Agrega una trama en tu idiomaFocusing on the bonding between three girls in Brooklyn's "Jackie Robinson Steppers Marching Band" and the choices the girls face once their high school closes down for asbestos removal.Focusing on the bonding between three girls in Brooklyn's "Jackie Robinson Steppers Marching Band" and the choices the girls face once their high school closes down for asbestos removal.Focusing on the bonding between three girls in Brooklyn's "Jackie Robinson Steppers Marching Band" and the choices the girls face once their high school closes down for asbestos removal.
- Dirección
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- Elenco
- Premios
- 1 premio ganado y 6 nominaciones en total
Raymond Anthony Thomas
- Carl Brown
- (as Ray Anthony Thomas)
Carmen López
- Rita Hernandez
- (as Carmen Lopez)
Shortee Redd
- Alex
- (as Reginald Washington)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Some day, we'll walk in the rays of a beautiful sun. Some day, when the world is much brighter"- The 5 Stairsteps "O-o-h Child"
Movies about Black teenagers usually involve inner city gangs dealing drugs or committing violence to a hip-hop soundtrack. Films about the everyday problems of ordinary inner city teens are hard to find, yet there is an undiscovered gem that I would like to recommend. Our Song, by Jim McKay is about three girls in the Crown Heights section of Brooklyn who learn that their high school will be closed for asbestos removal and must decide on their future direction, one that may involve going their separate ways. The story is told from the point of view of a 15-year old, not from an adult reminiscing about the past as in most coming of age movies. Avoiding the mandatory street slang and excessive use of F-words, it delivers an honest and loving portrait of three friends at a crossroads in their life. The girls: Lanisha (Kerry Washington), Joycelyn (Anna Simpson), and Maria (Melissa Martinez) are in their sophomore year at the local high school. They are active members of the Jackie Robinson Steppers, a real-life marching band whose rehearsals for a Labor Day parade provide discipline and purpose to their lives.
Similar to David Gordon Green's George Washington but less stylized, the film showcases non-professional black and Latino actors with Kerry Washington as the standout. While the performances have some amateurish moments, I became so involved with the story that I forgot the girls were even acting. Maria, whose father is in jail, has learned that she is pregnant by Terrell, a local student. She wants to have the baby in spite of the fact that she is only 15 and knows that Terrell is probably not going to be of much help. Joycelyn works in an up-scale dress shop but dreams about becoming a singer. In a very poignant scene in her bedroom, she pretends to be talking to her fans, then lies down in bed to recite one of her poems. She is close to Lanisha and Maria at the beginning but drifts off to make friends outside of the neighborhood. None of the girls receive much support at home and Maria is too afraid to even tell her mother about her baby. Yet, the single moms are not typical movie deadbeats or alcoholics. They are warm and loving parents whose time with their children is limited because of the pressure of supporting the family.
Lanisha's parents are divorced but she is able to visit her father, a doorman in a luxury apartment building and talk about music. Her mother is comforting when Lanisha learns that a friend in the neighborhood has committed suicide, a somewhat melodramatic plot point in an otherwise realistic film. As the summer winds down, the girls drift apart and each decides on a different course. There are no big dramatic moments, however, only the sad recognition of the inevitability of change. Though we do not have blinders on about the frustrations that may await them, we identify with their hopes and dreams without dwelling on the negative. Our Song is an emotionally satisfying film about growing up in the projects that refuses to see life in any terms other than possibility.
Movies about Black teenagers usually involve inner city gangs dealing drugs or committing violence to a hip-hop soundtrack. Films about the everyday problems of ordinary inner city teens are hard to find, yet there is an undiscovered gem that I would like to recommend. Our Song, by Jim McKay is about three girls in the Crown Heights section of Brooklyn who learn that their high school will be closed for asbestos removal and must decide on their future direction, one that may involve going their separate ways. The story is told from the point of view of a 15-year old, not from an adult reminiscing about the past as in most coming of age movies. Avoiding the mandatory street slang and excessive use of F-words, it delivers an honest and loving portrait of three friends at a crossroads in their life. The girls: Lanisha (Kerry Washington), Joycelyn (Anna Simpson), and Maria (Melissa Martinez) are in their sophomore year at the local high school. They are active members of the Jackie Robinson Steppers, a real-life marching band whose rehearsals for a Labor Day parade provide discipline and purpose to their lives.
