Like many of Dickson and Heise's performance movies, such as the well-known "Annabelle" series, this brief film serves a much different purpose when viewed today than when originally released. In the beginning, the biggest reason Edison's company was so into shooting vaudeville acts and other various sensations of the period was, obviously, to promote the titular performer further as well as cashing in on showing brief sneak peeks of the act through this new medium. Like all of the performance movies, "Annie Oakley" did help this cause, but today serves a completely different purpose than normally. Frequently, watching films of Luis Martinetti, Hadj Cheriff and others help us remember these forgotten historical figures: yet, in this case we can use Edison's record of the act to acquire an idea of what Oakley's skill was like when viewed all those years ago. Clearly her persona is already very well known, and does not need any more recognition; so a film like this one helps illustrate the original fame of the performer rather than serving as a purpose to remember a forgotten historic sensation.
As such, "Annie Oakley" would be a must-see short for any film historians or (more importantly) history buffs. The famous sharpshooter was filmed only once in the Black Maria studio on September 24 1894, a date on which many members of Buffalo Bill's Wild West Show (including "Buffalo Bill" Cody himself) were shot in order to promote their acts further into Europe. (Indeed, the show itself would also be touring European continents shortly after these movies were made, which shows how Edison probably wanted an excuse to introduce his invention to other countries). In this thirty-second clip, the only known motion picture record of Oakley, Annie is shown inside the studio against that boring black background we've gotten used to, shooting several rows of glass balls in rapid succession. A man (very probably Francis E. Butler, her husband) then assists her in tossing coins into the air which she shoots down one by one.
We can only speculate why Edison chose to film Oakley in such an unnatural setting. As Snow Leopard has already pointed out, it's clear she isn't always always right on the mark and occasionally takes two shots before getting a hit. A more natural setting might have been a rodeo ring, (like the one used for Bucking Broncho) in which she may have felt more confident and/or comfortable with her marksmanship. Alas, that wasn't the case at all, and it would be a couple more years until shooting on location became a more practiced concept with the Edison studios.
Nonetheless, "Annie Oakley" is a very important record simply because of the famous historical figure it portrays. As is the case with most cinema of this period, watching brief documentary snippets such as these allow us to get an idea of what was popular during the time. Keeping that in mind, every Edison performance short, entertaining or not, is worth seeing simply because of how they depict long forgotten life of all those years ago.
