The Old Man Who Read Love Stories

A great story told with heart and skill. It took a while to recognize Mr. Dreyfuss. Engaging, evocative . Saw it at a festival where Mr. de Heer shared his copy. Need to see it again - I hope it gets some kind of release. I can still smell the moist jungle atmosphere, the exquisite emotion of the pacing of events. The dentist is a character to remember! Rolf de Heer outdid himself this time. If you loved "Bubby" and " Ten Canoes" , "The Old Man Who Read Loved Sories" is a must-see. The camera is your narrator, and creates a visual feast revealing a tale of passion and perseverance. My strongest memories of the film are visceral. Its physicality,sensuality, spice, hot, wet, fragrant, wet, green, dark, wet - did I say "wet" yet? texture has stayed with me for years.

An under-seen and under-rated gem of a movie, I had the great pleasure of seeing The Old Man Who Read Love Stories when I was but a young boy and it's a film that stuck with me for many years thanks to subtle power, striking imagery and a performance from Richard Dreyfuss that surely must be the most fully formed of his career. I had an even greater pleasure recently where I was able to attend a screening of The Old Man and a Q and A with its legendary Australian director Rolf de Heer that reaffirmed to me what a classic film this is.

The making and release of The Old Man was one fraught with many different challenges both in a crew sense and also a release sense. Sitting on the shelf unjustly for more than 3 years The Old Man once available to the public was a film that divided the critics and audiences alike but for those willing to be swept up in the tale of journeyman Antonio Bolivar it was an absolute joy to be a part of. The Old Man is in no way a typical point A to point B movie and the structure of the films flashbacks (going hand in hand with our lead's fractured life and memories) are in no way done in the usual movie-making fashion. These elements of originality and decision making by director De Heer are just some of the reasons though that make the film just a diamond in the rough.

The Old Man Who Read Love Stories - post As mentioned in the opening paragraph Richard Dreyfuss has never been better than he is here. In a role that was originally intended for Sir Ian McKellan and down the line Morgan Freeman and Sir Ben Kingsley, Dreyfuss is captivating and heartbreaking as our wounded soul. It's a character that is filled to the brim with hidden mysteries that slowly begin to unravel as the movie progresses and although the town folk he deals with (including the "slimy toad" mayor played by the ever creepy Timothy Spall and the roguish dentist played by Hugo Weaving) treat him perhaps as a man that knows little, he is in fact a man that has loved, lost and lived like the best of them. The journey Antonio takes to track a vengeful jaguar is a journey that is not only a physical trek but an emotional trek and one where the film's softly spoken power comes from as Antonio internally deals with his past triumphs and past losses.

Filmed beautifully, scored thoughtfully and acted wonderfully by its cast, The Old Man is a film that is worthy to be tracked down and to be taken away by. With the right marketing and proper treatment one gets the feeling that the film would have been a major player at awards seasons the world over but sometimes a film is more than physical awards and plaudits and the Old Man's true gift is the one it gives to us the watchers and admirers.

5 dentist related bets out of 5

It is worth noting that Luís Sepulveda (the author of the novel upon which the film was based), upon meeting Rolf De Heer, grabbed him by the shoulders and thanked him for having brought the spirit of his novel alive onscreen. The nuanced performances of Hugo Weaving, Timothy Spall, Cathy Tyson and

Victor Bottenbley are as memorable as that of Richard Dreyfus, whose deeply-felt and brilliant portrayal of the old man of the title ('Antonio Bolivar') must be a late- career defining moment. It could so easily have degenerated into yet another bit of macho chest-thumpin' hunt-in-the-jungle fluff. However, the beautifully evocative cinematography and sensitive direction save it from such triteness. Highlights include the Mr De Heer's intimate close-ups of the characters, giving the audience a window into their personal space; and the scenes of Antonio Bolivar reading his beloved books by lamplight as he relishes each painstakingly spelt-out word and ruminates on the meaning of each hard-won sentence before moving on

to the next. It's the picture of a man for whom the mere act of reading is still a joyous miracle to be savoured. A nice little bit of synchronicity: Victor Bottenbley, the Dutch actor who plays Nushino, was indeed born in Surinam, which he left as a small child. When he

arrived in French Guiana to begin the shoot, he discovered that some of the other actors were of the tribe of his mother's people. A wonderful homecoming indeed. This year saw the first two preview screenings in Australia.

This film won the Adelaide International Film Festival's Audience Choice Award, and for good reason.

This is beautiful story-telling; it's subtle, beautifully paced and visually magnificent. And if whoever wrote comment number one couldn't find subtext then he must have been watching a different film.

I'm hoping against hope for an Australian release in the near future.

A leisurely and beautifully filmed movie which concerns an old man (Dreyfus) living in a remote backwater of the Amazon River. Late in life he has learned to read, and he has taken to reading love stories, savouring each word as if it were a morsel of a feast.

The narrative concerns the hunt for a jaguar which has apparently acquired a taste for human flesh. During this adventure we share the old man's reflections, reveries and regrets, fragments of a past life. In the unfolding of the story he is able to make reparation for at least one of his regrets.

The film could be criticised for being slow and uneven at times. I have not read the novel, but I'm sure that it was multi-layered and textured, with underlying themes of missed opportunities, loss of innocence, the environment and the egregious impact of civilisation. The movie only hints at these things and sometimes were are left a little puzzled. But the eloquence is in the mood, which is perfectly captured.

Highly recommended.