Siguiendo los eventos de The Matrix, Neo y los líderes rebeldes estiman que tienen 72 horas para evitar que 250 mil sondas descubran a Sión. Neo debe decidir cómo puede salvar a Trinity de u... Leer todoSiguiendo los eventos de The Matrix, Neo y los líderes rebeldes estiman que tienen 72 horas para evitar que 250 mil sondas descubran a Sión. Neo debe decidir cómo puede salvar a Trinity de un oscuro destino en sus sueños.Siguiendo los eventos de The Matrix, Neo y los líderes rebeldes estiman que tienen 72 horas para evitar que 250 mil sondas descubran a Sión. Neo debe decidir cómo puede salvar a Trinity de un oscuro destino en sus sueños.
- Dirección
- Guionistas
- Elenco
- Premios
- 8 premios ganados y 34 nominaciones en total
- Vector
- (as Don Batte)
Opiniones destacadas
As the film opens, the Zionists (sic) prepare to fend off the attack of the sentinels. Morpheus is convinced Neo can save Zion, but to do so he must fend off all enemies to find the source of the Matrix. While Neo is having nightmares about Trinity's ultimate fate, Morpheus defends his decision to remove the Nebuchadnezzar from the first line of defense and shows renewed interest in his ex-lover, Captain Niobe (Jada Pinkett Smith). In the meantime, we get our first glimpse of Zion where the main floor with its rusted iron walkways and power generators looks like the remodeled boiler room of the Titanic. After listening to an inspiring speech by Morpheus, the entire floor erupts into a sensuous dance sequence to techno music, interspersed with scenes of Neo and Trinity making love. Neo learns that he must find the Keymaker (Randall Duk Kim) who alone can provide him with entry to the mysterious source that controls the Matrix. Neo tracks him down but first has to get past a seductive Monica Belluci and a witty Frenchman named Merovingian (Lambert Wilson) who seduces his women with chocolate cake.
As would be expected for a film with a budget that rivals the US Treasury, the special effects are outstanding and several action sequences stand out. The first uses digital effects and the choreography of Hong Kong director Yuen Wo Ping to recreate 100 clones of Agent Smith in a fight sequence with Neo. The longest and most bizarre sequence is a 15-minute freeway chase involving hundreds of cars, a Ducati motorcycle, trailer trucks, and agents all over the place. The scene, that included a specially built stretch of highway costing $1 million, took three months to film and is estimated to have cost $38 million. Don Davis choreographs the car chases with a techno score that becomes irritating after about the second explosion.
The Wachowski's have been accused of "heavy handed moralizing", "a for Dummies primer on philosophy", and "empty-headed techno-babble" but I think very few critics are listening to what they are actually saying. The film is about intimacy, choice, purpose, and our place in the universe. It suggests that "everything starts with choice" and "the only truth is causality". Put another way, we are the "chooser", the author and the cause of our own experiences. When we choose, we are really choosing what has already been chosen. `You are not here to make a choice,' the Oracle tells Neo `You have already made it. You're here to find out why'. What this means to me is that we are all here for a purpose of our own choosing and our job is to discover the appropriate means to realize that purpose. Believe me, you do not learn this in Philosophy 101.
Like the original, many elements of The Matrix Reloaded are fun and appeal to a younger audience but I found the sequel to be somewhat disappointing. The original left major aspects of the puzzle to our imagination and did not overload us with special effects. The sequel is more complex but lacks the sense of wonder of the first film. We know enough not to take the car chases and fight sequences too seriously, but without the element of danger, the highly choreographed set pieces become pointless and irritating. At the end of the first film, Neo told his adversaries on the phone, "I'm going to hang up this phone, and then show these people what you don't want them to see. I'm going to show them a world without you. A world without rules or controls, borders or boundaries. A world where anything is possible.' I'm still waiting for that world that no longer requires guns, weapons, punches, or kicks and where everyone gets that they are "The One". Now that is a rogue program that would be worth downloading.
Acting wise the film is in the same kind of league as the first film of the series with a few mediocre performances, a few decent performances and one or two excellent performances. Keanu Reeves plays Neo pretty much like he did in the first movie and that is not bad. His monotone voice is canceled out by his clear and well defined body language. His overall performance is very fitting for the character which, lets face it, is somewhat square and Keanu's acting fits that kind of character very well. Carrie-Anne Moss has taken a small step down. I don't blame her as much as I blame the writing. Her character, while still ass-kicking, is too dependent on Neo. I know they love each other but come on. Laurence Fishbourne shines as Morpheus. His performance is slightly more stylized than in the first film but he steals almost every scene he is in. Other semi-known actors make glorified cameos. Actors like Jada Pinkett Smith, Monica Bellucci and Lambert Wilson are great examples. Gloria Foster returns as the Oracle in her (sadly) last performance as she died during the filming. Her one brief scene is both highly interesting and well acted. As it was with the first film Hugo Weaving provides the best acting by far. Although his screen time is somewhat limited he manages to leave a lasting impression and becomes one of my favorite screen baddies of all time. His performance is for lack of a better word fantastic.
