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IMDbPro

Dora-heita

  • 2000
  • 1h 51min
CALIFICACIÓN DE IMDb
6.7/10
580
TU CALIFICACIÓN
Dora-heita (2000)
ActionCrime

Agrega una trama en tu idiomaA new magistrate cleans up a corrupt town in his own comic samurai way.A new magistrate cleans up a corrupt town in his own comic samurai way.A new magistrate cleans up a corrupt town in his own comic samurai way.

  • Dirección
    • Kon Ichikawa
  • Guionistas
    • Akira Kurosawa
    • Keisuke Kinoshita
    • Kon Ichikawa
  • Elenco
    • Kôji Yakusho
    • Yûko Asano
    • Tsurutarô Kataoka
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    580
    TU CALIFICACIÓN
    • Dirección
      • Kon Ichikawa
    • Guionistas
      • Akira Kurosawa
      • Keisuke Kinoshita
      • Kon Ichikawa
    • Elenco
      • Kôji Yakusho
      • Yûko Asano
      • Tsurutarô Kataoka
    • 8Opiniones de los usuarios
    • 7Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 7 nominaciones en total

    Fotos2

    Ver el cartel
    Ver el cartel

    Elenco principal82

    Editar
    Kôji Yakusho
    Kôji Yakusho
    • Mochizuki Koheita, aka Dora-Heita
    Yûko Asano
    • Kosei
    Tsurutarô Kataoka
    • Yasukawa Hanzô
    Ryûdô Uzaki
    • Senba Gijûrô
    Hideji Ôtaki
    • Imamura Kamon
    Saburô Ishikura
    • Tomoe no Tajû
    Bunta Sugawara
    Bunta Sugawara
    • Nadanamiya Hachirobe, aka Daikashi no Nadahachi
    Renji Ishibashi
    Renji Ishibashi
    • Saibei
    Shigeru Kôyama
    • Honda Ikki
    Takeshi Katô
    Takeshi Katô
    • Uchijima Toneri
    Isao Bitô
    • Ichikawa Rokuzaemon
    Tsuyoshi Ujiki
    • Nakai Katsunosuke
    Kyôko Kishida
    Kyôko Kishida
    • Anegofû no Onna
    Noboru Mitani
    Noboru Mitani
    • Ochiai Mondonoshô
    Nekohachi Edoya
    • Mokubei
    Masane Tsukayama
    Masane Tsukayama
    • Satô Tatewaki
    Hirotarô Honda
    • Denkichi
    Makoto Akatsuka
    • Genji
    • Dirección
      • Kon Ichikawa
    • Guionistas
      • Akira Kurosawa
      • Keisuke Kinoshita
      • Kon Ichikawa
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios8

    6.7580
    1
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    10

    Opiniones destacadas

    7Killer-40

    Samurai superman fights filthy magistrate

    Remember Koji Yakusho from SHALL WE DANCE, UNAGI (THE EEL), CURE or TAMPOPO? The Japanese box-office star is the new magistrate in a corrupt town who spreads rumours about his negligence and dubiosity only to get rid of all the bad guys he has to face and who underestimate him then completely. Dora-heita is an example for a streetwise and easy living guy with the classic abilities of a samurai - although he is making fun of them. The sword fighting seems to be classic but is hidden in camera movements, cuts and other tricks because Yakusho hasn't got the presence and fighting abilities of a Toshiro Mifune. The film was planned long ago by the four famous directors Kurosawa, Kinoshita, Kobayashi and Ichikawa who formed Yonki-no-kai (The Committee of Four Knights) in 1969 and wrote the script together. Only after three of them had died, Ichikawa could finally make his 74th movie out of their script.
    7ChungMo

    Engaging detective story with humor and some decent action

    Another project from the files of Kurosawa gets completed, this time by master director Kon Ichikawa who co-wrote it with Kurosawa and other directors during an aborted attempt to create an independent film company in the early 1970's.

    A samurai is sent to be the new magistrate of a very corrupt fiefdom. Never reporting in to his office, the samurai immediately creates the impression that he's about as immoral a samurai as one can be without killing or abusing anyone. He insults the chamberlain and head officials of the fief and spends most of his time gambling and carousing with prostitutes. All the while he's really investigating how the local yakuza are working in league with the lords of the fiefdom.

