CALIFICACIÓN DE IMDb
6.4/10
14 k
TU CALIFICACIÓN
Una joven escocesa se une a la Resistencia francesa durante la Segunda Guerra Mundial para rescatar a su novio de la Royal Air Force que está perdido en Francia.Una joven escocesa se une a la Resistencia francesa durante la Segunda Guerra Mundial para rescatar a su novio de la Royal Air Force que está perdido en Francia.Una joven escocesa se une a la Resistencia francesa durante la Segunda Guerra Mundial para rescatar a su novio de la Royal Air Force que está perdido en Francia.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 nominaciones en total
Rupert Penry-Jones
- Peter Gregory
- (as Rupert Penry Jones)
Mathew Plato
- Jacob
- (as Matthew Plato)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Pretty dreadful adaptation of Faulks' novel.
Gillian Armstrong presents a sanitised version of the book, with much of the meat of Charlotte Gray's relationships removed. Unfortunately the story hangs off the intensity of these relationships she has - with Cannerly and Lavade in particular who are never really given screen time to develop. The acting is pretty dull, and the actors are not really helped by the witheringly dull script. Gambon does his best with what little he is given in the role of Lavade, as does Ron Cook as Mirabel, but Crudup and Blanchett are just not firing on all cylinders. Maybe this is because the story has been so acutely edited, paring away all the extraneous parts of the story but in the end offering a sequence of events that create no tension either as a thriller or a romance.
My other gripe is the art direction. This looks like a made-for-TV drama, with the costumes and mis-en-scene looking fresh, clean and unused. This drama is based in the 1940s during a war, life was dirty and shabby. Armstrong and her production designer give us an unrealistic picture of wartime France and Britain.
Unfortunately this is really just an average British Television Period Drama.
Gillian Armstrong presents a sanitised version of the book, with much of the meat of Charlotte Gray's relationships removed. Unfortunately the story hangs off the intensity of these relationships she has - with Cannerly and Lavade in particular who are never really given screen time to develop. The acting is pretty dull, and the actors are not really helped by the witheringly dull script. Gambon does his best with what little he is given in the role of Lavade, as does Ron Cook as Mirabel, but Crudup and Blanchett are just not firing on all cylinders. Maybe this is because the story has been so acutely edited, paring away all the extraneous parts of the story but in the end offering a sequence of events that create no tension either as a thriller or a romance.
My other gripe is the art direction. This looks like a made-for-TV drama, with the costumes and mis-en-scene looking fresh, clean and unused. This drama is based in the 1940s during a war, life was dirty and shabby. Armstrong and her production designer give us an unrealistic picture of wartime France and Britain.
Unfortunately this is really just an average British Television Period Drama.
Serendipity! This relatively unknown movie -why?- is another compelling showcase of Blanchett's talent. She kept the storyline moving along and engages the audience with her wonderful camera presence. She is believable as our heroine because of her chemistry with both male interests, make resolve with her vulnerabilities, yet still able to be strong as a secret agent should and providing a motherly side, sheltering little ones from harsh truths in dangerous times.
France's beautiful & panoramic countryside was the backdrop during WW2. The clothing, locale and props of the period seem authentic. The actors delivered their parts very well, contributing credibility to the story's basis. Charlotte Gray conveys what people undergo and learn about the world and themselves in dreadfully gripping circumstances.
Realistic, moving, tear-dropping!
France's beautiful & panoramic countryside was the backdrop during WW2. The clothing, locale and props of the period seem authentic. The actors delivered their parts very well, contributing credibility to the story's basis. Charlotte Gray conveys what people undergo and learn about the world and themselves in dreadfully gripping circumstances.
Realistic, moving, tear-dropping!
This film has a genuine feel for the grand old tradition of Hollywood war romances. It's elegantly crafted escapism of the highest order, beautiful to look at, with the added bonus of an intelligent script and great performances all around. As I've seen time and again where poor endings mar otherwise good films, I'm always keen on how the curtain falls. This one had what I felt was a great curtain line that nicely tied in the heroine's odyssey of identity confusion and moral ambiguity in the shadow world of undercover war espionage (a "gray" that was more than just her name) to her eventual discovery of self, strength, and purpose as her true character is slowly forged in the crucible of danger and strife. As war brings out the very worst of qualities in humanity, so too can heightened expressions of bravery, compassion, and loyalty serve to greatly ennoble the human spirit in times of blood and sorrow. The movie does a nice job of highlighting that theme in several of its characters. Cate Blanchett does a wonderful job with the title role and this film is a strong 9 out of 10.
My wife and I watched this film last night. We both enjoyed it very much. However, I was disappointed to see such a low rating on this website. I think the film is worthy of at least a 7.
I think that several people are missing the point about language. Charlotte did not speak English when she landed; she spoke French. All you have to do is use your imagination. The director obviously chose to use English to avoid having to use subtitles. Besides, acting must be hard enough without having to speak your lines in a foreign language.
Miss Blanchett is high on my list of favourite actors. I thought she played her part exceptionally well. I challenge anyone to say that they were not moved by her displays of emotion. If anyone can recommend any of her other films, I would be grateful.
