Porno Holocaust
- 1981
- 1h 53min
CALIFICACIÓN DE IMDb
3.4/10
1.5 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA sea captain escorts a group of scientists to a tropical island. The island was once the site of nuclear testing, and now there are reports of a hideous creature residing there.A sea captain escorts a group of scientists to a tropical island. The island was once the site of nuclear testing, and now there are reports of a hideous creature residing there.A sea captain escorts a group of scientists to a tropical island. The island was once the site of nuclear testing, and now there are reports of a hideous creature residing there.
- Dirección
- Guionista
- Elenco
Mark Shannon
- Captain Hardy
- (as Mark Shanon)
Joe D'Amato
- Reporter
- (sin créditos)
George Du Brien
- Professor Keller
- (sin créditos)
Ennio Michettoni
- Benoît
- (sin créditos)
Lucia Ramirez
- Annie
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
As a serious horror fan, I get that certain marketing ploys are used to sell movies, especially the really bad ones. So I wouldn't call it naiveté that I assumed this was softcore horror ripping off Cannibal / Zombi / Jungle Holocaust. Unfortunately, I was completely wrong as this is very hardcore. I should have realized that when I saw the odd "No actual or identifiable minor was used" warning. Notice the identifiable part as though he is daring us to catch him? A group of scientists, half of whom are pretty women in bikinis, are led by a sea captain with a penchant for 69ing on the beach, in search for a mutated native killing villagers. Due to a nuclear bomb detonated on a supposedly evacuated island, the radiation turned this last man into a rapist/ killer.
Writer/ actor George Eastman is the only one trying here and succeeds in keeping his clothes on. The sex scenes are whacked out. Women walk around nude exuding a strange overconfidence and one even asks for rape when her husband turns her down. Well, two chicks slapping each other naturally turns into a lesbo scene because women are horndogs. I saw the chick toss another chicks salad and finger herself.
If there is anything you should know about this film, it is that. Because the rest of this insane movie is just the same. Oh, who am I kidding? There is a ton more to tell here. Like the white "Duchess" that pays for 2 black guys to tag team her in a parlor. Or the "Duchess" taking off her top to use as a bandage when the captain cuts himself. When he refuses her advances, she starts crying. So being the good gentleman he is, he reluctantly lets her pleasure him in front of the other crew members. I was honestly waiting for the pizza guy to show up and the "Duchess" to ask if there is any other way to pay him.
And all of this happens before they depart for the island to conduct their research. Wait, I thought this was a zombie flick? But the zombie doesn't enter until the 73min mark, but by that time everyone else has been "entered" plenty. I found myself hitting fast forward a few scenes or several. This is my first splatter porn flick and I don't think it does that subgenre any justice. I guess it is the woman in me talking when I say that I would like more plot and less sweaty, slobbering, hairy sex. Funny thing is this could have worked as a decent horror film as the idea of atomic bombing mutating a bitter man and killing his family, was a good one. Even Eastman's character shakes his head and walks away from a couple copulating. It makes me wonder if it was the character or the writer himself that was disgusted.
I don't feel like going into the sound or film quality because you should have already guessed it was bad. This production was shot back to back with 3 other movies including Erotic Nights of the Living Dead, which sports most of the same cast. Eastman has said this was done because everyone wanted a vacation and a paycheck. Nevermind, I feel like talking about the sound suddenly. The sound was weird during the sex scenes because while the cast is speaking Italian, it seems as though they recorded English voiceovers and played that over their dialogue. So while 2 people are boning, I can clearly hear someone in the background say, "No! Yes! Wonderful! Wait!" There was a slightly amusing Italian score that couldn't save this movie. The SFX were minimal at best and consisted of some blood in only a few scenes. And I would like to point out that there were no violent rape scenes as the bright warning label said on the DVD cover (ahem, another marketing ploy), so no fear there. Only fear the bad movie.
Presented in Widescreen 1.85:1 aspect ratio. I watched the Region 1 Not Rated version running at 113min released in 2005 by Exploitation Digital. There is apparently a XXX version by Alfa Digital, which is the same running time, so I doubt anything is different. Prices vary, but you shouldn't pay more than $25.00 for a copy. Or as I would recommend, pay nothing and pretend it doesn't exist.
