Borstal Boy

I got worried when the film opened with "inspired by" Borstal Boy rather than based on. This is the sort of movie that makes me wish I had a bunch of money so I could run out and start filming "Borstal Boy 2004" and actually film the story and characters that were in the book. The characters were awful and betrayed the rich characterization of the book.

Part of the problem was that the filmmaker looked back to 1942 with a 21st century perspective. For example he wanted to make Brendan sympathetic so Brendan befriended an out homosexual (in 1942) and a jew. Dale, the evil character hated both and was a self-proclaimed rapist. Darth Vader had more dimensions than Dale. I don't know if an IRA soldier from 1942 would look at Hitler, the enemy of his enemy, as being a worthy reason to suspend his fight for independence. Worst of all, Brendan acts like a 14 year old from the American suburbs with his revulsion of homosexuality. The tired message in the movie is that if you are against homosexuality then you, yourself, must be gay. For example, initially revulsed, Brendan ends up falling in love with Charlie. Dale mocks Charlies and later tries to rape Charlie. In the original story, despite being published in the 1950s, Brendan had no such trouble with homosexuals. When he found out Oscar Wilde was gay, he responded non-chalantly that everyone has their own way of doing things. he came across Charlie having sex with another boy and it was no big deal. The play of the same name (1971) did manage to hold true to the original story. This movie should have done the same.

Coming-of-age tale via Irish author Brendan Behan's memoirs about a youthful troublemaker in a British labor camp for lads in 1942. Shawn Hatosy portrays Behan, who shares a bumpy but intense friendship with a gay teenager while timidly romancing a local young lady as well. Curious drama apparently made with the well-intentioned goal to show the burgeoning political activism of a determined man, and how his upbringing molded the figure he was to become; however, too many of these boyhood antics are overly familiar: the playful romping on the beach which precedes a tragedy, the sneaky drinking and smoking during movie-time, the somewhat campy play which brings down the house. The acting by the handsome juveniles isn't bad, though director Peter Sheridan tends to overdose on their aw-shucks smiles and faraway glances. Michael York (despite seeming a bit tired and distanced from the proceedings) is well-cast as the camp's director, but the point of the central relationships is never made clear--the heart of the story has gone missing. Obviously, Behan was not homosexual; although he greatly admired his gay friend, the struggles of this teenager are hardly touched upon--he's treated more like an afterthought in the story rather than an important character--and one aches for more intimacy, more substance. The film has an effectively washed-out look and has interesting locations, but the drama isn't gripping nor enticing because the handling is so aloof. ** from ****

I rented this because I had interest in Brendan Behan. Well, I was surprised by this film.

Shawn Hatosy is brilliant as a young Behan. You must see him in this role.

I was completely taken away with the story and the characters. The actors all are believable and true.

It does concern the IRA which I know little about. This takes place during WW II and it is interesting that the Behan character, although very primal and dedicated to his commitment to the Irish Republic, does in fact concede, given the far more devastating events happening in the wider sphere of the world, that for a time at least he is willing to 'lay down arms' and not resist.

I must mention the music. I am sorry I do not know the name of the composer, but it is superb and appropriately atmospherically Irish at the right times. The songs are all wonderful especially the ending song which one also hears at a truly pivotal and emotional point near the end of the film.

I don't talk or write much. I just love this film. I high recommend it to people who like character-driven films.

I read the book six times, and couldn't wait to see the movie. I was rather put off at first because so much of the movie is pure fiction. Charlie and Brendan only had one slight spat in their three years together in Borstal, and ended up the best of friends anyway. The young lady in the movie never existed, and much of the rest of the movie was oddly fictitious as well. Charlie Millwall was on the Southampton when it was sunk off of Malta (in the Mediterranean), but I assume they used the HMS Prince Of Wales because they had film footage dealing with the sinking of that ship, and it made a good way for Brendan to find out that Charlie was dead (far more powerful than the scene in the book and the one in the play).

Despite all of that, I loved the movie. Brendan Behan did actually say "the English can love people without them being seven feet tall or a hundred years dead." I believe he made that statement because he knew Charlie Millwall so well, and had seen many other good people among the English people with whom he was connected in one way or another. The Warden, Mr. Joyce, was a very good person, and so were many others.

I do believe that Brendan Behan had a serious relationship with Charlie Millwall (it's obvious in the book, even though it's never spelled out exactly). I would recommend the book to anyone, and believe that the movie was very good, the fictitious content nothwithstanding.

Shawn Hatosy does a very good job in the movie, and Danny Dyer is better yet. Don't miss this movie.

Although "Borstal Boy" is in my personal Top Ten, right up there with "Casablanca" and "The Last Picture Show," I had to watch it several times before I could totally understand the heavy Irish accents. In a way, that was good, as the film is worth watching several times.

The story line takes place in 1941-42, during the darkest days of WWII for the Allies. American born Shawn Hatosy plays the part of Irish poet and writer, Brendan Behan, and does a masterful job in capturing the heavy accent, and the pathos of the era.

Charlie Milwall, played beautifully by Danny Dyer, befriends Behan and an intense friendship builds between them. Have a handkerchief ready for the Pearl Harbor newsreel scene. It's a gut wencher, and a pivotal point for Behan. His ties with the IRA won't allow him to fully cooperate with the British operators of the Bostal House (Reform school), but he reluctantly pledges to do so until Hitler is defeated. Many viewers may not be aware that Ireland remained Neutral during WW II, and it is to Ireland that Behan, Millwall and two other 'inmates' determine they must escape. Take your hankie out again, for the beach scene of the escape episode. I'm a grown man, and men aren't supposed to cry. I shed many tears during the film, and was glad the showing room was dark.

Eva Birthistle plays her role well as the only female in the movie. The friendship/love relationship between her and Behan is intriguing, and an integral part of the story. She seems to understand all, and to forgive all. For history buffs, and those who love to love, the film is an absolute Must See. Definitely deserves ten stars, despite the thick accents.