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I really liked LES RIVIÈRES POURPRES.

When I first heard of this movie, I thought: "What an unusual, interesting and poetic title! I wonder what this movie might be all about! It could interest me." Then I saw this absolutely fantastic movie poster, which I still like a lot: a beautiful red - I had to think of the title again! - with the two protagonists in the background and some red blurs (the blood cells, of course, but I didn't know that then).

Then I learned something about the movie's content and thought: "Usually, I don't like serial killer movies at all, because often they're too violent, but that mostly concerns Hollywood movies. So, let's see, what the French made out of it!" Which I did shortly thereafter.

And what shall I say? I really liked the movie, because it was full of suspense. It had two great lead actors: Jean Reno at his best (Watch his face, as he looks at the first corpse!), and a great Vincent Cassel, whom I didn't know before. The two stories in Guernon and Sarzac were well intertwined (save for the end, on which I will comment later on).

The cinematography was overwhelming (for example the shots in the mountains, when Niémans drives to the crime scene in the very beginning, and those, when he and Fanny climb through the snowy mountains before finding the second corpse). And finally the soundtrack by Bruno Coulais was brilliantly adjusted to each scene.

Moreover, I liked the movie for not being too violent. Although the victims were drastically tortured, before they were killed, neither the torture nor the killing is shown. And the violence is not "celebrated", which means it's not shown, as if it were any kind of fun or something the viewer also should do.

Once again: Watch Niémans' face, while he looks at the first corpse; this scene shows clearly what he thinks of the torture and the killing and that it's absolutely barbaric and immoral to do a thing like that. Hollywood movies often don't show that as clearly (e. g.: Is John Doe in David Fincher's absolutely disgusting and way overrated SE7EN not in a way shown as being "sympathetic"?).

Are there any weaknesses in this movie? Yes, of course there are. Firstly, there are the first scenes of the movie, while the credits start: The camera shows a rotting human corpse, which was a) quite disgusting, b) totally unnecessary, and c) in no connection to the movie. Because, of the corpses in LES RIVIÈRES POURPRES not one had the time to rot! (Think about it for thirty seconds - you will see that I'm right!)

And then there's the end of the movie; let's say the last fifteen minutes. I must admit that I didn't really understand it completely, which in other words means that I don't think it's absolutely logical. In my opinion, it's quite stupid and very disappointing compared to everything in the movie that happened before (though I can't and won't tell you about the end in detail here; go see the movie for yourself!).

Shakespeare wrote: "All's well that ends well." Does that mean everything's bad that has a bad end? (And let's face it: The end of LES RIVIÈRES POURPRES can in my opinion only be described as really bad!) The answer is no! Because for 90 of 105 minutes the movie is absolutely great and worth a watch.

Behind BILLY ELLIOT and CHOCOLAT it's my third favourite movie of 2001 so far. And if not for the end, it could have easily taken the first place of this list.

I'd like to rate it an 8, but because of the end I can't. So I rate it a 7. But it's a strong one.

The isolated University of Guernon specializes in the study of eugenics through which the researchers hope to produce academics of the highest calibre. Chief Inspector Niemans (Jean Reno) is called from Paris to investigate an horrific murder involving torture of the University's research librarian(close your eyes if mutilated bodies offend you)...At the same time a local police officer is looking into the desecration of a grave in the local cemetery. Some intriguing clues ( a bit far-fetched though)bring the two investigations together.

The two policeman have a strange relationship. The Chief from Paris is rather a loner who has his own ideas while the energetic local officer is kept at arm's length until he producers a clue of his own. The dialogue between these two keeps the film alive. The rest of the characters behave in suspicious ways of course but on the whole play minor roles.

Dissection of bodies and opening of grave sites are always gruesome and not every one's idea of entertainment. In this film they are important parts of the plot and certainly add to the atmosphere. It's strange when you come to think of it that police have to do so much of their work by torch light. But then the shadows are greatly enhanced and who knows what may jump out at them!

The police get very little help from the suspicious-looking University staff, a fact which surprises me considering their lives are possibly in danger.

For me the final scene when all is revealed is quite a let-down after a reasonably interesting investigation. The solving of the crime in this way seems just a little too convenient. The final avalanche was more exciting than the solving of the crime.

