Innocent Prey

Australia's addition to the 80s psychotic slasher market, "Innocent Prey" is a surprisingly modest foray by writer / director Colin Eggleston. Who'd be remembered for his eco-horror; "Long Weekend" (1978) and then two years later after prey he gave us the highly stylish supernatural slasher "Cassandra" (1986). It's as customary as you can get, but its selling point would be that of American actress P.J Soles (Halloween, Carrie) taking on the heroine role. For most part of the movie she looks bemused in the face (that's when your eyes are not distracted by her permed hair), but it's no wonder why, as she has two… yep not one but two psychotic nut-jobs that are seeking her attention. These two aren't working together either! One is the perfect husband with a real dark side and the other is a wealthy, loner weirdo who likes to watch.

Living in Dallas Cathy is happily married, well that's how it seems but one night she curiously discovers her husband murdering a prostitute while peeking through a motel window. She aids the police in his arrest, where he's taken to a prison for the criminally insane. Soon he escapes and goes back after her, but after another encounter she decides to move in with her best friend in Australia, Sydney. But here in her new place, might just be another threat in the shape of her new landlord.

The low-budget production is sturdily presentable, as there's nothing too flashy if some professionally expressive camera-work. Other than that it's quite plain, but even during its slow progression Eggleston delivers moments of tension grabbing jolts, more so in the first half and there's no hiding its quite unpleasant in its details. Far from graphic, but it's still sleazy, voyeuristic and suitably uneasy. This tone can be attributed a lot to the creepy performances of Kit Taylor and particularly the sly turn by John Warnock (who has an inventive way to knock some one off) as the psychos. It was an interesting if overblown set-up, especially how it dresses things up before twisting and turning upon itself with the dangers that Soles' character faces and then a smarting closing frame to end on. The soapy hysterics remain elaborately amusing; as it seems to get a lot darker, tighter and even trashier the further it goes along. Some questionable actions shoot up (in regards to Cathy), and the dialogues can be awkwardly goofy. The thing that disappointed me more than anything was Brain May's inconsistently overwrought music score, which simply seemed to be going through the motions.

Soles is simply sub-par in the lead, as her beady character is not all that sympathetic despite the ordeals she finds herself in. The support features some familiar faces; Martin Balsam is likable as the town sheriff and Debi Sue Voorhees as an unlucky prostitute. Also there's decent show-ins by the locals Grigor Taylor, Susan Stenmark and Richard Morgan.

A conventional, but endearing Aussie slasher.

Greetings And Salutations, and welcome to my review of Innocent Prey; here's the breakdown of my ratings:

Story: 1.50 Direction: 1.25 Pace: 1.50 Acting: 1.25 Enjoyment: 1.25

TOTAL: 6.75 out of 10.00.

This movie shows just how bad luck works. Regrettably, for Cathy Wills, her luck's about to take an utterly unlucky fall into the abyss of badness.

Cathy and her new husband appear to be doing substantially well. However, hubby Joe has a secret or three that he's failed to share with his new missus. The first is that he's a con man. The second is that while grifting, the marks made him: They threaten to ride him out of the city on a rail. Third, his terrible temper takes over, and he hires a prostitute on whom to take out his angst. And fourth, he's a cold-blooded psychotic murderer; who slashes the working girl into her afterlife. But bad luck isn't only Cathy's burden to bear. She's on her way home after dropping a friend off and witnesses hubby's car pulling into a motel. Believing there would be a logical reason, she continues her journey. But curiosity finally nags her into action, and away she goes to the no-tell motel. She arrives in the nick of time to watch Joe administer the killing blow. By the time Joe gets home to find wifey knows a couple of his dark secrets, she's had time to call the local coppers. Who, unlike the cavalry, arrives before he slices through her pretty white neck. But being incarcerated doesn't slow Joey down much, and he's soon jumped the barbed wire fence and is tracking her down. Cathy decides it's high time to put some miles between them, so fly's to her friend in Australia. Will Joe follow her down under? Can she trust her new friends and neighbours completely? Is there a psychopath around every city corner? Or is Cathy simply a psycho magnet? To find the answer to these and other questions, watch the film. Luckily for the audience, the screenplay writer offers up decent characterisations to go with the bustling storylines. And though a lot is happening in Innocent Prey, Ron McLean does an admirable job of keeping it smooth enough to follow. This easiness is achieved, by and large, by the logical structuring of the plots. Each flows into the next, and each is logical in form and reasoning. I'll have to hunt out a copy of the novel.

Colin Eggleston doesn't have to do much to keep the audience's attention because of the engaging narrative. So it came as a surprise that he didn't sit back on his laurels and let the tale do all the work. Eggleston uses a varied pace to turn the story into the rollercoaster ride it deserves. He is a master of timing. He utilises longer pauses to build suspicion, suspense, and characters. The quick cuts and close-ups accelerate the excitement and tension. And though he doesn't get over creative, Eggleston possesses a keen eye for composition, lighting, camera angles, and viewpoints.

