemployment, a great scene accompanies the song as Billy dances out his frustrations down the street; "you either cut down on the beer or the kids new gear, it's a big decision in a town called Malice".
Brilliant! Maybe I'm biased because I remember the miners strikes, a sad and desperate time for the industry that was about to go under, perhaps I love it for the sheer sympathy the characters garner, or could it just be that it's an incredibly human story that is laid out fantastically well with an ending that demands a positive response from the viewer? Either way it rates 10/10 for me and it always will.
¿Sabías que…?
- TriviaJamie Bell was going through puberty at the time of filming. Some of his dialogue had to be post-synched as his voice had broken. And the opening scene in which he jumps up and down on a bed to T. Rex's "Cosmic Dancer" was shot over a lengthy period of time. For the latter takes, Bell had acquired hair on his legs and had to have them shaved.
- ErroresBilly's brother listens to music in his room (at around 42 mins) while wearing headphones but in cuts to the father and grandmother in other rooms in the house they hear the music as well. Some stereos allow the use of headphones and speakers together.
- Citas
Tutor 1: What does it feel like when you're dancing?
Billy: Don't know. Sorta feels good. Sorta stiff and that, but once I get going... then I like, forget everything. And... sorta disappear. Sorta disappear. Like I feel a change in my whole body. And I've got this fire in my body. I'm just there. Flyin' like a bird. Like electricity. Yeah, like electricity.
- Versiones alternativasAn edited version was released in the USA rated PG-13 that tones down the language.
- Bandas sonorasTop Hat, White Tie, and Tails
Performed by Fred Astaire
Courtesy of Turner Entertainment Co.
Composed by Irving Berlin
Irving Berlin Music Corp.
By kind permission of Warner/Chapplel Music Limited
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Dancer
- Locaciones de filmación
- Easington, Peterlee, County Durham, Inglaterra, Reino Unido(Rialto Cinema)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,995,263
- Fin de semana de estreno en EE. UU. y Canadá
- USD 215,681
- 15 oct 2000
- Total a nivel mundial
- USD 110,197,267
- Tiempo de ejecución
- 1h 50min(110 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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