The Red Spectacles

Red Spectacles is an odd mix of film noir, surrealism, slapstick and anime mech(at the beginning and end). As a whole it does not work. I think possibly as a series of vignettes it might work better but collectively the parts do not sit well together and the humour for me at least is sadly lacking.

The cinematography ranges for excellent to below par. Some shots are very film noir and others have bad framing with heads cut off and shot without enough shadowplay to justify there lenght.

The sound is very poor and distracting. All sound was added in post production so there is a spareness to the sound which makes everything seem overly poignant and frankly off putting. The score is poor for the most part and sometimes inappropriate music is used for a scene, at least inappropriate to western culture.

As an art film it does not really compel this viewer, neither does it have any particularly outstanding aspects technically or thematically. It is run of the mill with a few nice visuals.

I too am a big fan of Oshii's anime work, but I have to admit I went into this movie expecting an action packed movie such that it starts out as, and it ends up being something akin to Lynch's Mullhuland Dr. I was perfectly willing to accept that, and I enjoy all kinds of movies, and would particulary enjoy a very high brained live action anime type flick, and the visuals where spectacular in many scenes. However, I wish someone who saw this film would explain in depth more about what exactly was going on, as they saw it. I have to admit that I didn't get half of what happened in the last half of the film, and I would consider myself pretty versed in metaphoric interpretation of film.

According to others what was being shown is a reflection of the confusion of the character trying to find out what happened to his friends who he left and let die? Perhaps only in that the viewer is confused by what they're seeing?

I don't know, but if you consider when this movie was made, in 87, it was extremely advanced in quality of the film.

RED SPECTACLES starts typically enough for an Oshii film. First of all it is based on the same manga that much later inspired JIN-ROH so the power suits seen right at the beginning of SPECTACLES will look very familiar to those who've seen that later film. It is also shot in a very desaturated way, kind of similar to AVALON in how it is almost monochromatic. In a series of texts on screen we are introduced to a future world where an elite police force has just been disbanded and forced to disarm. Three officers refused to give up their weapons and it's their fate that this film will mostly be about. They hole up in a dilapidated building and are soon attacked by dozens of civilians who are out to collect the bounty that has been put on their heads. However, with their superior guns they mow them down like so much corn at the time of reaping. But still, only one of them can continue his escape as the other two (a man and a woman) are badly wounded. They make him promise that he'll eventually return and he's off.

The rest of the film is about his return and his adventures in a very changed city. But I was in for a big surprise! If I thought this would be a typically gloomy and melancholic Oshii film at the beginning I soon realized with utter amazement that this is one hell of a weird hybrid of a film. Yes, there are a lot of typical Oshii-esquire moments of philosophizing and melancholy but for every such scene you get one in which the hero suffers from diarrhea and runs around making silly faces while looking for a toilet. There are a total of 3 (!!!) scenes of that in the film and they are acted, filmed and scored (by the once again brilliant Kenji Kawai) like a post-modern Japanese take on LAUREL & HARDY. And to make things even stranger there are also entire scenes set on a theatrical stage! Oshii resorts to simply filming the actors acting like they were in a play, sometimes even resorting to pantomime! Awesome, just awesome! Then, towards the end of the film it takes a turn for the surreal that I won't spoil but it involves a girl who may or may not represent fate, BLADE RUNNER skylines and the mysterious contents of a suitcase.

Well, what can I say? When I popped in this DVD I expected Oshii's patented brand of beautiful and cultivated tedium but instead I got what could possibly be described as a bizarre hybrid of URUSEI YATSURA and GHOST IN THE SHELL with elements of the films of David Lynch thrown in for good measure. I found the film to be extremely ahead of the time it was made in. Even after 15 years RED SPECTACLES still feels fresh and intriguing and thoroughly modern. Which is only further testament to the genius of Mamoru Oshii, who is simply one of the most exciting filmmakers to emerge out of Asia in the last 2 decades.

As a fan of Mamoru Oshii's action-packed, yet intellectually provocative anime films, like "Ghost in the Shell", "Patlabor", and "Jin-Roh", I was expecting something interesting from his live-action films. I started by watching "Avalon," which lived up to my expectations. I then decided to watch "Red Spectacles" next because it takes place within the same alternate world of "Jin-Roh".

While "Red Spectacles" starts off with a full-color live-action shootout that could've been straight out of "Jin-Roh", that's about as far as the similarities between "Red Spectacles" and its animated kin go. What follows the opening credits is a sepia-toned black & white genre-bending tour de force reminiscent of Jean-Luc Godard's "Alphaville".

Veteran anime voice actor Shigeru Chiba plays Koichi, a former member of the elite Kerberos police unit who has returned home after spending several years in hiding only to discover that the world he left behind has totally changed in his absence. "Red Spectacles" is constantly shifting genres, from action to slapstick to thriller to tragedy, and though these mood swings can be jarring at times, the film always maintains a surrealist tone. Oshii uses the language of film to cinematically convey Koichi's confusion and paranoia as he fights to uncover a government conspiracy that still wants him dead.

I won't give away the ending, but I will say that the last 5 minutes were visually breathtaking. The cinematography is especially remarkable at the end and Oshii introduces a metaphor in the final frames of "Red Spectacles" that he explores in detail a decade later in his screenplay for "Jin-Roh".

However, I must warn people who are expecting an action flick; "Red Spectacles" will probably bore and/or confuse you. I personally appreciate avant-garde film, so I loved "Red Spectacles", but my bloodthirsty anime "otaku" friends spent the whole film scratching their heads and begging me to fast-forward.

The next film at the top of my "To-See" list is Oshii's 1991 live-action sequel-of-sorts to "Red Spectacles" called "Stray Dogs: Kerberos Panzer Cops" (aka "Jigoku no banken: kerubersu").

After watching Avalon (which was decent only because of the very nice digital fx), and several anime films written by Oshii, including Jin-Roh (which is fantastic) I decided I should check out the Oshii cinema trilogy box set. Being that the Red Spectacles and Stray Dog are related, I will comment here on both. And let me tell you, it was one of the biggest wastes of money I have spent in a while. I first watched Stray Dogs and then The Red Spectacles. I am sad to say that these films are quite possibly the most boring two movies I have ever seen. For only about 10 minutes in each film do you get to see some action between the the characters, who are only dressed in the "Panzer Cop" outfits for a few fleeting scenes. The rest of the time you will see some very drawn out scenes filled with boring dialogue in some less than impressive locations. I really don't understand the motivation behind these two films at all. I love the Wolf Brigade outfits and the idea behind the plot, but the films themselves leave much to be desired. I would suggest NOT watching these films, and certainly do not buy the box set like I did, unless you enjoy wasting money. Oh, and if you are wondering what I think about the 3rd movie in the set, Talking Head, I couldn't even bring myself to watch it before I purged the box set from my DVD collection via eBay at a $20 loss. If you want cool Japanese live action, check out Returner, or Ichii the Killer or the Zeiram series.