Besos Perdidos

27 Missing Kisses is a good pastime if you want a different film that drags some folklore along it. It's funny, but tragic too. I can't say I loved it to the bone, but I found it interesting for sure.

What happens in a little town in Caucasus when a teen girl falls in love with a teen boy's father and the teen boy with her? Such an interesting subject. The director doesn't get stuck on some particular frames, yet he still fails a little when trying to make the film flow. So it could have been better. But I would still recommend it to those who are bored or Hollywood garbage. Don't expect a masterpiece, and don't expect to to laugh your rear off either. But you still won't regret watching this flick anyway.

7.5/10 from me

Popularly unheralded, "27 Missing Kisses" is a gem of a movie. Nana Dzhordzhadze directs with warmth and a lightness of touch whilst retaining a keen eye for some truly memorable imagery. In fact, scenically, the film a visual treat. The plot is a simple one but beautifully realized due in part to the excellent performances of Nutsa Kukhianidze as the main protagonist Sibylla and in the supporting role of Veronica, Amaliya Morduinova. The movie unfolds at an easy pace which allows the character of Sibylla to fully develop and for the supporting characters, particularly the women, to fully reveal themselves. Much of the story takes place around a simple village environment and Dzhordzhadze deserves credit for making this place, so warm and gentle, yet filled with such wonderful characters, so believable. It is a film full of varying emotions but never descends into gratuitous sentimentality. The soundtrack is subtle, never intrusive and absolutely appropriate, beautifully reflecting the mood of the film.

If this film has any shortcomings, perhaps it could be said that some of the sub-plots are less than perfectly resolved and most of the male characters are clichéd in type but these really are minor faults indeed in what is a completely beguiling movie.

A summer adventure for precocious fourteen year old Sibylla, when she goes to visit her aunt. lots of wise old sayings and superstitions. full moons. romance. local boy Mickey (who's a little nuts) has a crush on Sibylla, but she follows his father Alex (he's 41) around, spying on him constantly. Nutsa Kukhianidze, (Sibylla) was actually 17, and quite developed up front. and already has the eye of all the men in town. some beautiful music. so many leeches. pretty scenery. but there are so many locations listed, one can't be sure which scenes were filmed where. some silliness with sex toys. skulking around town, following the other locals. in this town, even the grim, disapproving higher ups aren't really so prim and proper. everyone here is a little quirky. which works. a fun little adventure. much ado about nothing, Republic of Georgia style. directed by Nana Dzhordzhadze. story by Irakli Kvirikadze. both from the Republic of Georgia.

A film that captures the sexual awakening of adolescence, with a 14-year-old girl (Nutsa Kukhianidze) developing a crush for the 41-year-old father of her boyfriend. This is put alongside what seems to be the sexual awakening of a town in a former Soviet social republic, coincident with the screening of the film Emmanuelle. Maybe there's a political message in here along the lines of Westernization and freedom, but mostly I saw it as a coming of age tale, one with an undercurrent of pride in Georgian culture. We see people laughing and unperturbed even though busses and shepherds are shelled by an out of control military leader on a nearby hillside, and a father is unfazed when his teenage son grabs a gun, saying simply "think before you shoot." There is something stoic at the bottom of all the zaniness. The film has moments that are surreal and others which are comedic, and it's never boring.

Kukhianidze is a gorgeous young woman but as the character is 14 and the actor was 17, I thought the number of scenes where she appeared topless was a little gratuitous. Maybe they're in there to show this transitional period where a girl who is still immature is now in a beautiful young body, something emphasized by her mother still sponging her down in a bathing scene. The scenes where she peeks around a corner to spy on others engaged in illicit activities also add to this, and her eyes convey quite a bit of a fearless, playful, and yet awkward girl. It's a compelling performance and she made the movie for me.

In an interesting parallel, Director Nana Jorjadze is pretty fearless herself, with all of the film's bawdiness and the ethereal images she puts up on the screen. At times I felt the story line was a little too silly, such as the penis getting stuck in the ball bearings, and I wish there had been a slight tonal shift to emotions. One of the young women (Amaliya Mordvinova) has a habit of kicking up her long legs provocatively, and that seems to match Jorjadze's unabashed, carefree spirit though. She also gives us a lovely touch at the end through the narrator, communicating that these times in our lives, precious though they be in our memories, slip away from us.

Set in Georgia -- the one in Eurasia, not the one around Atlanta -- or perhaps seacoast Bohemia, this movie, directed by Nana Dzhordzhadze, is a Shakespearean comedy that makes liberal use of images from his tragedies. In a theatrics-mad town, the screening of the French movie Emanuelle has everyone discussing this new vision of art, and has fourteen-year-old Nutsa Kukhianidze deciding she is going to seduce and wed the forty-one-year-old father of her age-appropriate boyfriend.

It's shot in sections of Tbiliisi and Athens -- the one in Greece, not Georgia -- and lit by cinematographer Phedon Papamichael that give it the look of a Kenneth Branagh Shakespeare movie from the 1990. Somehow it manages to mock the psychology of teen-aged girls and show their sorrows at the same time, and be beautiful to look at.