Audición

Everybody faces this situation in his/her life sooner or later. You only just started a relationship and you are about to watch your first movie together. Personally you wouldn't mind a fair portion of violence and chills, but you suspect and worry that the other half prefers a slow and story-driven film with the emphasis on character development. But you needn't worry about this any longer, as Takashi Miike's "Audition" can perfectly satisfy both extremes. At least, theoretically speaking it can! This unforgettable and undeniable Japanese cult monument unfolds as a stylish and slow – better make VERY slow – moving romance drama, yet gradually but surely turns into a stomach-churning and nerve-tangling paranoia thriller with one of the most astonishingly engrossing climaxes ever captured on film. After seven years of living as a widower and devoting everything to raising his son, Aoyama wishes to remarry. A befriended movie-director wants to help Aoyama with meeting new women and arranges auditions for a non-existent movie. Aoyama immediately falls for the beautiful ex-ballet dancer Asami and carefully begins dating her. She's a beautiful young girl, but extremely introvert and mysterious. Aoyama's life subsequently turns into a psychological nightmare, yet the film's main strongpoint is how Miiki never fully reveals whether this girl is a lethal psychopath out for vengeance against the entire male race or that all the horror exclusively spawns from the protagonist's guilt and paranoid mindset. "Audition" is a truly strange and unique film. Miiki almost effortlessly seems to combine ambiances and elements that you always considered impossible to combine. At several moments during the first hour of the film, when the relationship between the two lead characters laboriously develops, you really wonder yourself how such a sober and melodramatic love story could possibly transgress into a reputedly shocking horror film, but it does! And how! The final ten-fifteen minutes are guaranteed to make you cringe and crawl in your seat and, I swear, you'll never look at a piano the same way again. I definitely also wouldn't advise this film if you already have a phobia for needles. Right from the opening sequences, Miiki effectively creates an intense atmosphere of depression and disturbance and maintains it throughout the entire film. He could also clearly rely on highly skilled and professional cinematographers, editors and production designers. The music is stupendous and the performances of both lead actor Ryo Ishibashi and Eihi Shiina are damn near perfect. This was Takashi Miiki's big international breakthrough achievement, and the least you could say is that he deserved it!

I was extremely underwhelmed by the much hyped Japanese horror film 'Ringu', so I approached 'Odishon' with some caution. I needn't have worried. 'Odishon' bears no resemblance to the lame supernatural chills of 'Ringu'. It is in fact closer to the more extreme moments of David Cronenberg, and the profoundly disturbing movies of Jorg Buttgereit, Shinya Tsukamoto, and Gaspar Noe.

Directed with great flair by Takashi Miike, and based on a novel by the amazing Ryu Murakami ('Almost Transparent Blue' and 'Coin Locker Babies'), 'Odishon' wipes the floor with Hollywood's recent output of supposedly "confronting" movies ('American Psycho', 'Boy's Don't Cry', 'Requiem For A Dream') and by-the-numbers serial killer thrillers ('Hannibal', 'Kiss The Girls', 'The Cell',etc.). Forget those safe, mediocre bores THIS is the real deal!

Miike lulls you into a false sense of security with his leisurely storytelling and quiet character development, which makes the pay off of the last part of the movie even more shocking and unexpected. Ryo Ishibashi is well cast as the middle aged businessman stuck in a rut, and the beautiful Eihi Shiina is absolutely astonishing as the girl of his dreams who turns out to be not QUITE what he expected.

The less you know about 'Odishon' the better. If you enjoy extreme movie making at its best you'll go ga ga over this first rate slice of shock cinema. Simply unforgettable.

Seven years after his wife dies, Shigeharu Aoyama takes his con's advice and begins looking to remarry. With help from a film producer friend, he sets up a mock audition looking for a woman to play a part that matches his image of his future wife. Whittling the list to 30, he picks the one that strikes a chord with him and, despite not knowing a great deal about her, starts to see her and fall in love.

I had heard a great deal of hype about this film – even the announcer on tv said it caused `outrage' in Japan when first shown. So worried was I that this film would freak me out, that I waiting until a weekend morning to watch it so that I could have daylight everywhere for hours after seeing it!

However, I must admit to having been misled; this film is a very slow little chiller rather than a horror as described. There are horror style moments but overall this is a chilling little tale of one woman's past. The build up is excellent, at times it almost comes across as a comedy; but the film does lay it on a bit thick that `something is not right' at times while not totally explaining things until near the end. That said it is still enjoyable and a little creepy, but you should prepare yourself for the fact that this is not a very fast film – it has a patient pace and you need to be into that; I was a little impatient for the first 15 minutes but after that I settled into it.

The cast are pretty good. Ishibashi is a strong lead male and it is easy to emphasise with his character. Shiina is very good despite the fact that she has to clearly show things beneath the surface. That said, she does a good job of keeping her character real and making the jumps acceptable rather than out of the blue. The telling of the story helps them both out though, keeping it slow but eerie.

Overall, I was a little disappointed with this film as I had hoped to be scared more and freaked out as much as I can be by weird stuff. As it was, this was a well told little creepy film but it is not totally deserving of the reputation it has gotten.

In Tokyo, Shigeharu Aoyama (Ryo Ishibashi) is a widower that grieves the loss of his wife and raises his son Shigehiko Aoyama (Tetsu Sawaki) alone. Seven years later, the teenage Shigehiko asks why his middle-aged father does not remarry and Shigeharu meets his friend Yasuhisa Yoshikawa (Jun Kunimura), who is a film producer, and tells his intention. However, Shigeharu has difficulties to approach to available women to date and Yasuhisa decide to organize a sham audition for casting the lead actress for the fake movie. They receive several portfolios of candidates and Shigeharu becomes obsessed by the gorgeous Asami Yamazaki (Eihi Shiina). Despite the advice of the experienced Yasuhisa, Shigeharu calls Asami to date and he falls for her. But who is the mysterious Asami?

"Ôdishon" a.k.a. "Audition" is a great horror movie with a creepy, disturbing and even realistic story but with less violence, weirdness and gore than the usual, for a movie directed by the Japanese director Takashi Miike. The characters are very well developed and the beautiful Eihi Shiina is perfect in the role of Asami. The scene when she says "deeper, deeper, deeper" is scary and remains imprinted in the mind of the viewer. My vote is eight.

Title (Brazil): "Audição" ("Audition")

Note: On 21 March 2017, I saw this film again.

A class act horror film - not for anyone with a queasy stomach. Japanese subtitles don't deter from the fact that it can easily rank as a landmark in cinema horror, pushing back taboos. Like Sixth Sense, you could watch half the movie and not know it was going to be a shocker. When the shocks come they make you want to jump out of your seat right into the aisle and then crawl back under it with your face over your hands. More Hitchcock than Cronenberg, there is little in the way of special effects, but lots in the way of a very precisely crafted plot, great acting and editing, atmosphere and moments of evocative beauty as well as terror. The story concerns a Japanese businessman whose friend thinks of a novel way for him to look for a second wife. That's all I'll tell you!