La seducción

OK, so I have to give this movie points for originality. How many films involve a dentist protagonist? I watched the featurette on the DVD and director David Atkins explained that he wanted to throw a curve ball at the audience by having Steve Martin play the main character in a dark comedy--since audiences are probably expecting something much broader. I didn't get any laughs out of this film; just some mild chuckles. But whether it's a dark comedy or a mystery-thriller, it doesn't quite gel. And ultimately, the film left a bad taste in my mouth--no pun intended. It's watchable, and at times quite intriguing, but it's definitely not a memorable film that I would watch on repeat viewings.

The cast is spirited. Steve Martin never ceases to please, whether he's playing a broad comic role or the straight man. Here, he plays more of the latter. But I wasn't surprised he was able to pull it off. If anybody has seen Lawrence Kasdan's "Grand Canyon," you know Steve is a versatile actor who can easily pull off a serious role. This isn't his first time playing the straight man. Laura Dern is amusing as Steve's neurotic, obsessive-compulsive, karate-kicking wife. Helena Bonham Carter is sassy and sexy, a totally convincing femme fetale. Elias Koteas has some nice moments as Steve's black-sheep brother. And last but not least, Kevin Bacon has an amusing unbilled cameo as an actor researching murder cases for his upcoming movie.

Danny Elfman's opening theme is wonderfully haunting. There are certain elements of "Novocaine" that I liked, it does have its moments (the twist ending totally caught me by surprise!!), but it just doesn't come together.

My score: 6 (out of 10)

To start with, any movie in which Helena Bonham Carter gets naked is a good thing.

This is a weird weird movie, but good pacing and casting saves it. A more disciplined director could have turned it into a cult classic.

Steve Martin is convincing in a challenging part. He is a fine actor.He brings just enough comedy so the movie doesn't descend into the land that light forgot. This edge gives the film strange believability.

Laura Dern is also exquisite walking a fine line to achieve a balance between farce and drama. Her character, blondness and 'hard body' look contrasted effectively with HBC's petite, auburn wickedness.

At the end, I wanted to watch it again to appreciate the fine points I missed the first time through.

I would describe it as a darker " The Whole Nine Yards".

This was a good movie, but there were several plot holes you could drive a truck through. I found myself saying "No one would really do that" over and over again. It seemed as though the director wanted to do a straight suspense film, and Steve Martin wanted to do a screwball comedy, and in the end, it's neither one. The characters are well played, and Helena Bonham Carter did an especially good job with a big departure from her previous roles as refined British noble women. At times, the actors got very close to being caricatures instead of characters. All in all, an enjoyable film if you aren't expecting the quality of "The Spanish Prisoner", which I think is still Steve Martin's best film ever.

Let's get something clear real quick - this is NOT a comedy. Don't try to watch it as a comedy, don't try to laugh at things that are not supposed to be funny, and don't complain if you didn't laugh a lot.

Now, I like to see an actor take a chance and do something out of his/her comfort zone. I like to see an actor expand his/her range, explore other genres, flex their actual acting muscles once in a while. And, I like to see an actor want to do a script that might not score them points either in the box office or with critics, so long as they feel they can bring something to a role. (Tom Hanks is the best example of this; Michael Keaton is close behind, and even Bruce Willis falls into this category, in my humble opinion).

That said, this film is fairly good. A pretty tame dentist is drawn into a downward-spiralling vortex of sex, drugs and murder. He is clearly over his head as his world crumbles down around him, and he doesn't suddenly become an action hero at all.

This movie has some classic femme fatale elements but does not pursue that vehicle to the common extreme. However, it also captures some film noir ideas - the first-person narrative, the slippery-slope downwards, the protagonist who just can't stop himself from falling under the spell of the vamp who's bad news from the word "go"...

It's not Double Indemnity or Sunset Blvd, but hey, for what it is, it was somewhat engaging.

Steve Martin has either grown more talented and brilliant with age or we are now having more opportunities to witness this. His subtleness and incredible face are alluring. The entire cast deserves kudos for a great ensemble. On the other hand, the writing and directing do not.

Unlike the cast members who were top rate, the direction was simplistic, not in a minimalist fashion, but in a puerile attempt: first this happens, then that, now everyone act vaudevillian. The direction appeared to be confused between stage and film. The writing was weak with annoying one liners and non-clever phrases. Not enough credit was given to the intellect of the audience and too much was spelled out for us. None the less, I managed to finish the film and was rewarded with a unique and sweet ending.