Matrix recargado

"What's going on?" "Man, that was cool." "Jesus, I need a dictionary." These three things went through my mind while I watched The Matrix Reloaded. Keanu Reeves returns as Neo, who goes to the city of Zion along with Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss.) As approaching sentinels get closer and closer to the city, an old enemy (Hugo Weaving) pops up again, determined to destroy Neo. As if that weren't enough, Neo has a dream about Trinity dying and he wonders if it will come true.

The premier problem with The Matrix Reloaded is that it's incredibly confusing. For the majority of the film I couldn't understand what was going on or who new characters were. For example, Lambert Wilson plays a French character called Merovingian and after four viewings of the film, I still don't know what purpose his character serves.

There is a scene near the end of the film in which you will definitely need a dictionary beside you. People who have seen the film will know that I am talking about the scene with The Architect, (Helmut Bakaitis) who has the widest vocabulary in the universe. I understand that it works for his all-knowing character, but what I don't understand is....well, what the bloody hell he's going on about. An example of a sentence he says is "you are the eventuality of an anomaly, which despite my sincerest efforts I have been unable to eliminate from what is otherwise a harmony of mathematical precision." What?

The saviour of The Matrix Reloaded are it's jaw-droppingly brilliant action sequences. Amazingly choreographed and with top-notch special effects, they are what The Matrix trilogy is famous for. I have to say that The Matrix Reloaded definitely has the best action sequences out of the three films and two of my favourite movie scenes are actually from this. My personal favourite scene is when Neo battles an army of Agent Smiths for about eight minutes. Rob Dougan's music during these action sequences also add to the suspense.

Like any sequel, The Matrix Reloaded will always be compared to its predecessor, which is not good for TMR. The first film was more intelligent and intriguing, but the action sequences in the sequel were slightly better.

With a confusing plot, The Matrix Reloaded disappoints, but the action sequences are top-notch. I give it 6/10.

While not as coherent as the first film, The Matrix Reloaded is still great fun and attempts (but doesn't always succeed) to add some smarter ideas into the mix along with action that has to be seen to be believed.

It is six months later. Neo and the rebel leaders have 72 hours until 250,000 machine probes discover Zion and attempt to destroy it. The Matrix Reloaded, the long-awaited sequel to the 1999 blockbuster hit The Matrix, follows the lives and destinies of the freedom fighters from Zion and continues its inquiry into our reason for being. The original had us look at the nature of the reality we live in and the sequel invites us to look at how we respond once we understand that reality. Most of the same characters are back: Neo (Keanu Reeves) as the prophesied One, Morpheus (Laurence Fishburne) as the enlightened rebel leader, Trinity (Carrie-Anne Moss) as Neo's lover, and the late Gloria Foster as the Oracle, a very wise lady who tells it like it is.

As the film opens, the Zionists (sic) prepare to fend off the attack of the sentinels. Morpheus is convinced Neo can save Zion, but to do so he must fend off all enemies to find the source of the Matrix. While Neo is having nightmares about Trinity's ultimate fate, Morpheus defends his decision to remove the Nebuchadnezzar from the first line of defense and shows renewed interest in his ex-lover, Captain Niobe (Jada Pinkett Smith). In the meantime, we get our first glimpse of Zion where the main floor with its rusted iron walkways and power generators looks like the remodeled boiler room of the Titanic. After listening to an inspiring speech by Morpheus, the entire floor erupts into a sensuous dance sequence to techno music, interspersed with scenes of Neo and Trinity making love. Neo learns that he must find the Keymaker (Randall Duk Kim) who alone can provide him with entry to the mysterious source that controls the Matrix. Neo tracks him down but first has to get past a seductive Monica Belluci and a witty Frenchman named Merovingian (Lambert Wilson) who seduces his women with chocolate cake.

As would be expected for a film with a budget that rivals the US Treasury, the special effects are outstanding and several action sequences stand out. The first uses digital effects and the choreography of Hong Kong director Yuen Wo Ping to recreate 100 clones of Agent Smith in a fight sequence with Neo. The longest and most bizarre sequence is a 15-minute freeway chase involving hundreds of cars, a Ducati motorcycle, trailer trucks, and agents all over the place. The scene, that included a specially built stretch of highway costing $1 million, took three months to film and is estimated to have cost $38 million. Don Davis choreographs the car chases with a techno score that becomes irritating after about the second explosion.

The Wachowski's have been accused of "heavy handed moralizing", "a for Dummies primer on philosophy", and "empty-headed techno-babble" but I think very few critics are listening to what they are actually saying. The film is about intimacy, choice, purpose, and our place in the universe. It suggests that "everything starts with choice" and "the only truth is causality". Put another way, we are the "chooser", the author and the cause of our own experiences. When we choose, we are really choosing what has already been chosen. `You are not here to make a choice,' the Oracle tells Neo `You have already made it. You're here to find out why'. What this means to me is that we are all here for a purpose of our own choosing and our job is to discover the appropriate means to realize that purpose. Believe me, you do not learn this in Philosophy 101.

Like the original, many elements of The Matrix Reloaded are fun and appeal to a younger audience but I found the sequel to be somewhat disappointing. The original left major aspects of the puzzle to our imagination and did not overload us with special effects. The sequel is more complex but lacks the sense of wonder of the first film. We know enough not to take the car chases and fight sequences too seriously, but without the element of danger, the highly choreographed set pieces become pointless and irritating. At the end of the first film, Neo told his adversaries on the phone, "I'm going to hang up this phone, and then show these people what you don't want them to see. I'm going to show them a world without you. A world without rules or controls, borders or boundaries. A world where anything is possible.' I'm still waiting for that world that no longer requires guns, weapons, punches, or kicks and where everyone gets that they are "The One". Now that is a rogue program that would be worth downloading.

Compared to the first one, this one is a massive dissapointment because the world while trying to expand and add new concepts, it doesnt explain them in a good way and over complicates them, while also not having a story as strong as the first film. But, the movie can still be seen, its entertaining and has really good action scenes which are the things that keep you watching it. So, despite not being as good as the first one, its still entertaining.

The plot is a mess. Don't even try to understand it. But there are some great action scenes that start after the introduction of the gorgeous Monica Belluci. Keanu's fight scene at the Merovingians place is the highlight with great music and choreography. It makes his subsequent casting in John Wick an obvious choice.