El aro 0: nacimiento

Wonderful? Great? Excellent? I read with disbelief some of the reviews here. Was I watching a different movie? Of the three Ringu movies, this one was definitely the weakest link. The problem was, I couldn't quite decide whether Ringu 0 was a horror movie, or a throwback to 1970s Asian romance movies. Specifically Taiwanese ones, where the female half of a romance usually ended up either blind, stricken with some incurable disease, or dead, and there were usually an evil parent, step-parent, in-law, or rival in the background. Ringu 0 had an incomprehensible plot, and was mostly melodrama at its worst. Where were the scares that defined Ringu and Ringu 2? A repeat of spooky scenes from the first two movies (e.g. mad mother staring into the mirror, bone-cracking walk/crawl, etc.) do not count. There were simply no original scary scenes here. Plus, what was that nonsense about Sadako splitting into two? Aieee!! What works well in Japanese horror manga (for example, the excellent "Tomei" series about a teenage girl who cannot die despite being murdered repeatedly because her body parts simply regenerate into separate identical persons) simply do not work well on screen. I wished the producers had stopped at Ringu 2. Sigh...

This is a prequel which actually works and explains things rather than giving even more questions. You can argue weather the mystery of Sadako is better left untouched, but the fact still remains; this is a good movie.

The lead (Yukie Nakama as a shy Sadako) is very good, even though it's obvious she's a Japanese version of Carrie White; misunderstood, creepy and with gifts she never wanted. That's the only real problem with this movie; the original ring movie was just that; original. This movie however, get's inspiration from other sources, such as Carrie, and that removes some of it's power.

While it's not as moody as Ring, Ring 0 still has some very good horror scenes and some smart camera-work. Seeing a white shape just at the edge of the screen is much more effective than, for example, the killer's POV.

As with Ring, this is a bit slow but builds up to a good finale. There are no special effects really, and it's very down-to-earth, one of the qualities of this and Ring.

Finally, there's the fact that it's Japanese. There's something refreshing about seeing a movie in a different language, in different environments, in a different culture.

I recommend this movie to those who liked Ring. It's definitely a worthy prequel. 7/10

I think most of you aren't looking at this film from a wide enough perspective. It's basicaly a coming of age story, given a little horror twist. A young girl growing up in a cruel environment, admonished for being different. You people are taking this Two Sadokos thing way to seriously. The Evil and Good half i believe was there to represent the good and evil within us all, and the events which lead up to us letting in to our dark sides. It was the same tale with Luke Skywalker, the same tale in the movie May. Even the name of her first play, The Mask, hinted at this.

A tragic tale of a girl who is bitter at a world who just won't accept her. A girl who becomes so enraged at being "locked away" for her differences, that she has nothing better to do but slowly die, and kill those who would never accept her kind.

A good movie, and excellent prequel.

8/10

Shortly after an oddly quiet young woman, Sadako Yamamura (Yukie Nakama), joins a drama troupe, strange events, including deaths with suspicious circumstances, start occurring. Is Sadako somehow connected to these events? And what does it have to do with a reporter investigating a years-old tragedy at a psychic demonstration?

Series Note: There are many different films, television series, books, comic books, etc. based on the "Ring Universe", and it's very complicated trying to sort them out. The Japanese films known as "Ring" or "Ringu" can be numbered 0 (this one), 1 (Ringu, 1998) and 2 (Ringu 2, 1999), and function well as a self-contained story. This film, Ring 0: Birthday is a prequel. I prefer watching it first, but if you want more mystery in the other films, watch them in their release order: Ringu, Ringu 2, then Ringu 0. Note that there is also a Japanese film named Rasen (aka Spiral, 1998) which was meant to be a "Ring 2", but that was later superseded with the 1999 Ringu 2. Rasen is supposedly closer to the second Ring novel, but 1999's Ringu 2 is seen as more or less the "official" Ringu sequel.

There is an infamous mock commercial from the early days of "Saturday Night Live" (1975) about a product named "Shimmer". Shimmer was notable for being both a floor wax and a dessert topping. Ring 0 has Sadako as a Shimmer-like entity. Only, instead of being just two kinds of things, she's six--a telekinetic, a psychic, a precognizant, a ghost, a psychic healer, and a physical manifestation of a split personality. The film overall has a Shimmer-like quality, too. It's both a horror film and a slow, realistic drama with romance overtones. The horror stuff generally works, although Sadako would have benefited from not having so many functions. The more serious dramatic sections, which take up almost an hour of this 90-minute film, are not quite as successful.

The script, by Hiroshi Takahashi, from a story by Ring novelist Koji Suzuki, is admirable on an artistic level. Takahashi is fond of parallelism, setting up the drama troupe's rehearsals and performance as an innocuous veil that often matches more sinister events beneath the surface. He frequently changes our perspective so that we see a stage performer scream, say, at the same time someone offstage should be screaming. These kinds of parallels can be found throughout the film.

