La novia de Drácula

Often overlooked in discussions of the wave of new kinds of movies in the late '60s and early '70s is the new kinds of horror flicks. Jean Rollin was one of the wave of new Euro-horror directors of the era. His movies tended to feature unabashed gore and eroticism. His output started to dwindle in the '90s.

At the beginning of the 21st century, he released this oddity. "La fiancée de Dracula" ("Dracula's Fiancee" in English) depicts vampire hunters investigating a group of vampire-like individuals. There's the requisite nudity and bloodsucking. Otherwise, the movie just sort of drags on a lot. It's not a terrible movie but it seems like they drew it out too much. The movie's strengths are the shots of the castle where everyone converges.

Anyway, teenage boys will no doubt enjoy the sight of all the hot babes. I don't predict anyone else getting into the movie.

Out of all the movies involving the character of Dracula, this has got to be one of the most uninteresting ones I have ever come across.

I'm somewhat familiar with the director Jean Rollin and his other movies and it seems to me that this movie is very different from most of his other work. The movies I had seen by him were all very straightforward horror flicks, involving blood and gore and a revenge from the death type of plot. Not this movie though.

Seems to me that this movie was more trying to be a drama, rather than a horror. This is not necessarily a bad thing of course but it is when the story is just so incredibly odd and uninteresting and offers you absolutely nothing thought provoking or entertaining.

It's still something that could had worked. I mean, just look at any random Werner Herzog horror/thriller. I think this movie was also going for a same sort of approach with its style and approach but it just never worked out, at least not for me. The movie is lacking in style. Basically it is a very cheap looking one with nothing in it that impresses. Same goes for all of the characters and the story really.

Don't even ask what the story was all supposed to be about, since it was all such a big mess. The main plot is not that hard to follow and it's very simply written but it are all of the plot lines and characters surrounding its main plot that makes this movie such a confusing mess and also a totally uninteresting one to follow. Parallel worlds, a circus dwarf, killer nuns. Did this movie really thought it was being clever, by simply throwing in as much non-sense stuff as possible? It certainly seemed to me that way but I really wasn't fooled by all of it. I could see through this movie so easily and could see it for what it truly was; A poorly made mess of a movie, that tries to make sense and be clever by being as silly as possible. Now, that just doesn't make any sense to me.

You can't even really regard this as a Dracula movie, or a horror in general. It takes a totally different approach, that unfortunately just isn't much good.

4/10

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I've seen a handful of Jean Rollin films, and the only ones I liked were his zombie flicks The Living Dead Girl and The Grapes of Death; which is pretty ironic when you consider that ninety percent of his filmography is made up of lesbian vampire films. Well I must be a glutton for punishment having seen this film after seeing so many Rollin films that I didn't like; but to my surprise it would seem that four decades of lesbian vampires has actually taught Rollin something, and while The Fiancé of Dracula suffers from most of the same problems as Rollin's other films; it is actually surprisingly good! As you should expect, the plot is completely made up of nonsense and focuses on some Van Helsing wannabe and his dopey assistant as they go around hunting "parallels" (hot lesbian vampires, basically). Their investigation leads them to a strange convent (via a circus dwarf) and the pair soon discovers that the nuns are harbouring a young woman who just so happens to be the fiancé of the almighty Count Dracula...

Naturally, the film is completely incoherent and nothing after about the first fifteen minutes makes a lick of sense...but Rollin films generally aren't meant to, and he does at least get the ambiance right. Most of the actresses used are stunningly beautiful - even more so when given lesbian vampire roles and Rollin makes good use of them; in particular Rollin stalwart Brigitte Lahaie who has an interesting role as a 'wolf woman'. It soon becomes easier to just take the film scene by scene rather than trying to enjoy it as a whole and the film features plenty of interesting scenes - one that involves a young girl eating a baby is a highlight. Given that Rollin made most of his films between the late sixties and early eighties; it would be reasonable to assume that The Fiancé of Dracula is merely an imitation of his earlier works, but actually that's not the case and this film appears to be as 'true' to Rollin's style as anything he made earlier on in his career. There's not much point talking about the ending because it makes just as much sense as the rest of the film; but while this film isn't brilliant, it's better than most of Rollin's stuff and his fans should enjoy it.

...Or, a Jean Rollin film, in other words.

Certainly, this is his best film in years. Despite the sort of technical inadequacies that have always dogged his low-budget work, I have never been able to resist Rollin. Indeed, larger budgets have often hampered him, in that his unique style largely depends on a sense of post-apocalyptic dereliction and a wistful sensuality shot amidst empty castles and isolated necropoli.

If I remember right, Rollin had the largest budget available to him so far, yet does not make the mistakes he made with Deamoniacs (the first film where he had any real money) and fill the run time with lots of pointless but boring "action" sequences. Instead, the extra wad of cash allows him to expand his universe but at the same time revisit many of the locations of the past. And yes, before you ask, that beach IS in it.

As always, Rollin's unique sense of humour is present, though in a far more sophisticated manner than in his previous works(it helps if you see the original French versions). A sequence in a nunnery, for example is underscored by various paintings by Clouvis Trouille seen in the background. Long a huge influence, or rather "brother" in the same fraternity as Rollin, Trouille's work has been referenced more and more in his films as of late. Thank God, none of the campery of Frisson De Vampires here.

Most importantly, Rollin references and recreates images seen in earlier films. The Grandfather clock/TARDIS arrangement; the beach; various castle seen in other works. I could go on. The point is, Rollin has not only taken his time to retrofit is films into one great whole but to also hint that there is one continuous Master Story Arc throughout his entire oeuvre.

If you are new to Rollin, see The Nude Vampire, Rape of the Vampire and Fascination first. If you are a long-term fan you will not be disappointed and, indeed you will await his next film (which, despite all the secrecy, has, in fact finished shooting already) with eager anticipation...

I'm fairly new to Jean Rollin's output (as I've only watched "The Living Dead Girl" and "Requiem for a Vampire"), but again like those aforementioned films (even though I wasn't blown away from this one) I enjoyed the strange, surreal quality of one of Rollin's latest works; "Dracula's Fiancée". The supernatural meets sensual erotica, in what is a crazy canvas for Rollin to let loose providing a sense of wonder with its moody atmospherics, brooding performances and demented butchery. A professor and his assistant are trying to hunt down the tomb of Dracula, which leads them to Dracula's fiancée and through her they can uncover his remains as they get drawn in to a parallel world. The pictorial story is jadedly convoluted and slow-moving, but fancifully gripping in the surrealistically Gothic universe that's created as its populated with eccentric creations ranging from Dracula, a she-wolf, baby-eating Ogresses, vampires, dwarf-jester and some raving mad nuns within a attractively remote backdrop of castle ruins and sprawling beach line. It's the macabre meeting the beautiful, as Rollin's hypnotically symbolic imagery is richly presented (like the boat ride) and arrestingly captured by its whimsical, haunting soundtrack. Sometimes you find yourself being lost in this bewildering world, forgetting about its ponderously thick script filled with many abstract ideas. There's a lot going on, than what is actually shown even when it favours its sparse long stretches. It's an atypical character journey of a Dracula tale, but at its core it's the usual love story filled with unrest, desire and heartache. Still underdone in the details. The theatrical performances are acceptable and the make-up FX is passable. Erotically nightmarish blood sucking entertainment.

"May you rest in peace".