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Elevador del mal

Título original: Down
  • 2001
  • R
  • 1h 51min
CALIFICACIÓN DE IMDb
4.7/10
5.7 k
TU CALIFICACIÓN
Elevador del mal (2001)
Dark ComedyActionHorrorMysterySci-FiThriller

Cuando los ascensores del Millennium Building de Nueva York comienzan a tener problemas, se envía al mecánico Mark Newman para encontrar la causa. Después de que ocurren "accidentes" horribl... Leer todoCuando los ascensores del Millennium Building de Nueva York comienzan a tener problemas, se envía al mecánico Mark Newman para encontrar la causa. Después de que ocurren "accidentes" horribles, Mark une fuerzas con la reportera Jennifer.Cuando los ascensores del Millennium Building de Nueva York comienzan a tener problemas, se envía al mecánico Mark Newman para encontrar la causa. Después de que ocurren "accidentes" horribles, Mark une fuerzas con la reportera Jennifer.

  • Dirección
    • Dick Maas
  • Guionista
    • Dick Maas
  • Elenco
    • James Marshall
    • Naomi Watts
    • Eric Thal
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.7/10
    5.7 k
    TU CALIFICACIÓN
    • Dirección
      • Dick Maas
    • Guionista
      • Dick Maas
    • Elenco
      • James Marshall
      • Naomi Watts
      • Eric Thal
    • 100Opiniones de los usuarios
    • 46Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Videos1

    The Shaft
    Trailer 1:49
    The Shaft

    Fotos32

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    Elenco principal99+

    Editar
    James Marshall
    James Marshall
    • Mark Newman
    Naomi Watts
    Naomi Watts
    • Jennifer Evans
    Eric Thal
    Eric Thal
    • Jeffrey
    Michael Ironside
    Michael Ironside
    • Gunter Steinberg
    Edward Herrmann
    Edward Herrmann
    • Milligan
    Dan Hedaya
    Dan Hedaya
    • Lt. McBain
    Ron Perlman
    Ron Perlman
    • Mitchell
    Kathryn Meisle
    Kathryn Meisle
    • Mildred
    Martin McDougall
    Martin McDougall
    • Security Guard Andy
    John Cariani
    John Cariani
    • Security Guard Gary
    David Gwillim
    David Gwillim
    • Blind Man (Mr Faith)
    Peter Banks
    Peter Banks
    • Maintenance Chief
    William Vanderpuye
    • Murphy
    • (as Will Vanderpuye)
    Wilke Durand
    • Kowalski's Wife
    Todd Boyce
    Todd Boyce
    • ESU Captain
    William Roberts
    William Roberts
    • Special Agent in Charge
    Greg Shore
    • Chip
    Hanneke Riemer
    • Nanny from Hell (Ilsa)
    • Dirección
      • Dick Maas
    • Guionista
      • Dick Maas
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios100

    4.75.7K
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    Opiniones destacadas

    dbdumonteil

    The management apologizes for the inconvenience......

    ....after a blind man's and his dog's death.As the person was a vicious man ,we will not shed a tear for him,but poor dog! What saves this movie (at least in its first hour) is its sense of (black) humor.Although it's sometimes a bit over the top (the nursery school scene is sheer bad taste:it would have taken John Waters to treat it successfully),there are plenty of funny scenes if you do not take them seriously:I particularly dig the "Bergman" lines.

    Unfortunately,the last thirty minutes take us back to "the invincible super hero who single-handedly fights evil ".But he was a marine,we are told.

    Some kind of remake of the director's "de lift" (early eighties)with a more comfortable budget.

    It's pretty good entertainment but you'd better choose Dick Maas's "Amsterdamned" instead.
    4Jonny_Numb

    all the good comment titles have been taken!

