Prueba de vida

I like this film. I must admit that a part of me was hoping for the typical chick flic ending, but if I'd actually gotten it I'm sure I wouldn't have liked the movie as much. The movie was more believable than I've come to expect from action films, with the possible exception of the bravado of the captive husband. I find it hard to believe that someone in that situation would be so constantly antagonistic to their captors. Sure, you might have a moment or two where you'd just had enough and had to push back, but I find it hard to believe that you'd be that way ALL the time.

But the negotiations were believable for the most part, and the growing attraction between the leads was done nicely.

Peter and Alice Bowman are working on a dam in South America in the employment of a large oil company. When Peter is kidnapped the company bring in expert negotiator Terry Thorne. However when the oil company runs out of money due to no insurance, they take Terry off the case and he leaves for another job. However a pang of conscience brings him back to help Alice and he replaces the corrupt locals. As he tries to help get her husband back he also falls for Alice.

As a fan of David Caruso, I was annoyed that I missed this film at the cinema (I blinked and I missed it!) and by the time the video came out it had slipped my mind. Shown of tv last night was the perfect time for me to see it and, despite negative reviews, I actually quite enjoyed it. I think the problem is that the critics struggled to get past the handful of problems (more later) to find that the film was an effective, if talky, drama with a thriller edge. The premise is good and it allows tense scenes where Terry tough talks as well as scenes with Peter with his captors. It's not perfect in this regard as it is a bit talky but for me it was engaging - I got the impression from other comments that people had expected raging gun battles all the way through the film.

However what does damage the film is Alice Bowman. I can see the potential behind Terry and Alice's romance - it could have been another layer of drama. In reality it doesn't work a bit and only serves to take away from the main thrust of the film - their relationship never convinces and nothing of interest is actually done with it. Likewise the character of Alice doesn't really work either - I never believed she was emotionally going through the wringers to the degree the script suggested she would be. A big part of the blame for this must lie with Meg Ryan herself. She is miscast in the first place, but on top of that she is too pristine throughout the film - hair and makeup perfect no matter what and a stupid little hippie-girl personality that stops her being a real person. It is a bad performance and the film would have benefited from a shorter running time which lost the romance subplot and scaled back on Ryan's time.

However she is carried by a real star turn from Crowe. It may not be that clever a role but he does `tough' really well and he helps improve the tension of several scenes. Morse is a good actor and he does well here. The only downside of his performance is that he seemed fit and well outside of his makeup; I was looking for him to look thinner and mentally battered as the film progressed but he didn't - it's not his fault, I guess the film had no time to do this. Caruso gives the same tough performance he does in every thing he ever does so if you like that then you'll like him here - I do!

Overall this is an enjoyable film if you can get past it's major problems surrounding Alice and Terry's relationship. Script-wise this aspect was weak on paper, but a comparatively rubbish turn from the miscast Meg Ryan just makes it all the weaker. Thank god that the basic premise is tense and the male leads' tough talking is good fun.

This looked like something made in the 80s, what with the Rambo/Uncommon Valor Finale, the psuedo-James Bondish globe trotting of Crowe in the lead and of course, Meg Ryan. I didn't mind this much, but there are a few things wrong with it...

One-it takes TOO long to get to the Rambo finale, which by the way is handled pretty well. You expect going in, to see Crowe taking at least half the flick to go in and get the poor guy being held hostage in the Andes. Not so. He spends instead an awful lotta time yakking into a two way radio with the baddies or pacing around some office or room or whatever. They needed to tighten THAT up.

Two-Meg Ryan while I like her, didn't seem to bring very much to this. I donno, she reminded me of her character from 'You've Got Mail'-it was almost as if she left Set#1 and went right onto Set#2 without skipping a beat. Not enough 'gravitas' to the casting or role.

Pamela Reed was kinda irritating but at least seemed like she gave a hang about her brother being held. They never Did bother to explain to us how she scraped up the lions share of that $600K by the way(which they never hadda use)either....

Crowe I like, in a Robert Mitchum kinda way this guy's the real deal. He was so good in the Rescue scenes that ya wish they'd turned this more into a 'Predator/Uncommon Valor' type flick and gone with that. I was reminded of 'Predator' in fact in the helicopter over the jungle shots....

For the most part, I consider this to be a mature, intelligent presentation-but there needs to be some more thinking to what exactly kinda film it is they want to make. The opening scenes in Chechenya are so effective, you wind up being disappointed and surprised in fact that it's Not That kinda flick; more negotiating and hostage scenes than anything else.

(I also, for what it's worth, will tip my hat to both the 'Missionary Guy' and David Morse, they were good. Morse usually is, in things like the Rock and whatever. And David Caruso seemed to be enjoying himself too-he was alright. Quite a comedown from NYPD Blue though, eh? He has disappeared pretty much...)

Overall-it's not bad, more a good VCR than anything else....

** outta ****

While I would probably reccomend seeing the epic Gladiator (one of the best films of the year as I now see it) if you want a case of Russell Crowe as a perfectionist actor, if you want to see a movie with him in good form (and in the cinema now), this is good too. With him in the lead, plus 2 other really good performances, it almost (and almost) seems like there are no flaws.

The plot follows an expert K & R consultant (Crowe in great acting shape), who goes in assistance for a wife (Meg Ryan in one of her better roles) who's husband (David Morse who follows up and tops his Dancer in the Dark performance) has been kidnapped. Then the thrilling tension ensues, as they try and get him back. With the few flaws possibly being not enough tension and not the greatest delivery I expected, it definately hits the mark on It's acting and delivery (and what an ending). By the way, if you are looking for Crowe's famous Australian accent, then this is surely for you. B+

Maureen O'Hara stars in a movie where her husband gets kidnapped those damn commies in South East Asia so she hires tough and dashing soldier of fortune Clark Gable to save the day

That's not the cast or the location of PROOF OF LIFE but it does have a very similar plot . Did someone mention this was a 1940s matinée blockbuster ? Just curious because while I was watching the movie I was struck by how old fashioned everything felt . Russell Crowe plays an Aussie who served in the SAS and saves a Frenchman from the Chechens in the opening sequence , but you could have had Gable playing an American paratrooper saving someone from the Red Army on the River Elbe in May 1945 . Different actor , different period of history , different enemy but still the same basic story with the action switching from Europe to say South East Asia in 1950

That's not to say PROOF OF LIFE is a bad film . It's not and I found it mainly entertaining though perhaps a little too long . It's just that it is so old fashioned that you can see where the predictable story threads are going to begin and end . You can't deny that both the cast and action scenes are good , it's just that you also can't stop thinking it would have been better if it'd been filmed in monochrome and directed by Michael Curtiz with no bad language or sexual references