CALIFICACIÓN DE IMDb
6.8/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaIrish teenager political activist and future writer Brendan Behan is befriended in a British borstal (reformatory) by a liberal warden.Irish teenager political activist and future writer Brendan Behan is befriended in a British borstal (reformatory) by a liberal warden.Irish teenager political activist and future writer Brendan Behan is befriended in a British borstal (reformatory) by a liberal warden.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 4 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I saw an advance screening of this film last week and had the pleasure of speaking with Peter Sheridan afterwards. Simply put, it is the story of a young Brendan Behan who discovers love, friendship and tragedy whilst imprisoned in an English reform school. Although he refuses to denounce his IRA affiliations, Behan is eventually released after his actions during a strange series of events at the school reveal his true and most upstanding character. The movie was very touching and well acted by an international cast. Sheridan made some daring casting choices (The Irish Behan is played by an American, Shawn Hatosy,) but the results make for a captivating film. Go and see Borstal Boy.
What a surprise of a little movie. Young American actor Shawn Hatosy (he's from Frederick, Maryland) gives an astonishing performance as IRA teen gone wrong, Irish writer Brendan Behan. Hatosy's "angry young man" is sincerely angry, but there are cracks in that tough veneer that show a sensitive, thoughtful kid wanting to break out. (Measure Hatosy's performance from "Outside Providence" to "Borstal Boy" and we're looking at a young actor of exceptional depth and promise.)
At the reformatory Borstal, Brendan discovers new hardships: living, eating and sleeping with his enemies. He learns however, that deep down, our enemies have the same needs, wants, fears and desires as we do ourselves. His budding friendship with the openly gay sailor, Charlie Milwal - despite its rocky beginning, captures the joy and frustration of having a best friend and through this friendship each learns how to understand, forgive and love. As Charlie, Danny Dyer gives a performance which is in every regard as equally deep as Hatosy's.
Brendan's taking to fellow Irishman Oscar Wilde and his eventual barnhouse production of "The Importance of Being Earnest" mounted by the young convicts for their fellow inmates. This is an absolute joy and becomes almost the fulcrum from which the story veers into its final direction.
Michael York, Eva Birthistle and the rest of the ensemble all contribute fine performances (particularly Ms. Birthistle who, as a secondary love interest doesn't arrive until a good half way through the story and is both beautiful and touching).
Director Peter Sheridan crams an almost unbelievable amount of story into into a mere 90 minutes so the film flies by. The ending may be a bit abrupt tying things up too tidily, but this is a minor quibble in a stunning, touching gem of a movie.
At the reformatory Borstal, Brendan discovers new hardships: living, eating and sleeping with his enemies. He learns however, that deep down, our enemies have the same needs, wants, fears and desires as we do ourselves. His budding friendship with the openly gay sailor, Charlie Milwal - despite its rocky beginning, captures the joy and frustration of having a best friend and through this friendship each learns how to understand, forgive and love. As Charlie, Danny Dyer gives a performance which is in every regard as equally deep as Hatosy's.
Brendan's taking to fellow Irishman Oscar Wilde and his eventual barnhouse production of "The Importance of Being Earnest" mounted by the young convicts for their fellow inmates. This is an absolute joy and becomes almost the fulcrum from which the story veers into its final direction.
Michael York, Eva Birthistle and the rest of the ensemble all contribute fine performances (particularly Ms. Birthistle who, as a secondary love interest doesn't arrive until a good half way through the story and is both beautiful and touching).
Director Peter Sheridan crams an almost unbelievable amount of story into into a mere 90 minutes so the film flies by. The ending may be a bit abrupt tying things up too tidily, but this is a minor quibble in a stunning, touching gem of a movie.
I rented this because I had interest in Brendan Behan. Well, I was surprised by this film.
Shawn Hatosy is brilliant as a young Behan. You must see him in this role.
I was completely taken away with the story and the characters. The actors all are believable and true.
It does concern the IRA which I know little about. This takes place during WW II and it is interesting that the Behan character, although very primal and dedicated to his commitment to the Irish Republic, does in fact concede, given the far more devastating events happening in the wider sphere of the world, that for a time at least he is willing to 'lay down arms' and not resist.
I must mention the music. I am sorry I do not know the name of the composer, but it is superb and appropriately atmospherically Irish at the right times. The songs are all wonderful especially the ending song which one also hears at a truly pivotal and emotional point near the end of the film.
I don't talk or write much. I just love this film. I high recommend it to people who like character-driven films.
Shawn Hatosy is brilliant as a young Behan. You must see him in this role.
I was completely taken away with the story and the characters. The actors all are believable and true.
It does concern the IRA which I know little about. This takes place during WW II and it is interesting that the Behan character, although very primal and dedicated to his commitment to the Irish Republic, does in fact concede, given the far more devastating events happening in the wider sphere of the world, that for a time at least he is willing to 'lay down arms' and not resist.
I must mention the music. I am sorry I do not know the name of the composer, but it is superb and appropriately atmospherically Irish at the right times. The songs are all wonderful especially the ending song which one also hears at a truly pivotal and emotional point near the end of the film.