The problem is that director Norio Tsuruta just cannot get much momentum going with the material. The dramatic rehearsals and backstage bickering that take up a large percentage of screen-time just aren't that eventful or exciting. There are glimpses, through Sadako or around her, of a more intriguing world, but they're often little more than "flashes" that might cause us to do a double take. Takahashi and Tsuruta work hard to establish a romance subplot involving a love triangle (or two), but this can barely get off the ground. It often feels superfluous.

The best material featuring Sadako in the earlier part of the film resembles something of a cross between a Hitchcockian thriller and Brian De Palma's Carrie (1976). But those are overly generous comparisons, since at least the first hour of Ring 0 has little of the suspense, style or directorial panache of either.

I would have preferred a stronger focus on Shoko Miyaji (Yoshiko Tanaka), the reporter who is trying to investigate the psychic demonstration tragedy. Her scenes, which tend to have the flavor of a police procedural with slight horror twinges, are entertaining, and a larger focus on her would have broken up play rehearsal scenes better. It would have also given the character more weight for the climax, which would have given the ending even greater impact.

As it stands, the last half hour is still the best part. We finally unravel much of the mystery behind Sadako (although there are a lot of questions that could still be answered), and gain insight into some of the events and comments in the first two-thirds of the film, which otherwise can seem cryptic (it pays to rewatch the first hour after the film is over--I enjoyed it more the second time).

There are a number of events during the climax that are breathtaking in their brutality, all nicely scripted and directed. One of these, when two characters are enigmatically killed off-screen, is a rare example of an "attack scene" where I agree that what you're not shown can be more effective than what you are shown. We get to see the event leading right up to the death, and we see the bloody aftermath. Filming how it happened would have drained much of its mystique. Another outstanding development in the climax is rooted in the relationship between two characters, and works so well because of strong cultural taboos.

While it's probably my least favorite Ring-related film, Ring 0 is worth viewing because of its place in the series and the excellent climax.

After the disappointment of a still decent "Ring 2", "Ring 0 : Birthday" is a return to form. Yukie Nakamo does a wonderful job of portraying the tragic final days of Sadako's attempt at a normal life. The sweet, innocent side of her was never suspected when I first glimpsed the malevolent presence of Sadako in the first installment. Yukie is very moving in her portrayal and evokes sympathy and empathy for the character. Similarily, Daisuke Ban gives a opens up the character of Dr Ikuma from the glimpses we've seen in previous installments. Here we see a tortured and resigned man who genuinely loves Sadako as a daughter, but can't escape from the knowledge of how dangerous she is and the steps he may have to take to prevent her harming others.

Despite the main love story and drama of Sadako's attempt at a normal life, there are still plenty of creepy moments and supernatural happenings. The scenes with the school teacher relating her experiences of teaching a young Sadako are genuinely intriguing and eerie. Indeed the story of the kids swimming in the sea and Sadako's prediction of their fate, is truly gripping, despite nothing actually being shown. The excitng scenes in the woods and cabin show how deadly Sadako can be when her evil side has control. The weird appearance and way of walking from the first "Ring" is seen again here and there's some great bonesnapping moments when Sadako hunts down her final prey. These scenes and the conclusion give "Ring 0 : Birthday" the standout sequences that "Ring 2" never quite managed to sustain from the original film.

Some of the plot points do bear a resemblance to "Carrie" but the film handles them in a different way. The story, although slow paced is always enthralling (a hallmark of the "Ring" series to date) and it seems poor Sadako never really had a chance from what awaited her. Aligned against her are: an inability to control the dark powers of her alter ego, a creepy director who learns of her secret and wishes to use her, a reporter with a grudge and a suspicious and unfriendly acting troupe who never seem to have made any real attempt at welcoming the shy, withdrawn girl into their fold. Mob paranoia and fear contribute to Sadako's fate and make her the malevolent presence she is today. As the film reaches it's conclusion, you can't help but wish that things could end differently for the unfortunate lovers but anyone who's seen the previous installments, knows that there's only one place this prequel can end. The last few minutes of the film are heartbreaking and the film's end credit song beautifully encapsulates the finality of Sadako's backstory.

Don't expect too many absolute answers here though. "Ring 0 : Birthday" maintains the mystery and ambiguity of the first two films and once again, imagination is a required element from the viewer. If you enjoyed the previous films and want to see more of Sadako, this film will give you quite a thrill ride. Whether it's poignant doomed love story, another part of the Ring puzzle or an eerie and haunting Japanese ghost story, "Ring 0 : Birthday" is a winner on every level.