CALIFICACIÓN DE IMDb
6.7/10
8.8 k
TU CALIFICACIÓN
Un yakuza de ascendencia china y un policía japonés libran su propia guerra contra la mafia japonesa. Pero están destinados a encontrarse y ello cambiará el mundo.Un yakuza de ascendencia china y un policía japonés libran su propia guerra contra la mafia japonesa. Pero están destinados a encontrarse y ello cambiará el mundo.Un yakuza de ascendencia china y un policía japonés libran su propia guerra contra la mafia japonesa. Pero están destinados a encontrarse y ello cambiará el mundo.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I have no other way to say it: this movie was brilliant! When I saw it last week at the Rotterdam Film Festival, I was completely blown away! And I wasn't the only one... Several other people at the theater actualy gave a (well deserved) standing ovation! This movie was just extraordinary. Not Miiki Takashi's best work (that would be Audition), but certainly one of his most enjoyable and fun flicks! I am amazed that the director is so unknown outside of Japan, because he really is a genius, inventing cinema all over again. He is only in the movie making business for about four years, but already has a body of work that counts no less than 15 movies which are all original and perfect in their own way. In Japan he is well known and is counted to the film avantgarde, but none of his movies really got a wide cinema distribution. Most of his movies are relatively low budget and made for TV, Video or small cinema release. Maybe this gives him the freedom to constantly re-invent himself and push the limit of movie-making in general and perverse, cruel detail in perticular.
Now back to Dead or Alive. The first ten minutes are just breathtaking and eccentric. But after this the movie pulls back into a more conventional Yakuza vs. Cop story, only to go completely over the top at the end. The end effectively blows up every genre convention and just HAS to be seen to be believed.
The basic story is, like I said, quite conventional and simple; a cop tries to solve a case of a group of hitman who have robbed an armored truck. This of course can not be done without getting personally involved and if that wasn't hard enough, he has some grave family trouble too, because his daughter needs an operation which he can not pay. Meanwhile the leader of the killer group is reunited with his younger brother he raised, who does not know anything about his profession. The kid brother tough is destined to choose sides once he finds out that blood money payed for his college education abroad. Meanwhile the band of killers gets involved in a yakuza gang war, fighting over a drug cartel.
The middle part, in which the story unfolds, is shown with very little action and at moments can be compared to the calm style of Takeshi Kitano. But Takashi's signature is always very clear, and there are a lot of small perverse elements that illustrate his tendency to push it to the limit. There is a scene, for example, where a gangster kills a girl by drowning her in a kiddy pool filled with her own poop. But over all the story is told in a very compassionate way, sometimes balancing on the edge of melodrama, but never getting too sentimental because there always is a certain ironic detatchment. Despite this sometimes Kitanoesque detatchment and calm, the movie succeeds in making you really care for and relate to the charakters. I think this really is a big accomplishment. Finally combining this more conventional, 'humane' crime/drama story with the outrageousness of the beginning and the end, and making this combination work, shows how brilliant Takeshi really is. A director that has to be watched carefully!
10 out of 10
Now back to Dead or Alive. The first ten minutes are just breathtaking and eccentric. But after this the movie pulls back into a more conventional Yakuza vs. Cop story, only to go completely over the top at the end. The end effectively blows up every genre convention and just HAS to be seen to be believed.
The basic story is, like I said, quite conventional and simple; a cop tries to solve a case of a group of hitman who have robbed an armored truck. This of course can not be done without getting personally involved and if that wasn't hard enough, he has some grave family trouble too, because his daughter needs an operation which he can not pay. Meanwhile the leader of the killer group is reunited with his younger brother he raised, who does not know anything about his profession. The kid brother tough is destined to choose sides once he finds out that blood money payed for his college education abroad. Meanwhile the band of killers gets involved in a yakuza gang war, fighting over a drug cartel.