    While this is a very amusing film and quite enjoyable for most of it's length, it's not a deep movie. However, the humor is good and the action is well handled. It's a good looking production with one minor drawback. The anticipated sword fight showdown happens (it's a very good scene) but the film then goes on for another twenty minutes so all the loose ends can be tied up. I didn't mind but it felt lop-sided.

    Recommended.
    7El_Farmerino_Esq

    Engaging and amusing, though slightly disjointed.

    As a random pick from the shelves of a Japanese DVD store, largely chosen simply on the basis of having English subtitles and the words 'Kon Ichikawa' in big roman letters, the list of names attached to Dora-heita comes as quite a surprise, though it never really stacks up against the best work of any of its four writers. Which is not to say it's a bad film; far from it. It is, though, a rather uneven one...

    The story is solid enough; Mochizuki Koheita is the newly appointed magistrate in a small rural fiefdom, sent to clean up the corrupt town of Horisoto in his own unorthodox way, facing off against a trio of gang bosses and the complacent and complicit council. In the lead, Koji Yakusho plays the part perfectly, making Koheita both genuinely likable and credibly hard-nosed. Support ranges from the fairly good to the utterly mediocre, though none of the actors come off too badly. The strongest scenes of the film are those set in the streets of Horisoto, Mochizuki's first visit to the slum being the most striking sequence in terms of visual flair. Elsewhere, there are a few great scenes; the visit to Nadahachi's abode in particular, despite the paint-by-numbers action scene that follows.

    It's certainly a film with plenty to keep the viewer's attention, but it never really coagulates into a sleek, unified whole. There are problems with some of the comedy elements and with the Kosei character, both of which feel as though they were shoehorned in at the last minute, in the misguided fear of putting off viewers with too serious a story. In actual fact, it would probably be possible to cut Kosei out completely; contrary to expectations, she actually has no connection at any point to the main thread of the story, instead providing only a couple of laughs, an underwhelming brawl with some smugglers and a penultimate scene that errs the wrong side of ridiculous.

    Still, it's entertaining enough, though it'd be best not to have too high expectations simply because of the names on the screenplay...
    6edchin2006

    Neither fish nor fowl

    Because a film may have some comedic elements it does not make it a comedy or even a funny movie. We often have amusing scenes to "break the tension" in "serious" ventures. This was neither of the above - not a comedy; not a "serious" film.

    Nor was this a Chambara film. There was swordplay, but the artistry of the blade was missing; and, there was but one scene where steel was drawn.

    So, we are left with a story of a sheriff who comes to town, and cleans the place up. I mean Samurai. It's your typical Eastern-Western that holds no surprises and our hero never needs to reload his blade.

    It could be that the collaboration of four of Japan's greatest directors makes this film a bit of this and a bit of that and a lot of disappointment.
    9Baceseras

    Dora-heita

    A late film from Kon Ichikawa, approximately the eightieth in his sixty-year directing career. An honest magistrate uses guile as well as samurai skills to clean up a corrupt feudal fiefdom. The tale is framed by two scribes recording the "official" version of events: their ironic comments are funny as they gossip about all the juicy stuff they have to leave out of their chronicle; but behind their worldly-wise cracks, they really don't know what's going on, so the irony doubles back on them. The hero plays a shifty game going after his prey; his dodges are very amusing, and the star Koji Yakusho really seems to be enjoying himself. The corrupt port city, a medieval Big Easy, is a big rotten playground in nacreous colors that bleed into each other. About the only hard edges to be seen - until the blades come out - are the checkerboard squares on the robe of the determined Miss Keiko, who pursues the magistrate all the way from Edo. Ichikawa keeps his touch light and sure - what other great director has aged so well? - his mastery intact, with no sign of faltering or hardening.

    Más como esto

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    7.3
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    5.9
    Kakushi toride no san akunin

    Argumento

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    • Conexiones
      Remake of Machibugyô nikki: Tekka botan (1959)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de mayo de 2000 (Japón)
    • País de origen
      • Japón
    • Idioma
      • Japonés
    • También se conoce como
      • I Went To
    • Productoras
      • Dora-Heita Projects
      • Eizo Kyoto Film Co.
      • Mainichi Broadcasting System (MBS)
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 51 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
    • Relación de aspecto
      • 1.85 : 1

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