Favorite Quote: Shipmate, "Civilians are bad luck. Women are bad luck. They're scientists too? They must really be monsters." DVD Extras: Original trailer with hardcore shots & kills to make it look more interesting than it is, Trailers for SS Hell Camp, Emmanuelle, & ENOTLD, and a very informative interview with Eastman.
Bottom Line: Lame porno, but even weaker as a horror film. Either get real porn or watch real horror.
Rating: 3/10 by Molly Celaschi www.HorrorYearbook.com
Writer/ actor George Eastman is the only one trying here and succeeds in keeping his clothes on. The sex scenes are whacked out. Women walk around nude exuding a strange overconfidence and one even asks for rape when her husband turns her down. Well, two chicks slapping each other naturally turns into a lesbo scene because women are horndogs. I saw the chick toss another chicks salad and finger herself.
If there is anything you should know about this film, it is that. Because the rest of this insane movie is just the same. Oh, who am I kidding? There is a ton more to tell here. Like the white "Duchess" that pays for 2 black guys to tag team her in a parlor. Or the "Duchess" taking off her top to use as a bandage when the captain cuts himself. When he refuses her advances, she starts crying. So being the good gentleman he is, he reluctantly lets her pleasure him in front of the other crew members. I was honestly waiting for the pizza guy to show up and the "Duchess" to ask if there is any other way to pay him.
And all of this happens before they depart for the island to conduct their research. Wait, I thought this was a zombie flick? But the zombie doesn't enter until the 73min mark, but by that time everyone else has been "entered" plenty. I found myself hitting fast forward a few scenes or several. This is my first splatter porn flick and I don't think it does that subgenre any justice. I guess it is the woman in me talking when I say that I would like more plot and less sweaty, slobbering, hairy sex. Funny thing is this could have worked as a decent horror film as the idea of atomic bombing mutating a bitter man and killing his family, was a good one. Even Eastman's character shakes his head and walks away from a couple copulating. It makes me wonder if it was the character or the writer himself that was disgusted.
I don't feel like going into the sound or film quality because you should have already guessed it was bad. This production was shot back to back with 3 other movies including Erotic Nights of the Living Dead, which sports most of the same cast. Eastman has said this was done because everyone wanted a vacation and a paycheck. Nevermind, I feel like talking about the sound suddenly. The sound was weird during the sex scenes because while the cast is speaking Italian, it seems as though they recorded English voiceovers and played that over their dialogue. So while 2 people are boning, I can clearly hear someone in the background say, "No! Yes! Wonderful! Wait!" There was a slightly amusing Italian score that couldn't save this movie. The SFX were minimal at best and consisted of some blood in only a few scenes. And I would like to point out that there were no violent rape scenes as the bright warning label said on the DVD cover (ahem, another marketing ploy), so no fear there. Only fear the bad movie.
Presented in Widescreen 1.85:1 aspect ratio. I watched the Region 1 Not Rated version running at 113min released in 2005 by Exploitation Digital. There is apparently a XXX version by Alfa Digital, which is the same running time, so I doubt anything is different. Prices vary, but you shouldn't pay more than $25.00 for a copy. Or as I would recommend, pay nothing and pretend it doesn't exist.
Favorite Quote: Shipmate, "Civilians are bad luck. Women are bad luck. They're scientists too? They must really be monsters." DVD Extras: Original trailer with hardcore shots & kills to make it look more interesting than it is, Trailers for SS Hell Camp, Emmanuelle, & ENOTLD, and a very informative interview with Eastman.
Bottom Line: Lame porno, but even weaker as a horror film. Either get real porn or watch real horror.
Rating: 3/10 by Molly Celaschi www.HorrorYearbook.com
Porno Holocaust is a film that practically dares viewers to look away, blending the sun-drenched beauty of an isolated tropical island with a grimy, almost surreal atmosphere that never quite lets you settle in comfortably. The setting is undeniably striking; the lush greenery and sparkling coastline offer a sense of escapism that is quickly undercut by the film's relentless and often jarring content. D'Amato, who also handled the cinematography, captures the island with a certain rawness, letting the natural light and unpolished camera work create a sense of voyeurism that fits the film's exploitative nature. Yet, this approach also exposes the production's limitations: scenes often feel repetitive, the camera lingers without purpose, and the editing lacks the tension or rhythm that could have elevated the film beyond its shock value.
