Agrega una trama en tu idiomaA man opens a small-town bookstore in order to escape his connections to a mobster, but is reluctantly drawn back to his dark past by a mysterious woman.A man opens a small-town bookstore in order to escape his connections to a mobster, but is reluctantly drawn back to his dark past by a mysterious woman.A man opens a small-town bookstore in order to escape his connections to a mobster, but is reluctantly drawn back to his dark past by a mysterious woman.
- Dirección
- Guionista
- Elenco
Ana Alexander
- Sheila
- (as Anna Katerina)
Andre Jacobs
- Harvey
- (as André Jacobs)
Iain Bruce
- Porter
- (as Ian Bruce)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This dark mystery/thriller begins well enough, but it gets increasingly implausible until by the end it loses most of its credibility. Crystal Ball (Natasha Henstridge) walks into a second hand bookstore owned by Sam Kane (Angus MacFadyen) ostensibly to apply for a job. Upon leaving, she is hit by a car. Sam takes her to the hospital and cares for her while she recovers. The impact causes her to lose her memory, so she doesn't know who she is or where she lives. The two fall in love and then Crystal suddenly remembers that she was sent by Merv Gutman (Peter Fonda) to kill Sam because Merv thinks Sam stole money from him. The film goes through a number of gyrations including confrontations between Crystal and her boyfriend Tommy G (Liam Waite), Crystal and Merv, Sam and Tommy G, Sam and Merv, Crystal and Sam, etc., etc.
The plot has a few interesting twists, but the dialogue is banal and many of the scenes drag. However, for a film made on a $3.5 Million budget, director Darrell Roodt delivers some excellent photography and shows himself to be talented at creating powerful imagery.
If there are two things that stand out from this film, they are the talents of Roodt and Henstridge. Roodt gives the images style and richness with interesting perspective shots and a number of beautiful location shots. I'd like to see him get a more prominent project where he can put his talents to work. Natasha Henstridge carries the film with an excellent performance that should portend a shot at meatier roles in the future. Her striking appearance and superior acting ability is made even more obvious playing against journeyman Angus MacFadyen, whose performance here helps validate his relegation to supporting roles throughout his career. MacFayden is stiff and forced, contributing little to the believability of his character. As mediocre as MacFayden is, Liam Waite is worse. Peter Fonda gives a nefarious performance in a minor role.
This film isn't bad for a B movie and shows twinkles on the horizon for Roodt and Henstridge. I rated it a 6/10. With a stronger screenplay, it could have been very entertaining.
The plot has a few interesting twists, but the dialogue is banal and many of the scenes drag. However, for a film made on a $3.5 Million budget, director Darrell Roodt delivers some excellent photography and shows himself to be talented at creating powerful imagery.
If there are two things that stand out from this film, they are the talents of Roodt and Henstridge. Roodt gives the images style and richness with interesting perspective shots and a number of beautiful location shots. I'd like to see him get a more prominent project where he can put his talents to work. Natasha Henstridge carries the film with an excellent performance that should portend a shot at meatier roles in the future. Her striking appearance and superior acting ability is made even more obvious playing against journeyman Angus MacFadyen, whose performance here helps validate his relegation to supporting roles throughout his career. MacFayden is stiff and forced, contributing little to the believability of his character. As mediocre as MacFayden is, Liam Waite is worse. Peter Fonda gives a nefarious performance in a minor role.
This film isn't bad for a B movie and shows twinkles on the horizon for Roodt and Henstridge. I rated it a 6/10. With a stronger screenplay, it could have been very entertaining.
I liked this movie right from the beginning. It's obvious by the way it looks that it isn't a blockbuster, but it certainly was entertaining, moody, and well executed. I especially liked the music, which added to the atmosphere of the film, and was written by former Prince band members Wendy & Lisa. It stars the lovely Natasha Henstridge as a mysterious woman who wanders into a small bookshop looking for work. The dubious owner is sceptical at first, and refuses her request even though he is attracted to her. But he is soon drawn to her, as he witnesses her being run over as she leaves his store. Many good plot twists and turns follow, in this stylish thriller.
But the ending was unsatisfying, and left me wanting more.
But the ending was unsatisfying, and left me wanting more.
Pretty decent film noir, well acted, gets better as it goes along. Then a stupid tacked on surprise ending blows all sense of reality. God I hate it when they do that. Sure I was surprised. Why wouldn't I be? Why would I expect an ending that nothing suggested and that negates everything I've seen before? The movie has charismatic leads (Henstridge has done a lot of bad stuff, but she's very good here in what I can only describe as the Linda Fiorentino part), Peter Fonda is sho'nuff creepy as the villain, Liam Waite (Henstridge's real life partner) is convincing as a hit man, and Angus MacFadyn makes a believable hero. There are some nice (believable) twists and earned climaxes along the way. Some clichés, yes (amnesia). But all in all, a very good time until the silly betcha-didn't-see-that-coming, surprise-is-everything last couple of minutes. Oh well, life is full of disappointments.
The problem with this movie is the leaden touch of Darrell Roodt.
Pretty photography and an absolutely gorgeous lead babe can't hide the fact that there is no plot, that the girl is getting involved with a guy who has the charisma of a rotting potato and that by the time you get to the mystery, you've really stopped caring.
The movie _slowly_ meanders from one cliche to the next. Guy without a past runs a bookstore without clientele, when a beautiful babe comes in and spouts a number of tacky cliches. Then, in the mother of all plot devices, she walks out the store and _gets hit by a car_ so she can "lose her memory".
Who cares? I don't. A waste of money.
Pretty photography and an absolutely gorgeous lead babe can't hide the fact that there is no plot, that the girl is getting involved with a guy who has the charisma of a rotting potato and that by the time you get to the mystery, you've really stopped caring.
The movie _slowly_ meanders from one cliche to the next. Guy without a past runs a bookstore without clientele, when a beautiful babe comes in and spouts a number of tacky cliches. Then, in the mother of all plot devices, she walks out the store and _gets hit by a car_ so she can "lose her memory".
Who cares? I don't. A waste of money.
I have no idea why people are giving this movie a bad rap. This is a really good (small) movie with a great surprise ending. You will not guess it, which is more than you can say for 90% of the movies out there. The story moves along through twists and turns. Yes, the lead actor, whatever his name is, is and odd looking duden and maybe miscast, but the plot is so good that it carries him along. Natasha is in top form, I wish she would stop making other crap movies because when she is given a role she plays it well, really well. I don't know if I would go out of my way to see this movie but I usually watch it when it shows up on cable, twice already. 8/10
¿Sabías que…?
- Bandas sonorasUn bel di vedremo
from Madame Butterfly
Written by Giacomo Puccini
Performed by The Czecho-Slovak Radio Symphony
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- También se conoce como
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Taquilla
- Presupuesto
- USD 3,500,000 (estimado)
- Tiempo de ejecución1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Second Skin (2000) officially released in India in English?
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