I think that several people are missing the point about language. Charlotte did not speak English when she landed; she spoke French. All you have to do is use your imagination. The director obviously chose to use English to avoid having to use subtitles. Besides, acting must be hard enough without having to speak your lines in a foreign language.
Miss Blanchett is high on my list of favourite actors. I thought she played her part exceptionally well. I challenge anyone to say that they were not moved by her displays of emotion. If anyone can recommend any of her other films, I would be grateful.
This film is a love story, loosely based on the real-life heroism of WWII. Those who enjoy such films would not have been disappointed by Charlotte Gray.
Unfortunately, Channel 4 decided to precede the film with the transmission of a documentary about the real-life heroines, whose personal sacrifices, pragmatic courage and strength of character shone out of my TV in a way that had me close to tears. The film, which followed, showed none of the iron self-discipline, the de-sensitising effect of war nor the constant fear of discovery these people lived with, but concerned itself with emotional story lines that would have been at home in any modern love story, loosely based on any social environment you care to choose. Far from blending into the background, along with the oppressed French population, Cate Blanchett was often portrayed parading in high heels and flattering autumnal colours, looking like a million francs
Too frequently for this viewer, it dipped into the downright absurd, e.g. having a) the male lead exposing himself to danger in an astonishing, barking tirade at German troops, b) the collaborationist French schoolteacher volunteering to the goodies that he was a snitch for the Germans and c) Charlotte herself somehow persuading a gendarme not to reveal her whereabouts to his search party colleagues, even when safely out of range of her pistol.
What a wonderful piece of history it was. And what a wonderful film could have been made of it (with the same cast too; the individual performances were all perfectly OK, especially in the minor roles).
Unfortunately, Channel 4 decided to precede the film with the transmission of a documentary about the real-life heroines, whose personal sacrifices, pragmatic courage and strength of character shone out of my TV in a way that had me close to tears. The film, which followed, showed none of the iron self-discipline, the de-sensitising effect of war nor the constant fear of discovery these people lived with, but concerned itself with emotional story lines that would have been at home in any modern love story, loosely based on any social environment you care to choose. Far from blending into the background, along with the oppressed French population, Cate Blanchett was often portrayed parading in high heels and flattering autumnal colours, looking like a million francs
Too frequently for this viewer, it dipped into the downright absurd, e.g. having a) the male lead exposing himself to danger in an astonishing, barking tirade at German troops, b) the collaborationist French schoolteacher volunteering to the goodies that he was a snitch for the Germans and c) Charlotte herself somehow persuading a gendarme not to reveal her whereabouts to his search party colleagues, even when safely out of range of her pistol.
What a wonderful piece of history it was. And what a wonderful film could have been made of it (with the same cast too; the individual performances were all perfectly OK, especially in the minor roles).
¿Sabías que…?
- TriviaThe true story of Nancy "White Mouse" Wake inspired Sebastian Faulks' 1999 novel Charlotte Gray upon which this movie was based. Australian Prime Minister Julia Gillard said Mrs. Wake was "a truly remarkable individual whose selfless valor and tenacity will never be forgotten." Born in New Zealand, but raised in Australia, she is credited with helping hundreds of Allied personnel escape from occupied France. Working as a journalist in Europe, she interviewed Adolf Hitler in Vienna in 1933 and then vowed to fight against his persecution of Jews. After the fall of France in 1940, Mrs. Wake became a French Resistance courier and later a saboteur and spy, setting up escape routes and sabotaging German installations, saving hundreds of Allied lives. She worked for British Special Operations and was parachuted into France in April 1944 before D-Day to deliver weapons to French Resistance fighters. At one point, she was top of the Gestapo's most wanted list. "Freedom is the only thing worth living for. While I was doing that work, I used to think it didn't matter if I died, because without freedom, there was no point in living", Mrs. Wake once said of her wartime exploits. It was only after the liberation of France that she learned her husband, French businessman Henri Fiocca, had been tortured and killed by the Gestapo for refusing to give her up. She was Australia's most decorated servicewoman, and one of the most decorated Allied servicewomen of World War II. France awarded her its highest honor, the Legion D'Honneur. She also received Britain's George Medal, and the U.S. Medal of Freedom. In 2004, she was made Companion of the Order of Australia. She died in London on August 8, 2011 at the age of ninety-eight.
- ErroresThe German colors during the Nazi Regime were actually Black, White and Red. These were also the colors of the N.S.D.A.P. and were present on the shield of the German helmets of the Wehrmacht and all of the flags at this time. So the Bundesrepublik Deutschland (West German) colors of Black, Red and Yellow are not appropriate for the film.
- Citas
Psychiatrist: Of these three, which in your view is the most important: Faith, hope or love?
Charlotte Gray: Hope.
- Bandas sonorasBlack Eyed Susan Brown
Master performed by Phil Harris and his orchestra featuring The Three Ambassadors
By courtesy Hindsight Records
Written by Al Hoffman and Al Goodhart
Published by Keith Prowse Music Publishing Co Ltd
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- How long is Charlotte Gray?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Шарлотта Грей
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 741,394
- Fin de semana de estreno en EE. UU. y Canadá
- USD 46,271
- 30 dic 2001
- Total a nivel mundial
- USD 5,323,109
- Tiempo de ejecución2 horas 1 minuto
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
What is the French language plot outline for Charlotte Gray (2001)?
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