I'm a big fan of the genre (and "Seven" is still one of my 10 favorite films of all time), but "The Crimson Rivers" just didn't cut it. It is undeniably directed with enough skill and confidence to rival any Hollywood blockbuster, it is filmed on wonderful locations and it has great performances by both leading stars. But the pace is slow and the plot is muddled. Supposedly the DVD "making-of" documentary clarifies matters somewhat (and I plan to watch it right now)....but still, that should never be the only way you could interpret a movie. (**)

Suspense and action movie with a series killer committing grisly murders . It is entertaining enough and fast pace but lacking coherence at times . This thriller from France with considerable blood and guts centers on Inspector Niemans (Jean Reno) , a prestigious French detective assigned to investigate a brutal murder at a prestigious college located high in the Alps . The victim was first disfigured and dismembered , then strangled to death . Niemans soon realizes the murder was not an isolated incident when several similarly mangled corpses are discovered. Meanwhile , in a town 150 miles away, a young police investigator, Max Kerkerian (Vincent Cassel), is called in to investigate when the grave of a ten-year-old girl is dug up and ransacked . Before long there's more than a victim , all of whom have ties to university . As Niemans meets the young Kerkerian , agressive partner in provincial policeman , creating a peculiar couple , in buddy movie style . So two tough police inspectors join forces and find a terrible common link in the murders . Evil rises to new heights !. An unholy crime... An unstoppable killer... Caught in a deadly tide!.

Audacious and gruesome thriller set in French Alps in which a librarian from the local private university is found horribly mutilated on a mountain slope and Parisian investigator is called in , meantime another cop carrying out parallel discoveries , both of them nvestigating a series of creepy murders . In the picture there is thrills, chills , frenetic action , emotion , mystery , plot twists , spooky sets and a little bit of gore. This film has some good moments, such as the dark atmosphere and some thrilling pursuits and red herrings . The movie is a crossover between the intrigue of the ordinarily sinister American thrillers as ¨Seven¨ and the ¨French Polar¨. From the beginning of the film until the end , action-packed is nonstop , it's fast moving and that's why the picture results to be quite entertaining . The final confrontation between the starring and the contenders in the snowy mountains is spellbinding . Stars Jean Reno and Vincent Cassel who make a terrific screen team , an attractive buddy couple with just the right amount of humanism and humor to allow some tension relief for the story. These two awesome French actors are nicely accomanied by a fine support cast , such as : Nadia Farès, Dominique Sanda, Jean-Pierre Cassel , Philippe Nahon and Didier Flamand . The special effects are adequate as is the cinematography by Thierry Arbogast and excellent musical score by composer Bruno Coulais .The flick will appeal to thriller buffs and dark atmosphere enthusiasts . Rating : 6.5/10 , well worth watching .

The picture was well directed Mathieu Kassovitz . He is an actor and director , known for Amelie (2001) , The Fifth element (1997) and has directed a few films , such as : The hate (1995 ) , Assassin (1997) , Gothika (2003) , but he disowned the theatrical cut of ¨Babylon A. D.¨ (2008) suggesting that the studio behind it 20th Century Fox, had turned it into a dumb action movie and removed the complex issues and themes he had originally wanted the film to feature. This movie ¨Les rivières pourpres¨ (2000) obtained a lot of success , as the sequel "Rivières Pourpres II ", using the same character of Niemans . Les rivières pourpres 2 - Les anges de l'apocalypse (2004) was directed by Olivier Dahan featured by Jean Reno , Benoit Maginel, Christopher Lee , Camille Natta , Johnny Hallyday . Here Niemans/Reno , the police of the first part has to investigate weird murder series in isolated monasteries of Lorena (north of France) helped by Benoit Maginel , Vincent Cassel's similar role , they will take on Apocalypse angels , some monks with supernatural power and a villain and his evil henchmen . It is an acceptable sequel , but the plot is totally confused and quite silly, wasting what could be a good movie.

Echoes of "The Boys From Brazil" and "Name of the Rose" in this fast-moving, gorgeously-set (small alpine towns near Grenoble) French thriller, which has a really nasty conspiracy in a closed community as an underlying subplot. Two interleaved storylines involve two detectives in towns 100 km apart. Young, feisty Kerkerian (Cassel) is investigating the desecration of the tomb of a young girl. Meanwhile, supersleuth Niemans (Reno) is drafted in from Paris to assist local gendarmes in solving a nasty torture-murder of an academic at a small private University. More bodies turn up, suspects become victims, and eventually the paths of the two cops cross. Visually utterly beautiful, particularly the College, the Library, and the glacier/ice tunnel scenes. Characters strongly drawn and sympathetic. One pretty straight fight scene, little dwelling on active perpetration of violence, but much lingering on the unpleasantly gory aftermath. This is particularly the case with the rather gratuitous opening sequence, which is overdone relative to the rest of the film. My main cavil involves the poor ending, where a last-minute surprise twist creates more loose ends than it ties up. Nevertheless, so watchable that this one gets 9/10.