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6.4/10
969
TU CALIFICACIÓN
En un futuro distópico, un hombre lucha por sobrevivir en una sociedad donde los espías del gobierno acechan en cada esquina y hasta los puestos de fideos están prohibidos por la ley.En un futuro distópico, un hombre lucha por sobrevivir en una sociedad donde los espías del gobierno acechan en cada esquina y hasta los puestos de fideos están prohibidos por la ley.En un futuro distópico, un hombre lucha por sobrevivir en una sociedad donde los espías del gobierno acechan en cada esquina y hasta los puestos de fideos están prohibidos por la ley.
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Opiniones destacadas
After watching Avalon (which was decent only because of the very nice digital fx), and several anime films written by Oshii, including Jin-Roh (which is fantastic) I decided I should check out the Oshii cinema trilogy box set. Being that the Red Spectacles and Stray Dog are related, I will comment here on both. And let me tell you, it was one of the biggest wastes of money I have spent in a while. I first watched Stray Dogs and then The Red Spectacles. I am sad to say that these films are quite possibly the most boring two movies I have ever seen. For only about 10 minutes in each film do you get to see some action between the the characters, who are only dressed in the "Panzer Cop" outfits for a few fleeting scenes. The rest of the time you will see some very drawn out scenes filled with boring dialogue in some less than impressive locations. I really don't understand the motivation behind these two films at all. I love the Wolf Brigade outfits and the idea behind the plot, but the films themselves leave much to be desired. I would suggest NOT watching these films, and certainly do not buy the box set like I did, unless you enjoy wasting money. Oh, and if you are wondering what I think about the 3rd movie in the set, Talking Head, I couldn't even bring myself to watch it before I purged the box set from my DVD collection via eBay at a $20 loss. If you want cool Japanese live action, check out Returner, or Ichii the Killer or the Zeiram series.
Red spectacles
I loved Avalon, I think This director has made some awesome demented visions of the future. This film however was boring pretentious crap. The opening scene showed great promise for what the cover art and description promise a surreal live action amimae style future noir. I feel I got that with Avalon.
With Red Spectacles I was only driven to feel a uncomfortable to desire to what the hell the point was. The film barely made sense to me and I could not care less about the people in it. This would all be ok if the film was effective art. While the opening scene looked interesting and the scene with the giant robot-suit person holding the giant machine gun in the rain looked cool, it did not watch the film worth watching.
Thumbs down.
I loved Avalon, I think This director has made some awesome demented visions of the future. This film however was boring pretentious crap. The opening scene showed great promise for what the cover art and description promise a surreal live action amimae style future noir. I feel I got that with Avalon.
With Red Spectacles I was only driven to feel a uncomfortable to desire to what the hell the point was. The film barely made sense to me and I could not care less about the people in it. This would all be ok if the film was effective art. While the opening scene looked interesting and the scene with the giant robot-suit person holding the giant machine gun in the rain looked cool, it did not watch the film worth watching.
Thumbs down.
I too am a big fan of Oshii's anime work, but I have to admit I went into this movie expecting an action packed movie such that it starts out as, and it ends up being something akin to Lynch's Mullhuland Dr. I was perfectly willing to accept that, and I enjoy all kinds of movies, and would particulary enjoy a very high brained live action anime type flick, and the visuals where spectacular in many scenes. However, I wish someone who saw this film would explain in depth more about what exactly was going on, as they saw it. I have to admit that I didn't get half of what happened in the last half of the film, and I would consider myself pretty versed in metaphoric interpretation of film.
According to others what was being shown is a reflection of the confusion of the character trying to find out what happened to his friends who he left and let die? Perhaps only in that the viewer is confused by what they're seeing?
I don't know, but if you consider when this movie was made, in 87, it was extremely advanced in quality of the film.
According to others what was being shown is a reflection of the confusion of the character trying to find out what happened to his friends who he left and let die? Perhaps only in that the viewer is confused by what they're seeing?
I don't know, but if you consider when this movie was made, in 87, it was extremely advanced in quality of the film.
This film is not for everyone. It is not even for all fans of Mamoru Oshii necessarily. It is extremely bizarre, often seemingly incomprehensible, very unpredictable, and a mix of several genres that is not necessarily seamless. It seems that most of the negative reactions to it are from viewers that were expecting something more in line with Jin-Roh, and being that it is supposed to be part of that saga, this isn't exactly a wild conclusion to make. However, it is quite different from Jin-Roh and other Kerebos related works. It is possibly Oshii's most bizarre work to date, and although not completely different than Jin-Roh, still a different beast. Mostly, I would urge viewers not to go into this expecting the heavy doses of action delivered in his anime works.