I don't talk or write much. I just love this film. I high recommend it to people who like character-driven films.
Peter Sheridan, the director of "Borstal Boy", shows a good sensibility to the material based on the life of Brendan Behan. Having only seen the play at the Lyceum theater in the 70s, it was intriguing to see what kind of adaptation it received on the screen.
The best thing in the film is the young ensemble cast gathered for the film. What comes out in the movie is how friendships made in reform camp affected Mr. Behan for life. The fact that young Brendan can get to like someone as different as Charlie, speaks volumes for tolerance for someone that comes from Brendan's background.
Shawn Hatosy does a marvelous job in his portrayal of Brendan Behan. For an American born actor, this young man clearly demonstrates a range that many of his contemporaries don't have. In the pivotal role of Charlie Milwall, Danny Dyer gives a brilliant performance. Lee Ingleby, as the cruel Dale, is perfect. Eva Birthistle, as the daughter of the warden Joyce, is the only female in a man's world and she does a great job in making the young woman come alive. Michael York has a good opportunity in the role of Joyce.
The only problem with the film is that the dialog is hard to follow, be it because of the sound track, or the heavy accents Mr. Sheridan has everyone speaking as a way to show authenticity. We watched the DVD version, and had to turn the volume to maximum, and still it sounded muffled. In spite of that flaw, "Borstal Boy" is a powerful movie that needs to be seen.
The best thing in the film is the young ensemble cast gathered for the film. What comes out in the movie is how friendships made in reform camp affected Mr. Behan for life. The fact that young Brendan can get to like someone as different as Charlie, speaks volumes for tolerance for someone that comes from Brendan's background.
Shawn Hatosy does a marvelous job in his portrayal of Brendan Behan. For an American born actor, this young man clearly demonstrates a range that many of his contemporaries don't have. In the pivotal role of Charlie Milwall, Danny Dyer gives a brilliant performance. Lee Ingleby, as the cruel Dale, is perfect. Eva Birthistle, as the daughter of the warden Joyce, is the only female in a man's world and she does a great job in making the young woman come alive. Michael York has a good opportunity in the role of Joyce.
The only problem with the film is that the dialog is hard to follow, be it because of the sound track, or the heavy accents Mr. Sheridan has everyone speaking as a way to show authenticity. We watched the DVD version, and had to turn the volume to maximum, and still it sounded muffled. In spite of that flaw, "Borstal Boy" is a powerful movie that needs to be seen.
10Rhymer
I read the book six times, and couldn't wait to see the movie. I was rather put off at first because so much of the movie is pure fiction. Charlie and Brendan only had one slight spat in their three years together in Borstal, and ended up the best of friends anyway. The young lady in the movie never existed, and much of the rest of the movie was oddly fictitious as well. Charlie Millwall was on the Southampton when it was sunk off of Malta (in the Mediterranean), but I assume they used the HMS Prince Of Wales because they had film footage dealing with the sinking of that ship, and it made a good way for Brendan to find out that Charlie was dead (far more powerful than the scene in the book and the one in the play).
Despite all of that, I loved the movie. Brendan Behan did actually say "the English can love people without them being seven feet tall or a hundred years dead." I believe he made that statement because he knew Charlie Millwall so well, and had seen many other good people among the English people with whom he was connected in one way or another. The Warden, Mr. Joyce, was a very good person, and so were many others.
I do believe that Brendan Behan had a serious relationship with Charlie Millwall (it's obvious in the book, even though it's never spelled out exactly). I would recommend the book to anyone, and believe that the movie was very good, the fictitious content nothwithstanding.
Shawn Hatosy does a very good job in the movie, and Danny Dyer is better yet. Don't miss this movie.
Despite all of that, I loved the movie. Brendan Behan did actually say "the English can love people without them being seven feet tall or a hundred years dead." I believe he made that statement because he knew Charlie Millwall so well, and had seen many other good people among the English people with whom he was connected in one way or another. The Warden, Mr. Joyce, was a very good person, and so were many others.
I do believe that Brendan Behan had a serious relationship with Charlie Millwall (it's obvious in the book, even though it's never spelled out exactly). I would recommend the book to anyone, and believe that the movie was very good, the fictitious content nothwithstanding.
Shawn Hatosy does a very good job in the movie, and Danny Dyer is better yet. Don't miss this movie.
¿Sabías que…?
- TriviaThe Broadway production of "Borstal Boy" based on a book by Brendan Behan and adapted for the stage by Frank McMahon opened at the Lyceum Theater in New York on March 31, 1970, ran for 143 performances and won the 1970 Tony Award for Best play.
- ErroresWhen Brendan arrives in Liverpool (which is actually London in the movie) he is passed by a London Transport Routemaster bus, a type which did not appear until 1958, though the movie is set in 1942.
- Citas
[Repeated Line]
Brendan Behan: As a prisoner of war, it is my duty to escape.
- ConexionesFeatured in Insight Into the Borstal Boy (2000)
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- How long is Borstal Boy?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 87,400
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,164
- 3 mar 2002
- Total a nivel mundial
- USD 87,400
- Tiempo de ejecución
- 1h 31min(91 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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