The atmosphere is a peculiar mix of sleaze and absurdity. There are moments when the film achieves a kind of bizarre, almost hypnotic mood, especially during sequences where the line between horror and eroticism blurs. However, these moments are fleeting. More often, the film's attempts at suspense or terror fall flat, with the horror elements feeling tacked on rather than integral. The monster, a mutated figure born from nuclear fallout, is more laughable than menacing, and any sense of dread is quickly diluted by the film's frequent and explicit detours into hardcore territory. The soundtrack, while occasionally atmospheric, does little to enhance the mood or build tension.
Acting is not the film's strong suit, and most of the cast seem more invested in the physical demands of their roles than in delivering convincing performances. Mark Shannon, as Captain O'Day, stands out if only for his commitment to the absurdity around him, sporting a mustache and sunglasses that give him a certain retro charm. The female leads, including Dirce Funari and Annj Goren, give spirited if uneven performances, often appearing to enjoy themselves in spite of the material's limitations. Still, dialogue is stilted, character motivations are thin, and any attempts at emotional depth are quickly swept aside in favor of the next explicit set piece. The cast's enthusiasm is occasionally infectious, but it rarely translates into genuine engagement or believability.
The atmosphere is a peculiar mix of sleaze and absurdity. There are moments when the film achieves a kind of bizarre, almost hypnotic mood, especially during sequences where the line between horror and eroticism blurs. However, these moments are fleeting. More often, the film's attempts at suspense or terror fall flat, with the horror elements feeling tacked on rather than integral. The monster, a mutated figure born from nuclear fallout, is more laughable than menacing, and any sense of dread is quickly diluted by the film's frequent and explicit detours into hardcore territory. The soundtrack, while occasionally atmospheric, does little to enhance the mood or build tension.
Acting is not the film's strong suit, and most of the cast seem more invested in the physical demands of their roles than in delivering convincing performances. Mark Shannon, as Captain O'Day, stands out if only for his commitment to the absurdity around him, sporting a mustache and sunglasses that give him a certain retro charm. The female leads, including Dirce Funari and Annj Goren, give spirited if uneven performances, often appearing to enjoy themselves in spite of the material's limitations. Still, dialogue is stilted, character motivations are thin, and any attempts at emotional depth are quickly swept aside in favor of the next explicit set piece. The cast's enthusiasm is occasionally infectious, but it rarely translates into genuine engagement or believability.
3Ky-D
It's strange, while the film features full X-rated sex scenes and violent murders, it never feels as shocking as it ought to.
A group of scientists go to an island in the Caribbean to investigate a radioactive incident. Upon their arrival, a mutated islander goes about the happy business of murdering the men and having his way with the women. Doesn't it always seem to work out that way.
Among the sored acts we find a some lesbian encounters, a three-way with male prostitutes, assorted heterosexual couplings and the rape of an already dead body. Even though it's all fully explicit, it fails to ever shock or stir as it is meant to. As soon as the sex goes fully pornographic it just loses it's edge; the suspension of disbelief is broken and we realize we are just watching people having sex.
There is some blood and gore with the murders, but given that this is a D'amato flick it's really tame. For a much more rounded experience watch the similar 'Erotic Nights of the Living Dead'.
2/10
A group of scientists go to an island in the Caribbean to investigate a radioactive incident. Upon their arrival, a mutated islander goes about the happy business of murdering the men and having his way with the women. Doesn't it always seem to work out that way.
Among the sored acts we find a some lesbian encounters, a three-way with male prostitutes, assorted heterosexual couplings and the rape of an already dead body. Even though it's all fully explicit, it fails to ever shock or stir as it is meant to. As soon as the sex goes fully pornographic it just loses it's edge; the suspension of disbelief is broken and we realize we are just watching people having sex.
There is some blood and gore with the murders, but given that this is a D'amato flick it's really tame. For a much more rounded experience watch the similar 'Erotic Nights of the Living Dead'.
2/10
This is exactly what I'd expect from trying to cross a hardcore sex movie and a horror film--a crappy horror film but a better-than-average sex flick. The plot, as it were, is heavily borrowed from D'Amato's own notorious cannibal film "Anthrophagus". A group of idiotic European tourists land on an idyllic island and are stalked a shambling monster. But D'Amato breaks up the tedium here with a lot of hardcore sex scenes. And when THAT gets tedious (which it quickly does) the monster shows up and kills off most of the cast. But, of course, a D'Amato film simply CANNOT be tedium-free so he makes the whole thing a frickin' ridiculous 110 minutes long!