The cast, though lacking in big-draw names - the only one who'd pull me towards this picture would be Martin Balsam, as I've always admired his work - is still a pleasure to watch. And though I disliked her portrayal of her character in Halloween, P J Soles, as the lead, Cathy does a commendable job of adding credibility to her. And I have to say, John Warnock as Philip is brilliant. Not only does he bring a spooky nervousness to him, but it appears Warnock can sweat on cue, which adds a tangible freakishness to the character.

If you love your crazy psychos slashing and stalking, then Innocent Prey is the movie for you. If you like elaborate, logical, and entertaining storylines, Innocent Prey is for you. And should you merely want a movie to kill an hour and a half...well, Innocent Prey wouldn't be an awful choice.

Cathy, I'm coming for you. You can't hide from me. I can see you wherever you are. So be a good girl and sit down and read my IMDb list - Killer Thriller Chillers to see where I rated Innocent Prey. And, when I get there, we'll have some real fun.

Take Care & Stay Well.

P. J. Soles, so often cast as the second bad girl in films, finally lands a leading role in this wildly over-plotted Australian thriller about the Texas wife of an incarcerated prostitute-killer who flees to Sydney to stay with her girlfriend, only to be followed by her psychotic husband--and that's just the start of it! Brainless straight-to-tape slasher flick is so stupid, one can have a fairly good time laughing at it. Soles (sporting a disconcerting poof 'do that causes her to look matronly) is too lightweight a presence here. The actress is intrinsically good-natured, and in joshing spirits, but she's a scream queen by default. * from ****

Scream queen Soles features in a rare lead role (although still a victim) in this Australian film no less, playing the wife of a sadistic serial killer who emigrates down under after he escapes from the mental hospital.

Top-notch cast features locally well-known Australian TV actors Kit and Grigor Taylor (no relation) and Americans Balsam as a sheriff and Thurman in a small role as an oil investor early in the first act. Warnock is an interesting one, I was never certain whether he was sympathetic or sinister suffice to say the film doesn't leave you in limbo.

Cliched but intriguing, this rampaging Ozploitation thriller has a decent plot, taut suspense and is violent and gory just the way nature intended such films, an odd mix of southern slasher meets voyeuristic thriller that's better than you might expect.

Probably could've succeeded with a local cast/location, although the commercial benefits of Soles (and to a lesser extent Balsam) should've been bulletproof in 1983, which makes the fact it wasn't released until 1990 all the more confounding. Soles demonstrates she's more than a supporting ingenue, able to carry a film with two distinct plot lines (across two continents) and despite her character's suffering, still exudes a wholesome, cheery disposition potentially the result of enjoying herself on what was her maiden voyage to Australia (according to her on-screen interview in the Umbrella DVD extras, where she also speculates on the film's long gestation period prior to its belated release). Worthy viewing for slasher or Ozploitation fans.

Apparently this little piece of adorable Aussie trash remained shelved for years and only got released in the early nineties; no less than seven years after it was filmed! I honestly don't understand why because, especially in comparison to loads of other 80's slasher duds that I've struggled myself through, "Innocent Prey" really isn't so bad at all. In fact, I can shamelessly admit that I tremendously enjoyed this (semi-)Ozploitation gem and I would recommend fellow slasher/exploitation fanatics to seek it out. The plot is totally bonkers, far-fetched and unrealistic, but that's arguably the main reason why "Innocent Prey" is so easily digestible and amusing! It's more similar to a bad TV soap opera than to a grim contemporary 80's slasher, and it's just that what makes it unique. Dig this: on her way back from dropping her friend at the airport, Dallas girl Cathy Wills spots her husband's convertible at a sleazy roadside motel. She sneaks around the back and glazes through the bathroom window, just in time to witness him slicing the throat of a voluptuous prostitute. Together with the local Sheriff, Cathy sets a trap to apprehend him. But Crazy Joe quickly escapes from the penitentiary and comes back for his treacherous wife. When she narrowly survives another assault, Cathy decides to go live with her friend Gwen in Australia. Not only does her psychopath husband follow her, Cathy also attracts the Down Under lunatics when she gets there. Surely the script is full of holes and improbabilities, but I personally wouldn't have wanted it any other way. Joe all too easily escapes from jail and effortlessly manages to reach Australia, but all these little "defaults" are actually in favor of the movie's fast pacing and brainless entertainment value. The first murder, the throat slicing of the luscious wench Deborah Voorhees, is truly sick and gruesome, but the rest of the film – sadly – isn't very violent and some very important murders even occur off-screen. The twists near the end are ingenious and tongue-in-cheek, but I think they still could have been worked out more effectively. "Innocent Prey" was written and directed by Colin Eggleston, who will certainly be more remembered for his modest eco-horror classic "Long Weekend" (which received a remake in 2008) than for this light-headed slasher adventure.

Tip for cult fanatics: "Innocent Prey" would make a terrific double- feature with Michael Winner's "Scream for Help"; - also from 1984. Both films are trashy, unscrupulous and outrageously amusing soap- opera thrillers that undeservedly ended up in oblivion.