Besos Perdidos

I realize that the film maker wishes us to find her 14 year old Georgian Lolita a delightful free spirit but after 30 min all I could see was a smug bore.

27 Missing Kisses is a good pastime if you want a different film that drags some folklore along it. It's funny, but tragic too. I can't say I loved it to the bone, but I found it interesting for sure.

What happens in a little town in Caucasus when a teen girl falls in love with a teen boy's father and the teen boy with her? Such an interesting subject. The director doesn't get stuck on some particular frames, yet he still fails a little when trying to make the film flow. So it could have been better. But I would still recommend it to those who are bored or Hollywood garbage. Don't expect a masterpiece, and don't expect to to laugh your rear off either. But you still won't regret watching this flick anyway.

7.5/10 from me

A summer adventure for precocious fourteen year old Sibylla, when she goes to visit her aunt. lots of wise old sayings and superstitions. full moons. romance. local boy Mickey (who's a little nuts) has a crush on Sibylla, but she follows his father Alex (he's 41) around, spying on him constantly. Nutsa Kukhianidze, (Sibylla) was actually 17, and quite developed up front. and already has the eye of all the men in town. some beautiful music. so many leeches. pretty scenery. but there are so many locations listed, one can't be sure which scenes were filmed where. some silliness with sex toys. skulking around town, following the other locals. in this town, even the grim, disapproving higher ups aren't really so prim and proper. everyone here is a little quirky. which works. a fun little adventure. much ado about nothing, Republic of Georgia style. directed by Nana Dzhordzhadze. story by Irakli Kvirikadze. both from the Republic of Georgia.

This is a beautiful movie in every way. It's too bad that Hollywood can't produce something like this once in awhile. While Sibylla is misunderstood by everyone around her, the audience understands only too well that sometimes we can't explain our feelings. Sometimes we can't just automatically conform. In fact, sometimes the most interesting people are people like Sibylla who is beautiful self from beginning to end. She follows her heart no matter how illogical or imprudent those feelings might be... not matter the cost. Nutsa Kukhianidze is spectacular. Great to look at. Fun to spend two hours with. A very convincing young rebel.

A film that captures the sexual awakening of adolescence, with a 14-year-old girl (Nutsa Kukhianidze) developing a crush for the 41-year-old father of her boyfriend. This is put alongside what seems to be the sexual awakening of a town in a former Soviet social republic, coincident with the screening of the film Emmanuelle. Maybe there's a political message in here along the lines of Westernization and freedom, but mostly I saw it as a coming of age tale, one with an undercurrent of pride in Georgian culture. We see people laughing and unperturbed even though busses and shepherds are shelled by an out of control military leader on a nearby hillside, and a father is unfazed when his teenage son grabs a gun, saying simply "think before you shoot." There is something stoic at the bottom of all the zaniness. The film has moments that are surreal and others which are comedic, and it's never boring.

Kukhianidze is a gorgeous young woman but as the character is 14 and the actor was 17, I thought the number of scenes where she appeared topless was a little gratuitous. Maybe they're in there to show this transitional period where a girl who is still immature is now in a beautiful young body, something emphasized by her mother still sponging her down in a bathing scene. The scenes where she peeks around a corner to spy on others engaged in illicit activities also add to this, and her eyes convey quite a bit of a fearless, playful, and yet awkward girl. It's a compelling performance and she made the movie for me.

In an interesting parallel, Director Nana Jorjadze is pretty fearless herself, with all of the film's bawdiness and the ethereal images she puts up on the screen. At times I felt the story line was a little too silly, such as the penis getting stuck in the ball bearings, and I wish there had been a slight tonal shift to emotions. One of the young women (Amaliya Mordvinova) has a habit of kicking up her long legs provocatively, and that seems to match Jorjadze's unabashed, carefree spirit though. She also gives us a lovely touch at the end through the narrator, communicating that these times in our lives, precious though they be in our memories, slip away from us.