Some people objected to the fact that the ridiculously well-endowed "monster" is dark-skinned, but then so is half the cast. Others were offended that the giant monster dispatches most of the women with his, uh, giant monster, but frankly these scenes are pretty hard to take seriously and I doubt the biggest perverts in the world will be turned on by them. The female cast is only marginally more attractive than the monster, but I found it interesting that the prettiest girl (relatively speaking) didn't participate in any of the hardcore scenes but was willing to do the most controversial scene where she is choked to death during fellatio by the monster's obviously fake appendage (Laura Gemser did a similar thing in the companion piece to this "Erotic Nights of the Living Dead" although she was the aggressor there ). This raises the interesting question of what is more "degrading"--dark but obviously simulated fantasies like this or the exploitation of real-life private sex acts? Well, you can't stop men (or women) from fantasizing whether you ban movies or not, and fantasies, however warped, don't give real-life people real-life AIDS.
I also liked that this movie was shot on film on and on island location, which regardless of its incompetence, makes it preferable to today's hardcore "product" shot on video in some producer's condo in the Valley. And as homely as some of the cast are, there's not a silicone breast in sight. In short, this movie is no more offensive, and slightly less boring, than any hardcore porno movie.
Some people objected to the fact that the ridiculously well-endowed "monster" is dark-skinned, but then so is half the cast. Others were offended that the giant monster dispatches most of the women with his, uh, giant monster, but frankly these scenes are pretty hard to take seriously and I doubt the biggest perverts in the world will be turned on by them. The female cast is only marginally more attractive than the monster, but I found it interesting that the prettiest girl (relatively speaking) didn't participate in any of the hardcore scenes but was willing to do the most controversial scene where she is choked to death during fellatio by the monster's obviously fake appendage (Laura Gemser did a similar thing in the companion piece to this "Erotic Nights of the Living Dead" although she was the aggressor there ). This raises the interesting question of what is more "degrading"--dark but obviously simulated fantasies like this or the exploitation of real-life private sex acts? Well, you can't stop men (or women) from fantasizing whether you ban movies or not, and fantasies, however warped, don't give real-life people real-life AIDS.
I also liked that this movie was shot on film on and on island location, which regardless of its incompetence, makes it preferable to today's hardcore "product" shot on video in some producer's condo in the Valley. And as homely as some of the cast are, there's not a silicone breast in sight. In short, this movie is no more offensive, and slightly less boring, than any hardcore porno movie.
Purportedly made back to back with 'Erotic Nights of the Living Dead' with the same cast and setting but for certain this one does not have Laura Gemser. Much derided by all I rather like this movie. Sure enough the storyline and dialogue are codswallop, but this is so beautifully filmed in such a marvellous setting and I actually like the hardcore. I find it at once naturalistic and exotic, and that doesn't just mean there is a black girl and some limp penises! I find the numerous and varied sex scenes very believable, even if two are set upon a tree trunk at the edge of the ocean with the waves constantly splashing around. The creature does not deign to appear until half hour before the end and is, it has to be said, a disappointment. Still, in the time remaining he manages to kill off all but two of the expedition and in the case of the girls having sex with them first (or afterwards in at least one case!) and this film is not as slow as some maintain. Moreover there are some fine moments of sexploitation, not least the lady scientist and her urge for two 'natives', and the glorious finale when the two survivors speed off in their boat, gaze back at the island they have escaped from, and find there is still time for one last act of copulation.
¿Sabías que…?
- TriviaMark Shannon said in interviews that he was hired to have hardcore sex with Annj Goren but wanted nothing to do with her due to her propensity for having unprotected sex with any random person Joe D'Amato would drag off the street for her, as well as for her being a junkie. But D'Amato said he had to or be sued for breach of contract. Shannon said he did it but his heart wasn't in it, which you can tell by his expression during their sex scene. He said he fucked her and then got the hell away from her as fast as he could.
- ErroresAt the very end of the film the surviving couple is waving to a passing steamship from their rowboat (who supposedly "made it to the shipping lanes" even though you can see the waves lapping up on the beach at far camera right). Just as the scene cuts to a long-distance shot of the rescuing ship, you can see the head of a crew person who has been holding the rowboat steady pop up from behind the far side of their boat.
- ConexionesFeatured in Joe D'Amato Totally Uncut (1999)
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