    It all begins with a sweeping, awe-inspiring shot of The Millennium Building, one of New York City's premier hotels, housing all of 100-some odd floors. We zero in on two goombah bellboys spying on an old man and two old-looking women boinking in a highrise across the street; this scene brings to mind Brian De Palma's "Body Double," and the decent production values mixed with aforementioned homage give the viewer an (admittedly misleading) impression of what's to come. While fully aware of the (admittedly deserved) bad reputation most DTV efforts have, "The Shaft" at least starts off with promise. Writer-director Dick Maas (remaking his 1983 Dutch original, "The Lift") has a knack for framing scenes, building suspense, and keeping his camera firmly in the moment. The problem is, his script is a muddled misfire, never quite settling on a solid path; the result is an accidental bending of sci-fi, horror, and flat-out action that never gels as well as it should. After an elevator in the Millennium knocks off a bunch of victims in extravagant fashion, the plot devolves into a drawn out (and ultimately unsuccessful) search for The Truth--suddenly elevator repairman James Marshall (imagine a cut-rate Brad Pitt) and fetching reporter Naomi Watts (pre-"Mulholland Drive") are standing in for Guy Pearce and Russell Crowe, turning this into "El.A. Confidential." And in the final act, Maas spins the film into the outer limits of absurdity with a Michael Bay extravaganza of stunts and explosions, throwing in some references to Osama bin Laden and terrorism (pre-9/11!) for good measure. Save for Watts' lead role, most of the big names on the video box (including Ron Perelman, Dan Hedaya, Edward Herrmann, and Michael Ironside) are relegated to smaller 'guest appearances' (though every little bit helps). Big names aside, the premise is stretched so thin that you'll be hard-pressed to care about anything by the time the noisy climax rolls around. "The Shaft" takes a concept with genuine horror potential and transforms it into a bowl of cold oatmeal.
    filmnut1

    Satirical horror film and a good example of a decent American remake

    Released in the US as The Shaft, this is Dick Maas remake of his own striking debut. 1983's The Lift was a blackly comic chiller about a skyscraper's lift that begins to take the lives of its occupants. This beefed up version keeps the original premise intact, right down to the odd bio-mechanical explanation, but takes place in New York City, pre- 9/11. Beginning with an extravagant pan through the Manhattan skyline and onto the observation deck of the CG rendered Millennium Building, Maas's film looks ever bit as stylish as its $15 million budget would suggest. Given its blockbuster production values its easy to take this absurd movie at face value, but those familiar with the original may recognise that Maas is actually attempting deadpan parody. Slickly directed in widescreen frame, Marc Felperlaan's cinematography complements both the city (which was used only for exterior shots) and the gorgeous art deco production design of the building itself. James Marshall, as the rugged young hero, has something of Christian Slater, Mark Whalberg or Josh Hartnett about him, while his love interest is none other than Naomi Watts, who shortly after became a star in another US-set remake of a foreign classic. In this and that other film she plays a reporter investigating an absurd concept, here a killer lift, there killer videotapes. They are supported by respectable cast of character actors Michael Ironside, Edward Herrman, Ron Perlman and Dan Hedaya. Kicking off the scene with the sounds of Aerosmith's Love in an Elevator, an extravagant race takes place between two incredibly skilled risk takers through New York traffic and into the basement parking garage of the Millennium Building. One of the skaters is then sucked into the lift, in an unexplained supernatural moment, only to be thrown out from the top floor. Bold, inventive and darkly humorous, this brief sequence, which has no dialogue or featured performers present, displays Maas' talent with his rehashed material to the greatest effect. This film was, unfortunately, somewhat prophetic and is laced with unintended irony as a result. Released over two years after the destructive assault on the World Trade Centre, it's not difficult to see why. The very first shot shows us those twin towers, which will forever provoke gasps of remembrance in whatever film they appear, and soon we are in a similar building where horrifying acts are occurring. This seems at first a rather tenuous reason to delay a release, but then the moment arrives when the narrative enlists comments from the fictional President, in which he expresses fear of the occurrences as a terrorist act. This remake is something of a cross between its inspirational text and the likes of high-rise horror's Poltergeist 3 (Gary Sherman, 1988) and The Tower (Richard Kletter, 1993), and is certainly superior in the execution of its novel concept than either The Mangler (Tobe Hooper, 1994) or sequels. The only thing that really lets this film down is the bad language. The F-word is used gratuitously and repeatedly throughout.
    8azdelsol

    This wasn't bad!

