CALIFICACIÓN DE IMDb
2.9/10
1.7 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA handsome, brilliant stock trader, bored with his existence, becomes a serial killer.A handsome, brilliant stock trader, bored with his existence, becomes a serial killer.A handsome, brilliant stock trader, bored with his existence, becomes a serial killer.
- Dirección
- Guionista
- Elenco
Michael Paré
- Jim Renart
- (as Michael Pare)
Ken Camroux-Taylor
- Forensics
- (as Ken Camroux)
Nathaniel DeVeaux
- Talk Show Host
- (as Nathaniel Deveaux)
Adam J. Harrington
- Hank
- (as Adam Harrington)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
My friend & I rented this movie and within the first 5 mins we had no idea what was going on. It felt like it should have been over within the first 15 mins. It was a terrible movie, my little brother could have been a better actor than some of the ones in the movie, and the plot (if you can call it that) was full of holes. Never would I recommend this movie to my worst enemy, yet anybody I actually like.
You may not believe this, but when the credits to this movie rolled, I looked for the director's name. When I saw it, I burned it into my memory and I never forgot it. This movie is beyond terrible. It makes Ed Wood's films look like Orsen Welles. At least B movies are entertaining, this was a soul deadening experience. The quality was so bad, I began to wonder who allowed this to happen.
I hear Uwe Boll runs fourteen miles a day. This is because wherever his movies are viewed, the people must run him out of town with flame and pitchfork. The script was terrible, the lighting was like that of a high school football game, and the cinematography was just above the quality of Roger Patterson's Bigfoot video. The acting was executed by people too ashamed of the production to say their lines with any credibility. In the end was a film Alan Smithee wouldn't have put his name on. I learned that day to avoid any movie by this man despite the circumstances. From what I hear, this is not a bad thing to do.
I hear Uwe Boll runs fourteen miles a day. This is because wherever his movies are viewed, the people must run him out of town with flame and pitchfork. The script was terrible, the lighting was like that of a high school football game, and the cinematography was just above the quality of Roger Patterson's Bigfoot video. The acting was executed by people too ashamed of the production to say their lines with any credibility. In the end was a film Alan Smithee wouldn't have put his name on. I learned that day to avoid any movie by this man despite the circumstances. From what I hear, this is not a bad thing to do.
Did Uwe Boll seriously just rip off the basic idea and dialogue from Se7en?! Why is it so fekking difficult for this douchebag to be original?! He even mentioned in an interview with Gametrailers that he chooses stuff like games to make into movies because the characters, plots, backstories and so on are already there and ready for him to screw with.
Guess it isn't too much of a stretch for him to rip off another movie entirely...
I mean, seriously, what the hell...? Here's something I made in Uwe's 'honor'...
http://zuucka.deviantart.com/art/Uwe-Boll-is-a-Douchebag-70369862
Guess it isn't too much of a stretch for him to rip off another movie entirely...
I mean, seriously, what the hell...? Here's something I made in Uwe's 'honor'...
http://zuucka.deviantart.com/art/Uwe-Boll-is-a-Douchebag-70369862
That was enjoyable enough, my second movie in my Uwe Boll marathon (I've watched POSTAL before and will again, just wasn't a part of the marathon). Fairly generic thriller, actually surprised me a few times and made me tense in areas. Liked the music a good bit, the random flashbacks to violence or sex were unnecessary, it felt like the editor went "well this scene is boring so let me just put this here." The music was actually pretty good and that's something I've noticed in most Boll films, the music is almost always the best part. I've seen many compare it to American Psycho and Seven so I should probably watch those to see how similar it actually is.
Although this wasn't a bad thriller, I felt there wasn't enough background for the characters to really get us in touch with them. Pare is a homicide detective on the trail of serial killer Van Dien. Pare seems to be in the middle of a mid life crises while tracking down Van Dien. Pare's wife, Oxenberg did a great job appearing genuine and vulnerable in her part. It takes a bit of concentration to figure out WHY Casper's character (the killer) would just snap completely and give up his killing spree, when he was no where near being caught. Without going into scene detail, here's my theory. Van Dien's character, already a vein and cruel individual who enjoys dominating, torturing and killing others, became even MORE disillusioned with American society. He encounters Pare as the witness who "found" a murdered girl. Obviousely Van Dien wanted to be found. Here is where you expect the killer to really start toying with the police for the fun of it. Instead, it's like he became bored with his own killing game and any statement or satisfaction that was to be gained by his killing. He just snaps and goes for broke in his killing. I got the feeling near the end that he entered an even darker place (if that's possible), hopelessness. There was gore and violence of course, but it was not over done. A bizarre thriller that is certainly worth a watch for lovers of the genre.
¿Sabías que…?
- ErroresThe main character's last name is Turner but in the closing credits it reads Tom Gerrick, not Tom Turner.
- Versiones alternativasA rape scene was cut in the UK version. The British censors expressed concern that elements of the rape scene, which eventually led to consensual sex, endorsed a myth that women enjoy being raped. Approximately one minute of footage was removed.
- ConexionesFeatured in Fuck You All: The Uwe Boll Story (2018)
- Bandas sonorasCry In The Night
Performed by M-Virus
© 2000 CS-Records
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Sanctimony
- Locaciones de filmación
- Riverview Hospital, Coquitlam, British Columbia, Canadá(Police Station)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
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