Similar to David Gordon Green's George Washington but less stylized, the film showcases non-professional black and Latino actors with Kerry Washington as the standout. While the performances have some amateurish moments, I became so involved with the story that I forgot the girls were even acting. Maria, whose father is in jail, has learned that she is pregnant by Terrell, a local student. She wants to have the baby in spite of the fact that she is only 15 and knows that Terrell is probably not going to be of much help. Joycelyn works in an up-scale dress shop but dreams about becoming a singer. In a very poignant scene in her bedroom, she pretends to be talking to her fans, then lies down in bed to recite one of her poems. She is close to Lanisha and Maria at the beginning but drifts off to make friends outside of the neighborhood. None of the girls receive much support at home and Maria is too afraid to even tell her mother about her baby. Yet, the single moms are not typical movie deadbeats or alcoholics. They are warm and loving parents whose time with their children is limited because of the pressure of supporting the family.
Lanisha's parents are divorced but she is able to visit her father, a doorman in a luxury apartment building and talk about music. Her mother is comforting when Lanisha learns that a friend in the neighborhood has committed suicide, a somewhat melodramatic plot point in an otherwise realistic film. As the summer winds down, the girls drift apart and each decides on a different course. There are no big dramatic moments, however, only the sad recognition of the inevitability of change. Though we do not have blinders on about the frustrations that may await them, we identify with their hopes and dreams without dwelling on the negative. Our Song is an emotionally satisfying film about growing up in the projects that refuses to see life in any terms other than possibility.
I saw this film earlier today, and I was amazed at how accurate the dialog is for the main characters. It didn't feel like a film - it felt more like a documentary (the part I liked best). The leading ladies in this film seemed as real to me as any fifteen year-old girls I know.
All in all, a very enjoyable film for those who enjoy independent films.
All in all, a very enjoyable film for those who enjoy independent films.
Jim McKay has made one of the best films you will see all year.The quiet simplicity of this film draws you in from the opening shot and never lets go.There is not one false note in the entire film.Not one.Everything works.The hand-held camera is never distracting and always where it should be.The three young ladies whose lives we follow are always real.There isn't a single beat where the audience is reminded we are looking at actresses performing a role.These are just real girls trying to find themselves.There is no political agenda,hidden or otherwise.This is cinema at its most basic,and although it will probably only be seen by a handful of movie-goers,it deserves a much wider release.A special hats off to Hugh Hefner for providing the film-makers with the grant money needed to get this important film made.I can't wait to see what Mr. McKay does next.
Fifteen and wondering what will happen in the future. Trying to figure out what you can and cannot do with boys without getting into trouble. Trying to figure out how to be as cool as I wanted to be without losing who I was becoming. I found this film very true-to-life, it reminded me of my cousins, nieces, and friends in this stage of life (and of course, myself). I only hope many young people will see it on DVD and many adults will take to heart the tentative movements this film portrays and give the kids a break.
After seeing this film at the SF Independent Film Festival, I couldn't wait to hear about how to get a copy. Jim McKay gave a talk (Q&A) about the film afterward which presented his ironic situation: how to get distribution for a film which portrays minorities (women, non-whites) working on resolving controversial issues (teen pregnancy, teen motherhood, racial identity, single-mother households), and how to write a faithful script on all of these topics being a mid-thirties white male. The multi-racial, multi-gendered audience of mostly-adults raved about the film's fantastic storyline, detailed characters, and fantastic portrayal of "real teen life." Most of the teens, however, had left the building--leading me to think this is a film best seen by adults with kids, as a starting point for discussion rather than, as many adults there felt, "a film teens should see because it's about them." Hence, distribution questions--how do we get our hands on it? The Internet (retail) would be a great path--this is a film that will be buried, like "Pups" or other radical modern teen films--and McKay seemed responsive. As for his credits as a writer/director, McKay was _extremeley_ sensitive and detailed in his work--allying himself to the Crown Heights neighborhood in which the film is set, working with actors to portray characters in their own vision of what they think should be--with the results being disarmingly realistic.
¿Sabías que…?
- TriviaFilm debut of Kerry Washington.
- ConexionesFeatured in Siskel & Ebert & the Movies: Edge of Stardom (2001)
- Bandas sonorasOoh Child
Written by Stan Vincent
Courtesy of EMI Unart Catalog Inc./BMI
Performed by Chyna
Rap by Wayne O
Produced and Arranged by Dahoud Darien
Engineered by John Weiner at Plantain Studios, NYC
Mixed by Dahoud Darien with Scott Litt
Special Thanks to Scott Litt and Troy Germano
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- How long is Our Song?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Наша песня
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 254,199
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,267
- 27 may 2001
- Tiempo de ejecución1 hora 35 minutos
- Color
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By what name was Our Song (2000) officially released in Canada in English?
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