Effect wise Reloaded is a feast. There is literally something to look at in every scene. The "real" world has been given a face lift to make it more interesting. The real effects, however, take place inside the matrix and just like in the first film the effects are absolutely ground breaking. Rivaling the likes of Star Wars and LotR and that is saying something. The people who think the story is pretentious and the dialog stubby will undoubtedly get their adrenaline fix in the action scenes. Some scenes had me holding my breath and gasping at how beautiful and overwhelming it all was and as much as I love the philosophical aspects of the film I can watch it for the effects themselves as well. Without spoiling anything I can say that lovers of cool fight scenes and fx are in for a hell of a treat with this one.
In terms of costumes the film has really grown into its own. Especially Neo's costume in The Matrix is very cool and is a great improvement over the previous film. Morpheus' and Trinity's costumes are the same with minor changes and they still look cool. Agent Smith's costume has changed slightly in the color scheme. His suit has become a bit darker as if to signify that he is no longer an Agent of the system but a rogue agent now. Also his sunglasses have changed so that they look more rounded so they look more like Neo's sunglasses which of course implicates their connection. Many of the secondary characters have their own costumes as well mirroring their own personalities.
Were the film separated itself from other action packed films is of course in the underlying philosophical and religious aspects. Once the film has been watched a few times for the effects you can begin to see some of the elements. I don't think its possible to fully translate and analyze every element of the film. Mainly because every element can be analyzed in a bunch of different ways. Without spoiling too much I can say that if you look hard enough you will be able to find Plato, Baudrillard, Gnosticism, Buddhism, Hinduism, Christian elements and some more. The people who tell matrix lovers to get a life for searching the Matrix for a deeper meaning ought to open their eyes and watch the film one more time. With that I'm not saying that you can't be intelligent if you don't like the Matrix I am simply asking you to give it another chance. You really won't regret it.
The Matrix Reloaded is an excellent film and it deserves a lot more respect than it is getting and it is definitely underrated. I don't expect people to agree but I do expect people to respect those who love the Matrix sequels like me. I for one think that its hard to go wrong with Reloaded as it is funny, moving, awe-inspiring and very intelligent. I highly recommend this film to anyone.
9/10
Despite the fact that practically the same cast and crew who created the magnificent first part is here for the 2 & 3 (they shot it back-to-back) the movie quickly loses its spirit.
First mistake is the introduction of many many new secondary characters who might not necessarily needed. And these characters are trying really hard to pose as important without that being the case at all.
Second mistake is the forced philosophy that didn't actually had anything to add to that of the original. The attempt for a recreation of the perfectly scripted dialog between Neo and the Oracle in the original is a failed one. For some, including me, it even destroys the feeling of the original dialog by diminishing its great themes.
Third mistake the (experimental) visual effects this time look completely fake. There is a big fight, shot with something that is described as virtual cinematography, and it's more than obvious that...well..it needs lots of work to be believable.
In conclusion when you are trying for bigger and better there is no guaranty that you will succeed. A common thing in movie sequels. A curse, that struck the second (and the third) sequels of the Matrix.
¿Sabías que…?
- TriviaThe fight sequence of Neo versus Smith and his clones (a.k.a. The Burly Brawl) took 27 days to shoot.
- ErroresDuring the highway chase/fight scene, the traffic is moving toward the camera but there is a "Speed Limit 65" sign also facing toward the camera, revealing that ALL the traffic is moving the wrong way on the highway.
- Citas
The Architect: You are here because Zion is about to be destroyed. Its every living inhabitant terminated, its entire existence eradicated.
Neo: Bullshit.
[the monitors respond the same]
The Architect: Denial is the most predictable of all human responses. But, rest assured, this will be the sixth time we have destroyed it, and we have become exceedingly efficient at it.
- Créditos curiososThe trailer for Matrix Revolutions is shown at the end of the credits.
- Versiones alternativasThe version shown on TBS dubs the excessive use of the word "Shit" to "Shoot" or "Shucks." It also omits the nudity during the scene in Zion about 25 minutes in and the lines "You're fucking dead!" and "I'm gonna fucking kill you!" have the expletives cut out of the scene. Plus some of the car chase was omitted.
- ConexionesEdited into MTV: Reloaded (2003)
- Bandas sonorasFurious Angels
Written and Produced by Rob Dougan
Mix and additional production by Peter Craige
Orchestrated and Conducted by Nick Ingman
Performed by Rob Dougan
Courtesy of Cheeky Records/BMG Records (UK) Ltd/Warner Bros. Records Inc.
Under license from BMG Special Products
By arrangement with Warner Strategic Marketing
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Matrix Reloaded
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 150,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 281,576,461
- Fin de semana de estreno en EE. UU. y Canadá
- USD 91,774,413
- 18 may 2003
- Total a nivel mundial
- USD 741,847,937
- Tiempo de ejecución2 horas 18 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78:1 (IMAX 70MM: Entire Film)
- 2.39 : 1