CALIFICACIÓN DE IMDb
5.3/10
9.6 k
TU CALIFICACIÓN
Un joven se ve envuelto en una guerra contra los vampiros.Un joven se ve envuelto en una guerra contra los vampiros.Un joven se ve envuelto en una guerra contra los vampiros.
- Dirección
- Guionista
- Elenco
Frederick Flynn
- Hoot
- (as F.J. Flynn)
Jamie Galen
- Mitch
- (as a different name)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
You know, sometimes you'll see a B-movie horror flick where the story really grabs you and you think, man, if they just had a better budget, cast, effects, this really could have been something. Then in turn you'll see a movie with a decent cast, director and money to spend, but its obvious the script was written two days before shooting began.
I'm sorry to say that the Forsaken is more of the latter and less of the former. For us boys, there's plenty of explosions, car chases, the odd bit of nudity, but the plot is so wafer thin it falls to pieces at the first breeze.
As a 'popcorn' 'no-brainer' of a movie it's pleasant enough, the cast perform well with what little they've been given, but for me personally the ending felt like it had been 'tacked on' in a rush. That and the fact the whole thing feels like a marketing ploy to earn a sequel spoiled it for me really. Still if you're at a loose end and you like your horror flicks might be worth a watch for Johnathon Schaech (Star turn in my opinion) as the head vampire. Just don't get your expectations up.
I'm sorry to say that the Forsaken is more of the latter and less of the former. For us boys, there's plenty of explosions, car chases, the odd bit of nudity, but the plot is so wafer thin it falls to pieces at the first breeze.
As a 'popcorn' 'no-brainer' of a movie it's pleasant enough, the cast perform well with what little they've been given, but for me personally the ending felt like it had been 'tacked on' in a rush. That and the fact the whole thing feels like a marketing ploy to earn a sequel spoiled it for me really. Still if you're at a loose end and you like your horror flicks might be worth a watch for Johnathon Schaech (Star turn in my opinion) as the head vampire. Just don't get your expectations up.
I'm not a fan of Dawsons Creek, by that I mean I never got to see it but if I can ever watch it I will, but I have heard of Kerr Smith and it was the only reason I watched this movie. What I found, however was actually a really good and in parts scary, sexy, vampire movie. People say it's not original, I think it is. The vampire lore has been modernised (modernized) very well in certain tv shows, but Forsaken Desert Vampires really did scare me, and I felt something for the poor people who I felt were just like me in this horror nightmare being chased by vampires. If you dont like great acting, scary scenes, drama or great music than don't watch this movie, cause it has it all. Plus it has Kerr in a singlet and cars, what else do you need?? I was 17 when I first saw it, and think it's great for people in and around that age bracket.
I just picked up this film while perusing the horror section at my local video store. The box states "...sexiest vampire movie since 'The Lost Boys'!".
The only things those two films have in common is that they're both aimed for a teen audience, both seem to have a 'token female', and both are rife with homoerotic subtext.
This film is, without a doubt, a 'B' movie. It is most definitely not the best vampire film I've ever seen, and it's not even the best 'B' vampire film I've seen. But if you go into it expecting a 'B' movie, you'll enjoy it. It's even better if you make fun of it a little, ala Mystery Science Theater 3000.
It wasn't a film I would buy, or even rent again. But as something to throw in on a cold, rainy night when I had nothing better to do? Enjoyable.
The only things those two films have in common is that they're both aimed for a teen audience, both seem to have a 'token female', and both are rife with homoerotic subtext.
This film is, without a doubt, a 'B' movie. It is most definitely not the best vampire film I've ever seen, and it's not even the best 'B' vampire film I've seen. But if you go into it expecting a 'B' movie, you'll enjoy it. It's even better if you make fun of it a little, ala Mystery Science Theater 3000.
It wasn't a film I would buy, or even rent again. But as something to throw in on a cold, rainy night when I had nothing better to do? Enjoyable.
SUMMARY: B-movie. Men under 30 who consider themselves outsiders will dig this road trip to Hell. Others, pick another film.
WHY I SAW IT: I'm too old for this film, but the young ladies in my local "Roswell" fan club wanted to see Brenden Fehr ("Roswell", "Final Destination") and Kerr Smith ("Dawson's Creek", "Final Destination"). WB fans, watch for the cameo by Sara Downing ("Courtney Banks" on "Roswell" and star of the upcoming TV series "Dead Last").
THE STORY: Ambitious, dutiful Sean is paid to drive a Mercedes sports car from L.A. to Miami. In this road movie, he encounters quirky characters in the deserts, canyons and plains of the Southwest. The pace picks up when he meets cynical slacker Nick and they rescue traumatized beauty Megan. The reluctant alliance of these mismatched people anchors the story as events go from disturbing to terrifying.
