Los ríos de color púrpura

Although french, this movie is better than most hollywood churned wannabes. A gripping thriller with a slightly outlandish plot revolving around genetics and nazism. But dont let that turn u off. The film is absolute edge-of-the-seat fare. Jean reno is good as usual but vincent cassel dishes out excellent acting nuances which add to his character. Great acting! The scenes set in winter among the French Rhone Alpes are breath taking to say the least. The thrills keep on coming without having to take resort to loud background music, which make these moments even more rivetting. The english dubbing is good without too many quirks. RECOMMENDED! [Writing "Highly Recommended" would make you biased! ;-)]

I'm a big fan of the genre (and "Seven" is still one of my 10 favorite films of all time), but "The Crimson Rivers" just didn't cut it. It is undeniably directed with enough skill and confidence to rival any Hollywood blockbuster, it is filmed on wonderful locations and it has great performances by both leading stars. But the pace is slow and the plot is muddled. Supposedly the DVD "making-of" documentary clarifies matters somewhat (and I plan to watch it right now)....but still, that should never be the only way you could interpret a movie. (**)

The isolated University of Guernon specializes in the study of eugenics through which the researchers hope to produce academics of the highest calibre. Chief Inspector Niemans (Jean Reno) is called from Paris to investigate an horrific murder involving torture of the University's research librarian(close your eyes if mutilated bodies offend you)...At the same time a local police officer is looking into the desecration of a grave in the local cemetery. Some intriguing clues ( a bit far-fetched though)bring the two investigations together.

The two policeman have a strange relationship. The Chief from Paris is rather a loner who has his own ideas while the energetic local officer is kept at arm's length until he producers a clue of his own. The dialogue between these two keeps the film alive. The rest of the characters behave in suspicious ways of course but on the whole play minor roles.

Dissection of bodies and opening of grave sites are always gruesome and not every one's idea of entertainment. In this film they are important parts of the plot and certainly add to the atmosphere. It's strange when you come to think of it that police have to do so much of their work by torch light. But then the shadows are greatly enhanced and who knows what may jump out at them!

The police get very little help from the suspicious-looking University staff, a fact which surprises me considering their lives are possibly in danger.

For me the final scene when all is revealed is quite a let-down after a reasonably interesting investigation. The solving of the crime in this way seems just a little too convenient. The final avalanche was more exciting than the solving of the crime.

Mathieu Kassovitz's film featuring the incomparable Jean Reno (The Professional) and Vincent Cassel (Ocean's Twelve, Ocean's Thirteen) is a thrill ride that never stops.

The French countryside with the spooky houses is a feast for the eyes. Thierry Arbogast's (The Messenger: The Story of Joan of Arc) camera made this entire film a joy to watch. The scenery was complimented by the music of Bruno Coulais (The Chorus).

But, it was Jean Reno that brought me to this film. His Commissioner Niemans was just what I expected from him. He has a way that makes the perfect cop. That is not to dismiss Callel's Lieutenant Kerkerian, who was a perfect partner.

The story was definitely creepy with some graphic scenes of tortured bodies, but it was not off putting. It was essential to the story, which really had some extremely interesting twists and turns.

Niemans and Kerkerian prevail, of course, but it was the journey that was so satisfying.

The novel by Jean-Cristophe Grangè on which this film is based is simply one of the best thrillers ever written,in the same league as The Silence of the Lambs and Misery,and with the help of writer/director Mathieu Kassovitz(who was also supposed to be one of the actors)the author has successfully brought his masterpiece to the screen.

From the very beginning,thanks to the location and Bruno Coulais'unsettling score,we realize French people can make good horror thrillers: Pierre Niemans(Jean Reno) is in Grenoble to solve a couple of weird and brutal murders,while Max Kerkerian(Vincent Cassel)investigates a damaged tomb somewhere else. Soon they discover the two cases are connected,and the two men have to run against the clock in order to uncover the awful truth about what's been going on in the local university for years.

The book has been simplified(the first chapter is entirely missing,as well as some of the details about Cassel's case),but the movie manages to be very interesting,and the chemistry between Reno and Cassel is great.

Special praise for Dominique Sanda,her creepy cameo being the film's best sequence(Sissy Spacek appears in a similar scene in The Ring 2).

Only defect:why did they make the sequel?