La reina de los condenados

This might have been a good movie it they hadn't of associated it with the book. Any reader of the Vampire Chronicles knows what I mean. They changed so much of the story that they will be unable to make any of the other books into movies without changing them completely also or remaking this one.

They totally trivalized the debate between Akasha and her 'children'.

Marius (who did not make Lestat btw) in the chronicles is the great reasoner of the Vampires. In the book he had a long argument for Akasha. In the movie all he says to her is "Akasha, please". He was never jealous of Lestat drinking from Akasha (he himself had many many times) and didn't try to hide Enkil and Akasha from Lestat. They turned the Vampires from sad and beautiful creatures of the night who only kill the evil-doer into blood hungry wanna-bes who eat whatever mortal wanders by. Maharet's twin, Mekare, isn't even in the story. Mekare crawling out of the jungles after thousands of years, insane and single minded, to fufill the curse she spoke to Akasha in her court in ancient times was a major plot point. Anyway, my point is that a very well thought-out and seductive story was turned into a joke of a movie. Honestly, don't bother seeing the movie, read the book.

If vampire tales are your cup of blood, then this Goth-fest based on the Anne Rice Vampire Chronicles should prove to be a satisfying experience. A veritable consortium of the undead in a contemporary setting, `Queen of the Damned,' directed by Michael Rymer, is a story of shadows and darkness, and of the unfortunate souls who dwell therein for eternity.

The vampire Lestat (Stuart Townsend), bored with a world that no longer excites him, has been `asleep' for many years; but suddenly, the sounds of that world he hears from his extended slumber change, and liking what he hears, he ventures forth to investigate. What he finds is a world filled with new sounds, a new kind of music-- driving and penetrating-- sounds that assault the senses and make him feel alive and welcome. And he knows that at long last his time has come, that it is time for him and those like him to come out into the open and face the world on their terms. Toward that end he becomes the front man for a band-- a singer and performer unlike any the world has ever known. He presents himself as a vampire, and very quickly amasses a following that extends far beyond London (where it all begins), and will ultimately take him to Death Valley, California, where he plans to give a concert that promises to be beyond anything anyone has ever seen or experienced.

Lestat is powerful, without question, but there are those of his kind who do not take favorably to the fact that he has revealed them, one of whom is Marius (Vincent Perez), a vampire powerful in his own right-- the vampire, in fact, who `made' Lestat so many years before-- and they are gathering, coming together and making their plans to meet Lestat at the concert. And they are not going for the music. But there is something else, as well: At one point Lestat has inadvertently awakened the `Mother' of them all, the most powerful of all the vampires, Akasha (Aaliyah), who is about to make her presence known to all, and especially to the one she has chosen to rule by her side as her King: Lestat. And at the concert, rest assured, Akasha will be in attendance, without fail.

Make no mistake, this is Lestat's story, and Rymer presents it amid a setting rich with atmosphere and with some exquisite moments, though his film has less bite to it than say, `Interview With the Vampire,' or `Bram Stoker's Dracula.' He sets a good pace, and there are some scenes that provide some real thrills, but overall the film isn't as soaked in menace as it could be, or as much as one might expect. In the final tally, in fact, the amount of flesh that is incinerated wins out over actual blood-letting, though there is more than a taste of gore, and more than a fair share of lips and mouths dripping with the red stuff. There's some good F/X on hand, too, especially in the sequences that accentuate the speed of the vampires, as they move and hurtle through the air faster than the naked eye can discern. It's a decent job by Rymer, but he could have put more teeth into it had he played up the alienation hinted at by Lestat; as it is, you get a sense of his detachment, but not enough to get you totally involved.

In `Interview With the Vampire,' Tom Cruise brought some charismatic star power to the role of Lestat, but Townsend is even more effective, with a look and an attitude that captures Lestat perfectly. He plays him with a sense of acceptance, and under closer scrutiny you may even find a hint of remorse and longing. It's a good performance, and one that sells his character convincingly.

As Marius, Vincent Perez does a nice job, too-- he is, in fact, one of the strengths of the film-- though his character is a bit ambiguous; that, however, has more to do with the way he was written than with Perez's performance, which is quite good.

Turning in noteworthy performances, as well, are Marguerite Moreau, as Jesse, a young woman too curious for her own good; and the gorgeous Lena Olin as Maharet, Jesse's Aunt, who ultimately plays a pivotal role in the outcome of the drama involving Lestat and Akasha.

And as Akasha, Aaliyah is an absolutely riveting presence. What more can one say about her other than she is a gifted performer, with tremendous talent and beauty. And, tragically, she has left us much too soon.

The supporting cast includes Paul McGann (David), Christian Manon (Mael), Claudia Black (Pandora), Bruce Spence (Khayman), Matthew Newton (Armand), Tiriel Mora (Roger) and Megan Dorman (Maudy). With a much stronger story than the usual offerings of this particular genre, Anne Rice fans, especially, will be pleased with `Queen of the Damned,' a film nicely crafted and delivered by director Rymer and his engaging cast. By focusing attention on the drama of the story-- and the way it's presented-- rather than concentrating on merely providing some cheap thrills, Rymer has succeeded in turning out a true horror film that is definitely a cut above, and one that just may whet your appetite for more of the same. And that's the magic of the movies. I rate this one 7/10.

I had 3 hours to kill so I went to the nearest movie theatre and saw this movie. i was blown away by the beautiful (music video-like) artistry. I really hate scary movies, but this was focused more on the actual characters, rather then effects. the story played out like poetry, taking emotions of love, hate, and hope, and peace, to a whole new level, with characters that pull you in to their world.

The rest of the movie is great. The cast and crew did a stellar job (Aaliyah is chillingly beautiful) and the soundtrack is unparalleled, it fits the movie perfectly.

Ignore the low score on IMDb. Watch and enjoy it as a stand-alone film, as it is a world away from Interview With The Vampire. At least an 7/10 if you like the genre, and it is on Netflix in most countries, so go for it

Ok, so this is not a brilliant movie. Its not even a very good movie. But it is a bit of a guilty pleasure. Kind of half vampire movie, half rock video.

The reason I like Queen of the Damned? Stuart Townsend as Lestat - he is utterly beautiful in this film. Sexy, seductive, with model-looks. The man looks the part and he plays the part very well too. You can understand why characters are seduced by him. He totally oozes that kind of sexy rockstar charm.

I know the movie is literally nothing like the novel, and it garnered a LOT of criticism for that, as well as it generally not being a particularly great movie even if you treat it as stand-alone.

I tend to put this movie on when I fancy watching something a little silly that doesn't require an awful lot of thinking about. Its kind of early 2000s trash at its finest.