IDEA CONTENT: None of the common Hollywood refusal to recognize evil as writer/director J.S.Cardone pits ordinary guys against vampires who once were human cowards who "saved their lives" by becoming demons. Even more loathsome are the human criminals who serve the vampires and disguise their crimes as those of serial killers. News-junkies will be reminded of American and Russian politicians who pose as friends of the common people. With their organized-crime partners, they trash the economy and society while putting the blame on "selfish consumers" and "greedy businessmen". Those who know mythology will recognize the classic sequence of Ominous Foreshadowing, Leaving Home, Wilderness Journey, Crisis of Decision, the Mighty Action, and Personal Transformation.
ESTHETICS: Slightly-flawed, down-to-earth script skillfully alternates horror with humor, terror with sexiness. Well-chosen music. Several beautiful actresses.
DIRECTION: Downplays charisma in favor of realistic performances from well-cast actors.
EDITING: Muffled sound in one scene. Well-paced, well-cut action. The night chase by two carloads of vampires stands out.
WHY IT'S RATED "R": Four-letter words. Topless and nude starlets. Merciless bloody violence, not graphic enough for the splatterfans.
MY VOTE: For this subgenre and intended audience, 8 on a scale of 10.
WHY I SAW IT: I'm too old for this film, but the young ladies in my local "Roswell" fan club wanted to see Brenden Fehr ("Roswell", "Final Destination") and Kerr Smith ("Dawson's Creek", "Final Destination"). WB fans, watch for the cameo by Sara Downing ("Courtney Banks" on "Roswell" and star of the upcoming TV series "Dead Last").
THE STORY: Ambitious, dutiful Sean is paid to drive a Mercedes sports car from L.A. to Miami. In this road movie, he encounters quirky characters in the deserts, canyons and plains of the Southwest. The pace picks up when he meets cynical slacker Nick and they rescue traumatized beauty Megan. The reluctant alliance of these mismatched people anchors the story as events go from disturbing to terrifying.
IDEA CONTENT: None of the common Hollywood refusal to recognize evil as writer/director J.S.Cardone pits ordinary guys against vampires who once were human cowards who "saved their lives" by becoming demons. Even more loathsome are the human criminals who serve the vampires and disguise their crimes as those of serial killers. News-junkies will be reminded of American and Russian politicians who pose as friends of the common people. With their organized-crime partners, they trash the economy and society while putting the blame on "selfish consumers" and "greedy businessmen". Those who know mythology will recognize the classic sequence of Ominous Foreshadowing, Leaving Home, Wilderness Journey, Crisis of Decision, the Mighty Action, and Personal Transformation.
ESTHETICS: Slightly-flawed, down-to-earth script skillfully alternates horror with humor, terror with sexiness. Well-chosen music. Several beautiful actresses.
DIRECTION: Downplays charisma in favor of realistic performances from well-cast actors.
EDITING: Muffled sound in one scene. Well-paced, well-cut action. The night chase by two carloads of vampires stands out.
WHY IT'S RATED "R": Four-letter words. Topless and nude starlets. Merciless bloody violence, not graphic enough for the splatterfans.
MY VOTE: For this subgenre and intended audience, 8 on a scale of 10.
Young man (Kerr Smith) delievering a car to Florida picks up a hitchiker (Brandon Fehr) along the way who manages to get Smith mixed up and eventually bitten by a group of vampires.
Well casted horror film offers realistic performances, nice atmosphere, good editing, well chosen soundtrack, some interesting twists to vampire folklore, and one of the sexiest casts to appear in a horror film in quite some time.
Rated R; Graphic Violence, Nudity, Profanity, and Sexual Situations.
Well casted horror film offers realistic performances, nice atmosphere, good editing, well chosen soundtrack, some interesting twists to vampire folklore, and one of the sexiest casts to appear in a horror film in quite some time.
Rated R; Graphic Violence, Nudity, Profanity, and Sexual Situations.
¿Sabías que…?
- TriviaDirector J.S. Cardone stated that one of the most challenging things he's ever had to do was convincing Izabella Miko to let a spider crawl up her arm.
- ErroresDuring the final action scene, the constant shots of the sun rising clearly emphasize that it is dawn. Yet when the actors leave the burning house, their shadows are directly below them indicating that it is noon time.
- ConexionesFeatures El tren de las 3:10 a Yuma (1957)
- Bandas sonorasMonster
Written by Ray Alder and Bernie Versailles
Performed by Engine
Courtesy of Metal Blade Records, Inc
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Detalles
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 7,288,451
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,020,159
- 29 abr 2001
- Total a nivel mundial
- USD 8,704,851
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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