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Película australiana que dramatiza la vida de un notorio criminal, Mark Brandon Reid apodado ""Chopper"". Basada en la autobiografía que este criminal psicopata y mitomano que escribío en pr... Leer todoPelícula australiana que dramatiza la vida de un notorio criminal, Mark Brandon Reid apodado ""Chopper"". Basada en la autobiografía que este criminal psicopata y mitomano que escribío en prisión cumpliendo una sentencia.Película australiana que dramatiza la vida de un notorio criminal, Mark Brandon Reid apodado ""Chopper"". Basada en la autobiografía que este criminal psicopata y mitomano que escribío en prisión cumpliendo una sentencia.
- Dirección
- Guionistas
- Elenco
- Premios
- 12 premios ganados y 14 nominaciones en total
Renée Brack
- Television Interviewer
- (as Renee Brack)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
CHOPPER (3+ outta 5 stars) Nifty little character study of a notorious Australian criminal... well, notorious in his own mind, at least. The jury is still out on how much of the autobiographical details of the life of "Chopper" read are real and how much is fake... but it does make a compelling story either way. Eric Bana gives a great performance in the lead... nothing else I've ever seen him in prepared me for how good he really is. The character he plays is nasty, repellent, scary, ill-tempered... and still full of charisma. After a violent stint in prison (his motto appears to be "do unto others before they do it unto you") Chopper is sent back out into society. With no other skills besides his knowledge of crime, Chopper offers himself to the local police as a special undercover agent. They, of course, want nothing to do with his boneheaded scheme but he pretends that they do anyway. Inflicting pain (on himself *and* others) seems to be what he is best at and he gets plenty of opportunities to show his stuff. Amusing though it may be at times, the movie is not a glorification of violence... the ferocity and suddenness of it keeps the audience constantly on edge.
Mark Brandon Read, nicknamed "Chopper", was a notorious criminal in Australia who after spending most of his life in prison, went on publishing books with anecdotes of those years becoming a successful writer of Best-Sellers. While he has been accused of exaggerating things about his life in his books, the stories presented still are realistic and shocking, and give insight about the mind of this complex and often-troubled man, regardless if if they are real or fiction. "Chopper", the movie, is not based exactly on Read's life, but in the series of anecdotes he wrote in his first books.
Eric Bana plays Chopper and gives one of his best performances to date, capturing the very essence of the living legend Chopper has become now. It is not a surprise that this film gave him recognition out of Australia and turned him into an international star. but even when the movie is centered around Chopper, Simon Lyndon and Kate Beahan's performances shine in their roles as Chopper's cell mate Jimmy and Chopper's girlfriend Tanya respectively.
Like Read's books, the movie is not exactly a biography, but a collection of tales surrounding the now-mythical figure of "Chopper", presented in a way that perfectly mixes strange surrealism with harsh realism. The gritty semi-documentary look the film has enhances this feeling as well as the cold way the violence is presented. Like the real Chopper, the film walks the fine line between fact and fiction, and that's what makes it very appealing and interesting.
It could be said that Director Andrew Dominik painted an accurate portrait of "Chopper" the legend, not of the real person; and that's probably what the real Chopper may prefer. Domink plays with the moods, going from serious drama to awkwardly funny scenes in this character study that presents us a charming yet dangerous man, who probably has been through more than what we would like to do, yet less than what he would likes us to believe.
The film is very intense and "tough", and very good at it; Bana is perfect as Chopper and shows great promise as an actor. His characterization makes very difficult to don't like this common man with a very uncommon life. Director Dominik makes a straight-to-the-face film that stays true to Chopper's persona (fictional or not), and does it without being pretentious or manipulative. It basically lets Chopper's charisma speak for itself playing with the audience's fascination with crime and violence.
If as flaw was to be found, it would be that it never tries to go beyond its goal or push too much the envelope. It is not much of a flaw, as the results are still brilliant, but leaves one wondering at how far could it had gone considering the talent of those involved. Anyways, Eric Bana and Andrew Dominik are set to a bright future and this film is a brilliant start for these two new talents. 7/10
Eric Bana plays Chopper and gives one of his best performances to date, capturing the very essence of the living legend Chopper has become now. It is not a surprise that this film gave him recognition out of Australia and turned him into an international star. but even when the movie is centered around Chopper, Simon Lyndon and Kate Beahan's performances shine in their roles as Chopper's cell mate Jimmy and Chopper's girlfriend Tanya respectively.
Like Read's books, the movie is not exactly a biography, but a collection of tales surrounding the now-mythical figure of "Chopper", presented in a way that perfectly mixes strange surrealism with harsh realism. The gritty semi-documentary look the film has enhances this feeling as well as the cold way the violence is presented. Like the real Chopper, the film walks the fine line between fact and fiction, and that's what makes it very appealing and interesting.
It could be said that Director Andrew Dominik painted an accurate portrait of "Chopper" the legend, not of the real person; and that's probably what the real Chopper may prefer. Domink plays with the moods, going from serious drama to awkwardly funny scenes in this character study that presents us a charming yet dangerous man, who probably has been through more than what we would like to do, yet less than what he would likes us to believe.