The middle part, in which the story unfolds, is shown with very little action and at moments can be compared to the calm style of Takeshi Kitano. But Takashi's signature is always very clear, and there are a lot of small perverse elements that illustrate his tendency to push it to the limit. There is a scene, for example, where a gangster kills a girl by drowning her in a kiddy pool filled with her own poop. But over all the story is told in a very compassionate way, sometimes balancing on the edge of melodrama, but never getting too sentimental because there always is a certain ironic detatchment. Despite this sometimes Kitanoesque detatchment and calm, the movie succeeds in making you really care for and relate to the charakters. I think this really is a big accomplishment. Finally combining this more conventional, 'humane' crime/drama story with the outrageousness of the beginning and the end, and making this combination work, shows how brilliant Takeshi really is. A director that has to be watched carefully!
10 out of 10
'Dead Or Alive' can't decide what kind of movie it wants to be so it ultimately fails to satisfy on any level. The much discussed sensory overload opening sequence is sensational, and for me, if the whole movie had continued at this level the movie would have been something special. Too quickly the movie slows down to a conventional pace with a rather mundane story of police life vs gang warfare, a story we have seen countless times before but done with more depth and interest. Miike's characters are shallow and impossible to care about. There are a few infamous scenes of violence or degradation which are shocking and memorable, but there aren't enough of these to stop the movie from sinking into seen-it-all-before territory. Some people have likened this to Beat Takeshi's yakuza movies but I fail to see much resemblance. 'Dead Or Alive' has a lot more in common with flashy but empty Japanese thrillers like 'Shark Skin Man and Peach Hip Girl' albeit with a much darker tone, than a complex and meaningful work like 'Hana-bi', which is in a completely different league to this. Added to that a completely bizarre and incongruous ending that belongs in 'Tetsuo 2', and you've got yourself one unclassifiable but unsatisfying movie. Miike has an original and uncompromising approach that's beyond argument, but this time round it just didn't do it for me I'm afraid. 'Dead Or Alive' tries too hard to be different, and doesn't try hard enough to be GOOD.
Takashi Miike's "Dead or Alive:Hanzaisha" left me speechless.The opening sequence is incredible in its style-we have strippers at work,several bloody shoot-outs,a gangster getting his throat slashed while sodomizing a young man in a public toilet etc.The finale is also amazing-I was literally blown away!The film is strangely amoral-check out especially the scene in which two punks making animal porn try feverishly to excite an Alsatian dog so it can mount naked girl in their presence.The film is not as violent and sadistic as the other Miike's works like "Visitor Q",but there are some really strong images that will surely linger in the memory.The acting is very good,the direction is well-handled and the film is hallucinogenic at times.All in all if you're fed up with predictable Hollywood's action trash check this one out!
What a different Yakuza film. I don't care what anyone says. takashi Miike is a new force to be reckoned with. This is an in your face movie if I ever did see one. The opening five minutes lets you know that there is NO safe haven here at all. Not to mention you will NOT want to be eating spaghetti while watching it. Just take my word for it. Eat your dinner after you watch this film. The movie plays as a typical Yakuza film until the very end and then it switches to "what the heck just happened her?". That is why you must also see Dead or Alive 2 and Dead or Alive 3:Final to get the gist of it. Also recommended are Takashi Miike's Fudoh The New Generation, Ichi The Killer, and City Of Lost Souls.
Watch out, this one is not for the squeamish AND those without a sense of humour. The first five minutes are the biggest roller coaster ride I've experienced in a long, long while and left me breathless. What follows is a mix of heroic bloodshed, Yakuza-flics and manga in the flesh. The ending left me laughing way into my eighth drink. Not as creepy as his Audition, but way more fun.
¿Sabías que…?
- Citas
Detective Jojima: Su Chi noodles? Must be Chan Feng.
- Versiones alternativasR-rated version is edited. The unrated version is uncut.
- ConexionesEdited into Dead or Alive: Final (2002)
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Detalles
Taquilla
- Presupuesto
- JPY 500,000 (estimado)
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Principales brechas de datos
By what name was Dead or Alive (1999) officially released in India in English?
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