Lovely Rita

Whose sick joke was to describe this film as a comedy? It is a drama, family drama or teenage drama that does not have anything with comedy. It is pretty dark film showing typical teenagers' ways of dealing with growing up, especially when they have no support, just punishment measures from their parents. Unfortunately, sometimes it ends up tragically

this movie wants to show the fake facade of a Catholic, bourgeois family, and it does so by boring the user for 80 full minutes.

shaky camera, bad lightening, strange doings by the characters. everything feels acted and not real.

A portrait of claustrophobic adolescence within the confines of a bourgeois Catholic Austrian family, the 'lovely Rita' of the title appears to be a typical brooding teenager, but there are darker consequences to this seemingly everyday tale. Rita is an only child who displays classic adolescent truculence in response to the strictures of her family and school. Her parents lead a life hidebound by convention and routine – socialising with the neighbours, shooting birds for sport, and repeatedly berating Rita for her sullen attitude. There is an uneasy imbalance of power within the family, where the father's unpredictable temper creates an atmosphere of constant tension, and the mother seems to enforce the father's tyrannies with a smile of twisted satisfaction.The low tech production values create a surprisingly effective medium for this bleak exploration of family life. Not the most uplifting viewing experience, but an honest and brave approach at portraying the familiar theme of adolescent alienation in a harsh and realistic light. KR

Every decision in this movie is guided by film thinking. The character is interesting and alive, the situation is exciting and bizarre, the whole visual image is full of intension and purpose. It is not a movie made to look or be pretty. It is a very resourceful piece of raw cinema.

Not an easy movie, not for everybody and not for every time, not for every hour.

Brave film, heavy tools, amazing cast, beautifully directed.

One work that shows that digital (DV) can be better than film. Specially when sound, image and an original style works directly and fully in service of storytelling and for the movie itself.

I saw this film at Cannes Film Festival in 2001 and was very impressed by the ending. However, when I saw Kaurismaki's Match Factory Girl last year, I found that the ending and the movement of the camera picturing Lovely Rita is almost same with Match Factory Girl.

The stories of those two films are different, but when you see the ending itself, you could say they are sharing the same ending.

The film still remains good to me, but the ending belongs to AKI KAURISMAKI