Perfect Murder, Perfect Town: JonBenét and the City of Boulder

I have read the book, "Perfect Murder, Perfect Town" which is excellent; the movie, however, is terrible. The movie begins with the morning of the kidnapping, which is the first mistake. The audience is never given a chance to know JonBenet thus, when she is found murdered, we feel nothing for it. We don't know the victim, not to mention the body in the film is beyond fake. Look closely and you will see it rocking back and forth briefly after it has been touched by a mourner.

Secondly, all the pivital information is thrown in the viewer's face all at once. People who have not read the book or followed the case will be confused. Within 3 minutes, 7 characters are introduced, either in person or by mention of their name.

Thirdly, like the lack of characterization of JonBenet, we know nothing of the family. All that we know is what we are told which is the number one mistake of story-telling...telling and not showing.

What makes the movie so bad is the fact that it could have been so good. What is so odd, is that 7 years ago, when I was a freshman in high school, I wrote a script based on the crime (I am a film major) and oddly enough, i truly believe that my version was MUCH more emotionally charged, as it should be, after all, a 6 year old girl was murdered. And ironically enough, many of the scenes that are in this film , were actually in my script. My point: this movie seems like a 14 year old wrote it.

Read the book, don't watch the movie.

This year, sad to reflect on this.

This film is convoluted and protracted, as a few other critics have mentioned. While a few good performances are presented (Ann-Margret, as Nedra, Patsy Ramsey's mother) and Marge Helgenberger as narcissistic and erratic Patsy Ramsey. Also Kris Kristoffersen is interesting, but portrays detective Lou Smit, who has sided with the Ramseys and offered no other possible explanations, and there were many.

So many people had keys to that house. A Christmas party in 1996 with over 50 people in their Colorado home.

I wanted to like this film as the case even today is intriguing and labyrinthine. But the film diverges onto sub-plots (some unnecessary, the audience knows tabloid reporters will sell their own grandmother for a headline). Ken Howard portrays the D.A., Alex Hunter and yet we do not see Harold Haddon, the defense attorney and the defense side here, and the machinations of the American legal system, the control over Bolder Police Department, and the possible obstructions to justice and obfuscations created by the defense.

By now we in the U.S. have seen many bungled and sad cases like this with "baffled" police and powerful District Attorneys, as well as corrupt defense attorneys. Sad that JonBenet herself may never see justice (the parents motives have been questionable), and new facts may not come to light.

A highly recommended book on this case is recommended: Steve Thomas wrote a few investigative theories, and also Jeffrey Scott Shapiro. Worth looking into for those interested in facts and true crime investigations. A curiosity piece as a movie, but in my opinion the audience today is more savvy and deserves some answers. 5/10.

There's been a brutal killing in Boulder, Colorado: JonBenét Ramsey, a 6-year-old girl from an affluent family, has been found murdered on Christmas Day in 1996, her body discovered in the basement of her parents' maze-like house some eight hours after they first reported her missing. Thus begins a chain of events that leads to lies, deception, bruised egos, terminated careers, fallen reputations, lawsuits, and so much ill will and bad blood that Boulder is probably still reeling from the aftershocks of this case. Excellent docudrama, a four-hour CBS movie-for-television chronicling the baffling true-life murder investigation, makes its case right from the start: that it is irrelevant how much time has transpired since the actual crime occurred (irrelevant, also, how many years have passed since this movie originally aired in 2000). This is a case that deserves to be solved, and it's an honest-to-God puzzler no matter how many news programs have attempted to cover the territory. Directing with enormous skill and a keen-eyed sensibility, Lawrence Schiller, working from Tom Topor's adaptation of Schiller's own book, gives us an awful lot of material to sift through, and yet he makes the picture a compulsively-watchable yarn featuring dozens of complicated characters introduced with clarity and aplomb. It would be next to impossible to eliminate scenes or conversations without leaving unanswered questions behind, so the running time is justified; still, I did grow tired of a subplot involving a "bottom feeder" reporter from a tabloid journal, while Kris Kristofferson's homicide detective Lou Smit never quite comes to life (Smit stood steadfastly behind the child's accused parents, and had a nifty summation of events which he proclaimed in a private session, yet much of the time we don't know where Smit stands with some of the evidence gathered--or why he seemed to believe the parents' story from the get-go). The film is frustrating: it's well-informed and yet cloudy. Since the case remains unsolved, there's not much satisfaction in the finale (we as viewers want an emotional release and, of course, we don't get it). Nevertheless, the filmmakers provide some great food-for-thought here and the large cast is superb, particularly Ken Howard as District Attorney Alex Hunter (who waged a war of words and actions with the Colorado Police Dept.) and Marg Helgenberger as the child's erratic mother. The wealthy parents, who stonewalled the police for four months and seemed to lead everyone in charge around by the hand, are two of the most fascinating murder witnesses in criminal history, and this is most likely the best examination of them we'll ever get on film.

I've just seen "Perfect murder,perfect town",and they drag you right from the beginning into the action.After 30 minutes you think,whaaaww this is good stuff,but as off than the story gets much too far carried away and when the second part of the movie starts,you'll seriously get bored.Just so much that at the end you couldn't care less who did it. They shouldn't made a mini-serie out of this one.If the director can't get the story in a logical order and throws different charactors and plots right through each other then you shouldn't. So,as a short summary:first half an hour thrilling,then 2 hours and a half boring and very dull!!!!!

This movie was very well done. I enjoy watching it. The little girl who plays JonBenet is a splitting image of the real JonBenet. Both the actors who played the parents look very much like the real thing. Even though in the pictures that the parents look through are obviously not JonBenet, if you didn't know better, you would think it was really her. And the dummy that was in the casket was very life-like. As you watch this, you start to get a hint on whodunnit. It was very well-acted. Does anyone know if the real house was used in the film?? It look so much like the real 755 15th Street. I love the line "I need an ambulance, I need back-up. I have a dead little girl." And the music played when the dad finds her is quite eerie making it even more shivery than it already is. It's a great movie, especially one when you are in the crime-solving mood.