    You know, people will probably bust up this movie, but it was really pretty good. It had a bit of a far fetched plot, but it was funny in places and the gore wasn't bad. The bit when the elevator chopped off the guy's head was a decent effect -- slow motion and relatively seamless. And the fact that they had references to terrorism in a NY skyscraper -- before 9/11 -- was pretty cool. Even made reference to the 93 attempt on the WTC and to Bin Laden -- a while before the actual event. Eerie. At least someone out there connected the dots. I'd rent it again.
    8BA_Harrison

    I'm giving Down the thumbs up.

    It amazes me how often deliberately cheesy, tongue-in-cheek horror films are misconstrued as poorly made garbage. Down (AKA The Shaft), director Dick Maas' 2001 remake of his own 1983 Dutch horror De Lift, opens with the camera gliding gracefully over the NY skyline to eventually come to rest on 'The Millennium Building' where two night watchmen use an observation telescope to spy on big-breasted hookers at work in a neighbouring skyscraper; it's a superbly executed and wonderfully trashy opening that should make it crystal clear that Maas knows exactly what he is doing—making a highly entertaining, campy schlock/horror that shouldn't be taken seriously—and yet there are still those who seem to have missed the joke.

    Oh well, it's their loss, because when viewed as intended, Down proves to be a lot of fun, packed as it is with outrageously silly deaths, delightfully daft dialogue, and knowingly clichéd characters—precisely the kind of stuff I would expect to see in a horror film about a murderous 'living' elevator controlled by a malevolent state-of-the-art computer chip enhanced by living brain tissue.

    An excellent cast clearly have a blast in their two-dimensional stock roles, with a gorgeous pre-A-list Naomi Watts as a feisty newspaper reporter, James Marshall as a cocky elevator engineer, Ron 'Hellboy' Perlman as the shady owner of the elevator company, Dan Hedaya as a grizzled NY detective, and Michael 'Scanners' Ironside as a loathsome scientist hellbent on perfecting his pet project, whatever the cost. Maas keeps the action moving along at a brisk pace, handling the special effects set-pieces, wry humour, and gruesome shocks with confidence, even going so far as to kill off women, children, and animals along the way.

    And if all that isn't enough to pique your interest, let's not forget about the eerily prophetic scene in which characters discuss the possible use of a plane in a terrorist attack on the World Trade Centre; with 9/11 just around the corner, it stands out as a genuinely chilling moment in an otherwise intentionally ridiculous and wonderfully OTT piece of nonsense.

    7.5 out of 10, rounded up to 8 for IMDb.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      A wide theatrical release in the United States was canceled due to the 9/11 terrorist attacks. Although entirely coincidental, the film makes several references to terrorism in New York City, getting as specific as mentioning plane hijackings and Osama Bin Laden destroying the World Trade Center.
    • Citas

      Jennifer Evans: I'll pee on them.

    • Conexiones
      Featured in The Cine-Masochist: THE LIFT (2021)
    • Bandas sonoras
      She's Not There
      Written by Rod Argent

      Performed by The Zombies

      Courtesy of Columbia Records

      By Arrangement with Sony Music Licensing

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    Preguntas Frecuentes17

    • How long is The Shaft?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 11 de mayo de 2001 (Estados Unidos)
    • Países de origen
      • Estados Unidos
      • Países Bajos
    • Idioma
      • Inglés
    • También se conoce como
      • The Shaft
    • Locaciones de filmación
      • First Floor Film Factory, Almere, Flevoland, Países Bajos
    • Productoras
      • First Floor Features
      • Algemene Vereniging Radio Omroep (AVRO)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 15,000,000 (estimado)
    • Total a nivel mundial
      • USD 535,658
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 51 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital EX
    • Relación de aspecto
      • 2.35 : 1

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