Un joven, falsamente encarcelado por su celoso amigo, se escapa y utiliza un tesoro escondido para vengarse.Un joven, falsamente encarcelado por su celoso amigo, se escapa y utiliza un tesoro escondido para vengarse.Un joven, falsamente encarcelado por su celoso amigo, se escapa y utiliza un tesoro escondido para vengarse.
- Dirección
- Guionistas
- Elenco
Mairead Devlin
- Partygoer No. 2
- (as Maireid Devlin)
Luis Guzmán
- Jacopo
- (as Luis Guzman)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I hired this one on a whim, remembering that i had seen the trailer and had been vaguely intrigued. I have to admit, having gone in with little expectation, i was flawed! This was one of the better movies that i have seen in a long time. Jim Caviezel's performance is slightly whiny to begin with, but in the context of the whole story, the reason therefore is appreciated and makes his transition and growth as a character that much more riveting to watch. I absolutely loved him as Edmund Dantes then the dynamic Count of Monte Cristo and cannot have imagined a better choice. He was definitely not bad on the eyes either. Every scene had him looking more dashing and more handsome than the one before.
Guy Pierce surprised me with a performance that was totally believable. His dry humour only made him more appealing, very well acted.
The entire epic, though long, never gives you the impression that you have been sitting still for ages. It moves along swiftly and always had me gripped, from the action, suspense, and even to the humour that was evident from time to time. The love story surprised me most of all. Instead of taking on a highly sexual slant, as all these new films do, it was understated, the female lead doing an admirable job of portraying the wounded lover, who has always longed for her Edmund. I loved the innocence that she managed to bring to the role, a really terrific actress and a really beautiful one as well.
Wonderfully scripted, exceptionally carried out! This has to be the best adaptation yet!
An emphatic 10!
Guy Pierce surprised me with a performance that was totally believable. His dry humour only made him more appealing, very well acted.
The entire epic, though long, never gives you the impression that you have been sitting still for ages. It moves along swiftly and always had me gripped, from the action, suspense, and even to the humour that was evident from time to time. The love story surprised me most of all. Instead of taking on a highly sexual slant, as all these new films do, it was understated, the female lead doing an admirable job of portraying the wounded lover, who has always longed for her Edmund. I loved the innocence that she managed to bring to the role, a really terrific actress and a really beautiful one as well.
Wonderfully scripted, exceptionally carried out! This has to be the best adaptation yet!
An emphatic 10!
I think I am a bit spoiled when it came to this film, as I have seen the made for TV version of this story starring Richard Chamberlain. This and Chamberlain's other Dumas tale (THE MAN IN THE IRON MASK) were made so perfectly that I can't help but immediately compare other versions to these nearly perfect films. In light of this, I am surprised that I actually liked this new version so much. While it's hard to say which film I liked better (the Chamberlain or 2002 version), it's easy to agree that they both are wonderful films. Much of the reason I liked this newer version so much is that it was a very romantic film--much more so than the other one. In addition, it was quite polished and beautiful. In fact, for once, I have nothing to really complain about, as it's a good retelling of the story.
One of the most famous revenge stories, The Count of Monte Cristo is here turned into a dashing, old-fashioned swashbuckler. The plot is riddled with unconvincing coincidences and occurences (as indeed was the book), but other than that this is a well-made, enjoyable film, with some literate dialogue and believable action sequences. It is the fact that the action is believable that makes the film memorable, because in too many 2002 releases the action was so overblown and unrealistic (not to mention physically impossible) that the credibility of such films was destroyed.
Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".
Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.
Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".
Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.
It's 1815. Edmond Dantès (Jim Caviezel) tries to save his captain and seeks help on the isle of Elba. The imprisoned Napoleon Bonaparte exchanges his help with a letter secret delivery. The captain dies nevertheless. Dantès returns and gets promoted to captain. He proposes to Mercedès Iguanada (Dagmara Dominczyk). Dantès' competitive jealous best friend Fernand Mondego (Guy Pearce) gets him arrested. Chief magistrate J.F. Villefort (James Frain) covers up his father's part in Napoleon's escape plan by sending Dantès to prison. Armand Dorleac (Michael Wincott) is the sadistic warden of the island prison of Château d'If. Dantès befriends prisoner Abbé Faria (Richard Harris) who educates the illiterate Dantès. Faria was in Napoleon's army who refuses to reveal the location of Count Spada's fortune. When Napoleon escapes, Villefort schemes with Mondego to keep Dantès in prison and lie to Mercedès about his execution. Faria is killed in a cave-in. Dantès escapes. He spares Jacopo (Luis Guzmán)'s life who pledges his eternal loyalty to him. They set off to find the hidden treasure and seek revenge on all who have wronged him. He schemes to bankrupt Mondego and befriend Albert (Henry Cavill) the son of Mondego and Mercedès.
It's a traditional literary adventure ripped from the golden age of Hollywood. Some may dismiss its earnest swashbuckling ways. It is melodramatic goodness. It is just so well made with a solid cast. They may not be A-list at the time but they're A-list in talent. Jim Caviezel and Guy Pearce are terrific. They have an amazing final sword fight that is both emotional and compelling. Richard Harris comes in like a call back to another era. James Frain is a great villain and it's fun to see a young Henry Cavill.
It's a traditional literary adventure ripped from the golden age of Hollywood. Some may dismiss its earnest swashbuckling ways. It is melodramatic goodness. It is just so well made with a solid cast. They may not be A-list at the time but they're A-list in talent. Jim Caviezel and Guy Pearce are terrific. They have an amazing final sword fight that is both emotional and compelling. Richard Harris comes in like a call back to another era. James Frain is a great villain and it's fun to see a young Henry Cavill.
"The Count of Monte Cristo" by Dumas is one of my favorite books, it keeps you on your toes the whole time, guessing what will happen next. The movie doesn't accomplish this as well. While the book is subtle with the Count's revenge, the movie screams for all to hear. "The Count of Monte Cristo, formerly Edmund Dantes is going to get revenge on his friends!!!" They left out 3 main characters, and DRASTICALLY changed the ending, they had to, the end involves those 3 characters they left out. But I did like the movie and if you enjoy it too I encourage you to read the book!
¿Sabías que…?
- TriviaScreenwriter Jay Wolpert came up with the idea, not present in the novel, that Fernand Mondego (Guy Pearce) and Edmond Dantes (Jim Caviezel) started out as best friends. His logic was that it would work better as a "buddy" film that turned sinister. Wolpert believed that when a friendship soured, the hate generated was both more terrible and more believable.
- ErroresEdmond's eye color fluctuates between brown and blue throughout the movie.
- Citas
Edmond: Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes. You must look into that storm and shout as you did in Rome. Do your worst, for I will do mine! Then the fates will know you as we know you: as Albert Mondego, the man!
- Versiones alternativasThe UK release was cut, the distributor chose to remove two shots of a man hanging to avoid giving children the impression that a person can hang for some time with no ill effects and in order to obtain a PG classification. An uncut 15 classification was available.
- ConexionesFeatured in The Count of Monte Cristo: An Epic Reborn (2002)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- The Count of Monte Cristo
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 54,234,062
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,376,150
- 27 ene 2002
- Total a nivel mundial
- USD 75,395,048
- Tiempo de ejecución2 horas 11 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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