The film is very intense and "tough", and very good at it; Bana is perfect as Chopper and shows great promise as an actor. His characterization makes very difficult to don't like this common man with a very uncommon life. Director Dominik makes a straight-to-the-face film that stays true to Chopper's persona (fictional or not), and does it without being pretentious or manipulative. It basically lets Chopper's charisma speak for itself playing with the audience's fascination with crime and violence.
If as flaw was to be found, it would be that it never tries to go beyond its goal or push too much the envelope. It is not much of a flaw, as the results are still brilliant, but leaves one wondering at how far could it had gone considering the talent of those involved. Anyways, Eric Bana and Andrew Dominik are set to a bright future and this film is a brilliant start for these two new talents. 7/10
This movie was not intended to be solely funny, but with Eric Bana in the lead it was always going to make you laugh. His denial of pain and causing injury while at times hard to watch is also hilarious. Chopper's laugh often steals the show, coming at what appear to be inappropriate times.
It's a brilliant movie with great direction and performances. I'll go an 8 out of 10.
It's a brilliant movie with great direction and performances. I'll go an 8 out of 10.
Like many of the best films, CHOPPER isn't about one thing, and it doesn't tell one story. It's a film about life on the fringes of society, about the lasting effect of growing up in an unstable, violent environment; it's about mental illness and the less glamorous (and thus in film rarely depicted) aspects of the life of a gangster and career criminal. Most of all though, it's one of the most fascinating character studies I've ever seen with a tour-de-force performance by Eric Bana that is never less than superb. This was only the debut feature by director Andrew Dominik, but it's the meticulously crafted masterwork of a driven artist that deserves to be mentioned together with the best debut films by directors of his generation (it would take him 7 years to confirm with his sophomore film, the excellent THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (2007) that he wasn't a one-hit wonder). Once you've seen this raw, shocking, at times darkly funny portrayal of a sociopath you'll understand why it single-handedly launched Eric Bana's international career. A truly excellent film. 9 Stars out of 10.
In case you're interested in more underrated masterpieces, here's some of my favorites:
imdb.com/list/ls070242495
In case you're interested in more underrated masterpieces, here's some of my favorites:
imdb.com/list/ls070242495
Mark Brandon Read (Bana) gains a fierce reputation as a hard man [and the sobriquet: Chopper] as a consequence of 'hitting people just to get himself a name'. A very accurate observation even if 'Chopper' himself maintains his only victims are 'low-life drug dealers' and their ilk.
Excellent example of film as story telling. I saw this 'indie' film on the same weekend as A Beautiful Mind and, my God, the lessons that shambles could have taken from this. Chopper is economically and crisply written with the sweetest doses of irony; marvellously directed with a plethora of techniques that only ever serve the film and it's grossly engrossing story and acted by an ensemble high on talent and clearly working for one another. Bana is a stand-out as the bright, troubled and dangerous hard man making a pathetic journey to emotional as well as physical incarceration; walking a dramatic tight-rope of comedian/homicidal-maniac as he does so with admirable skill and thoroughly believable integrity. Worth viewing by anyone who thinks they like all the ingredients of film and art to come together in the same project. Not worth viewing by anybody who thought the same things came together in A Beautiful Mind!
Excellent example of film as story telling. I saw this 'indie' film on the same weekend as A Beautiful Mind and, my God, the lessons that shambles could have taken from this. Chopper is economically and crisply written with the sweetest doses of irony; marvellously directed with a plethora of techniques that only ever serve the film and it's grossly engrossing story and acted by an ensemble high on talent and clearly working for one another. Bana is a stand-out as the bright, troubled and dangerous hard man making a pathetic journey to emotional as well as physical incarceration; walking a dramatic tight-rope of comedian/homicidal-maniac as he does so with admirable skill and thoroughly believable integrity. Worth viewing by anyone who thinks they like all the ingredients of film and art to come together in the same project. Not worth viewing by anybody who thought the same things came together in A Beautiful Mind!
¿Sabías que…?
- TriviaEric Bana spent two days living with Mark Brandon Read so he could get a better understanding of how to play his character in the film.
- ErroresAt Tanya's house you see the car lights are on as Chopper goes to her front door. When he comes back and beats the car in frustration --- they are off.
- ConexionesFeatured in Today: Episode dated 27 January 2006 (2006)
- Bandas sonorasDon't Fence Me In
Performed by Frankie Laine
Composed by Cole Porter
© 1944 Warner Bros. Inc. (ASCAP). All rights reserved
Courtesy of Prestige Records (UK) Limited
Licensed from Rajon Entertainment Pty Ltd
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- How long is Chopper?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- AUD 5,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 236,185
- Fin de semana de estreno en EE. UU. y Canadá
- USD 15,044
- 15 abr 2001
- Total a nivel mundial
- USD 310,522
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for Chopper, retrato de un asesino (2000)?
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