The Prime Gig

I love watching movies. I work for blockbuster for God's sakes....I watch movies all the time. I thought this movie had a good premise and that the actiing was fine(although not stellar). The thing that bothers me about this movie was the ending...it left too many unanswered questions....to many unknowns....It is good for a bored night when u don't have anything else to do but don't ask questions after it's over because they will be unanswered and unknown...big dissappointment. Overall decent movie but not great. if you can see it for free like I did...it's not a bad way to spend an hour and a half if not...wait till it comes on cable

Knowing the subject matter of this film - shilling fraudulent "whatever's" in a boiler room - I assumed it would follow closely in the footsteps of David Mamet's incomparable "Glengarry Glen Ross" (as was the case in the over-hyped and disappointing "Boiler Room"). Almost immediately, however, it becomes apparent that such is not the case. While "GGR" gave us stark images of the salemen's desperation in the context of their work, "Gig" delves completely into the life of Pendleton (Penny) Wise, played by Vince Vaughn. It is in showing the emptiness of his entire existence - and not just his work life - that one can see how susceptible he is to the machinations of the almost mythical Kelly Grant (Ed Harris), and his partner Caitlin Carlson (Julia Ormond). From his shabby apartment to his touching relationship with childhood friend Joel (Rory Cochrane) - who is, in spite of or because of his physical handicap, an even bigger loser than Wise and all of Wise's foundering sales cronies - you know he is destined for littler and worser (hey, if Shakespeare can use it, so can I) things. Wise is, as Grant puts it, "a big fish in a little pond." His ego won't let him believe it, but ultimately experience is a hard teacher. For those who just like Harris' style, you won't be disappointed. And Ormond does manage to sum up far more emotion than she did in the pathetic "Sabrina." But it is Vaughn, as stoic as Sheriff and as cynical as Trent Walker, who draws you into his character and keeps you from guessing too far ahead. The movie is worth watching just for the last five minutes or so, from the time Grant claims, "I'm not a closer" to the rolling credits. You'll think about this one for quite a while after viewing. And that's a good thing.

As someone who used to work in a telemarketing gig in Las Vegas (two months of my life I would rather forget about), I can tell you that the first half hour of "The Prime Gig" is the most realistic look at telemarketing ever filmed. The look, the feel, the characters and the situations all ring incredibly true.

One of those characters is Penny (Vince Vaughn), the best salesman in this small time operation. He is the typical big fish in the little pool, but the title promises that he will soon achieve the big time. Of course, he does move on to a "prime gig," and this is where the realism of the movie breaks down. But becoming less realistic doesn't mean the movie becomes less engaging. As much as I enjoyed the first 30 minutes, the last hour is pretty powerful itself.

Two things sustain this movie and make well worth watching:

First, the acting. Besides Vaughn the cast includes Ed Harris, Julia Ormond, Wallace Shawn and George Wendt. All are excellent.

Secondly, at the heart of this movie is a morality tale. Director Gregory Mosher has peered into the depths of the American telemarketing industry. He has looked at the small time operations and the prime gigs.

And what he has found is disturbing. He has found a greed that does not care who it hurts. A greed that will rob an elderly woman of her life savings without a second thought. A greed that will rip off employees as easily as customers. The ending of this movie may be predictable, but it is still very powerful.

So while others on this site have bashed this movie, pay them no attention. You will love "The Prime Gig." Trust me! Hey, would I lie to you? Just give me your trust, and I won't let you down!

I had no idea what to expect from this movie. It just happened to be on cable and Vince was in it, so I watched.

I liked the portrayal of each character in this film. Greed, desperation, betrayal...I found myself disgusted with some of the characters, mainly Julia Ormond and Ed Harris. I can't stand Julia Ormond so to watch her as a conniving shrew was quite satisfying. If you can't stomach the dark underbelly of human behavior,and watching how bad someone can screw over another person, than this film's not for you. At the end I found myself bummed out - but that's not necessarily so bad. You need to be in the right mood to watch this. It's low-key, though not boring and definitely not a 'feel good' film. I can understand how some people didn't like it, but I think Vince Vaughn fans will be happy enough (I'm one myself).

This movie was total crap. I am quite embarrassed that there is record of me having rented this film. I'm a really big fan of Vince Vaughn, but a 5 minute scene of him posing is not exactly what I'd call 'entertaining.' The dialogue was very noticeably forced, and I can actually list porn films with a more intriguing plot than "Let's take Boiler Room, strip it of all interesting characters, remove any semblance of a plot, and film THAT." If you're interested in Julia Ormond love scenes, or have some kind of obsession with that odd kid from Empire Records, this film is for you, but otherwise I suggest consuming a large quantity of painkillers before watching this drivel.