El nido

I am not a big fan of "critter flicks" as I find them to be stupidly acted and the insects unrealistic. Surprisingly, this movie kept me interested. I think one of the reasons was because of the great cast of male leads (Thomas Calabro - playing another doctor; John Savage - playing the embittered island electricman; and Dean Stockwell - playing the honest Sheriff). Even though it was your typical plot about a rare bug breeding in a corpse which washes up on a distant shore, the remainder of the story wasn't as predictable as usual. It's also humorous at times when watching city boy Dr. Cahill (Calabro) adjust to laid back island living while trying to gain acceptance from the townspeople who don't like him. Finally, I thought the bug scenes were realistic and I liked the different ways the bugs were used in various scare scenes. Admittedly, I only watched this movie once, but I would watch it again.

Despite the low rating, I found this TV-film actually not that bad at all. It's about a stressed doctor, who has to take an unvoluntary vacation, so he goes to an island in Maine, where the locals are not very friendly towards strangers. Soon he discovers that some dead people have strange marks on their bodies, and after that he finds out that some insects, looking like cockroaches, have caused these marks. The insects are very deadly, but how is DR. Ben Cahill going to convince the locals of the serious problems....

I almost thought that the story for "They Nest" was written by Stephen King, because of the location, on a small island off the coast of Maine. Also 'cause I saw two actors who played in SK-films before: Dean Stockwell (The Langoliers), and Jeffrey DeMunn (Storm of the century, Shawshank Redemption, Green Mile), who only has a small part, on the ferry to the island. The fact that the movie takes place in Maine, creates a certain feeling, like in a Stephen King movie. Therefore I thought that this film was not bad at all!

Supergenres are genres that are so mature that the story is so predictable that it becomes a wrapper for a story within, or a situation within that is the implicit focus. The enclosing supergenre here is a bug horror movie. Its formulaic as it should be. Ho hum.

The situation within is a town populated dually with simple good folk, all extreme stereotypes denoted in the briefest of shorthands: the warm old woman who here is also the schoolmarm, in charge of the island's kids. The dumb old man who is borderline senile. The tough but honest town cop who by himself keeps the rest of the town in line. And that whole rest of the island? Well, they are 30 year old high school male dropouts, unemployed drunks with no sense whatever.

Normally these guys would be associated with some Southern setting, Confederate flags and perhaps some indication of sexual deviance or inbreeding. But here they are in the rural north, a relocation that underscores the importance of the stereotype apart from place. It makes the fact that they are drunken dopes significant.

In the midst of this is our woman, the whole point of this inner story. I'm interested in this because of all the actresses they could have chosen, the thousands upon thousands who could handle this slight part, they chose a specific type. They chose her because of how she looks — there can be no other reason. She's a redhead. She's a redhead of a specific type.

I'm interested in narrative structure, patterns, templates and bits of the visual grammar we use to covey complex notions by reference. Women in film are the most complex when it comes to this but within women and film, redheads are the simplest case. So I have a serious study of redheads underway, and what they mean if terms of shorthand, and how that shorthand references folding.

I think there are only a few slots for redheaded women. There's the freckled, sometimes almost pigtailed, puffylipped womanchild. There's the sexually powerful, tempestuous woman, sometimes self-destructive. She seems to be modeled on a sort or aristocratic face: significant forehead and eyes — and represented by women who know how to act with their upper face instead of the lower.

And there's a sort of in between, the girl-next-door type who represents possibilities, who carries latent qualities of these extremes and others, but who is happy in the theatrical representation of simply being a representation.

So, our character here is played by Kristen Dalton. Her qualities as an actress are that she has a pronounced chin and a magnificent, aristocratic bearing. She's learned to move with that chin — actually her mouth — as the center of gravity. She isn't a great actress but she does act with her eyes. In other words, she understands a redhead's place in film, and knows how to exploit it. Why do I focus on this one redheaded actress? Because Scorsese saw her (in this, I think) and cast her as Nicholson's girlfriend in his own movie about movies and acting, curiously titled unless you know his intent.

So we will see a lot of Kristen, and we will see her BE red and tell us red.

The key elements of the story here have her as essentially the only woman in a town of dopey rednecks. All are single of course. She holds her own, being the soul of the school, the chief merchant (you literally can't buy anything unless you find her), and the color at the docks, running a forklift.

There's a big city doctor in the story but he's there only to notice her and draw her into the story. She circulates among the dopes. That's the story: her among the dopes.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

This is actually a decent movie which I was rather surprised by. It's not anything groundbreaking, think of it as a SyFy channel movie done well. Everything thing about this is pretty middle of the road, but I didn't find anything to be terrible. It was a fairly easy watch, the type of flick I often find myself watching on a lazy Sunday or Saturday morning when I'm bored and just want something mind-numbing to watch. There were a few good laughs and a couple moments of decent gore

One area I will give this movie credit on is the Maine coastal accents. While not spot on they were some of the better ones I've heard. Also, some of the islander characters were pretty spot on. If you've ever been to Maine there are a few of those folks in every town. They're the locals who've never left or experienced the outside world, who are stuck in their ways, cautious of outsiders and a bit on the ignorant side. I suppose everywhere has those folks, but I thought it was well done.

Overall, a pretty harmless watch that turned out way better than I expected.

My Rating: 5/10

After I got used to that concept (I thought Mr. King had copyrights on everything creepy and yucky in the state of Maine), I must say I thoroughly enjoyed this completely formulaic bug movie. This one's got it all--all the cliches, that is! You got your troubled outsider, you got your disgruntled local yokels, you got your plucky heroine who comes to the aid of the troubled outsider and stands up to the disgruntled yokels. You even got a colorful Maine codger! The best characterization is done by John Savage as a tosspot (that's King's word for a drunk, right?) with a comically thick Maine accent and a major 'tude. The story moves along at a good clip and the special effects are fun and effective. This flick is perfect for a rainy Saturday afternoon alone or to keep guests entertained at a slightly boring party. My VHS copy came with a 3D box cover that shows a picture of the hero with a normal face at one angle and a gross, bug-infested screaming face at another angle. Fun! (P.S. Also known as "Creepy Crawlers, which is the one with the 3D box)