For what it is, the production values are quite good. Most of the film is shot in black and white, but it is one of those movies where this helps the tone and it feels natural. The opening sequence is an over the top action scene in color where the main characters mow down a bunch of bounty hunters with their gigantic machine guns and power armor, but after that it is mostly straight surrealism layered with general insanity. The tone shifts frequently and leaves you never knowing what to expect. You just never know if you are going to get an action scene, comedy gags, or long sequences of social commentary... which are sometimes intertwined with action and comedy.
Red Spectacles is one of the finest works of surrealism I have seen. The feeling it evokes is very unique and stayed with me for days. It bounces between noir drama, gun fights, kung fu, suspense, tragedy, slapstick comedy, and set piece driven sequences without any given indication. It is a wild ride that will take you off guard, for better or for worse. It is steeped quite heavily in symbolism as usual with his films, but I feel that this is one of his best deliveries in terms of that. The ending is incredibly powerful in particular, and paired with Kenji Kawai's brilliant soundtrack, and the outlandish landscapes, ended up being straight up haunting. The OST is absolutely one of Kenji Kawai's finest scores as well, and I do not say that lightly as I hold his work in the highest regard. The epic main theme is unforgettable, and the movie would not have been what it is without him.
Lastly, Shigeru Chiba's performance is simply amazing. You may know of him from his anime voice acting career. I assure you that the film is at very least worth watching for his over the top and ridiculous performance. He is honestly even more entertaining on screen than he is as a voice actor, it would have been great to see him in more live action films. He single handledly brings the film alive and makes it even more than it could have been. His performance here is reminiscent of Tomorowo Taguchi's acting in the films of Shinya Tsukamoto.
Love it or hate it, I guarantee you will never forget it.
For what it is, the production values are quite good. Most of the film is shot in black and white, but it is one of those movies where this helps the tone and it feels natural. The opening sequence is an over the top action scene in color where the main characters mow down a bunch of bounty hunters with their gigantic machine guns and power armor, but after that it is mostly straight surrealism layered with general insanity. The tone shifts frequently and leaves you never knowing what to expect. You just never know if you are going to get an action scene, comedy gags, or long sequences of social commentary... which are sometimes intertwined with action and comedy.
Red Spectacles is one of the finest works of surrealism I have seen. The feeling it evokes is very unique and stayed with me for days. It bounces between noir drama, gun fights, kung fu, suspense, tragedy, slapstick comedy, and set piece driven sequences without any given indication. It is a wild ride that will take you off guard, for better or for worse. It is steeped quite heavily in symbolism as usual with his films, but I feel that this is one of his best deliveries in terms of that. The ending is incredibly powerful in particular, and paired with Kenji Kawai's brilliant soundtrack, and the outlandish landscapes, ended up being straight up haunting. The OST is absolutely one of Kenji Kawai's finest scores as well, and I do not say that lightly as I hold his work in the highest regard. The epic main theme is unforgettable, and the movie would not have been what it is without him.
Lastly, Shigeru Chiba's performance is simply amazing. You may know of him from his anime voice acting career. I assure you that the film is at very least worth watching for his over the top and ridiculous performance. He is honestly even more entertaining on screen than he is as a voice actor, it would have been great to see him in more live action films. He single handledly brings the film alive and makes it even more than it could have been. His performance here is reminiscent of Tomorowo Taguchi's acting in the films of Shinya Tsukamoto.
Love it or hate it, I guarantee you will never forget it.
I recently purchased Mamoru Oshii's Cinema Trilogy Box Set. This was the first film, and I must say that I was more than pleasantly surprised. I was expecting action and sci-fi... and while I got a little of that, I also received a huge helping of intelligent, thought-provoking mystery and a large dose of entertaining slapstick comedy. In truth, this film is a throwback to silent film (Just as Quentin Tarantino's films are often throwbacks to pulp fiction, blaxploitation, chop-socky, spaghetti western etc. films)... It truly is a silent film with dialogue. The actions and expressions of the actors are excessive and exaggerated, techniques commonly thought of as "primitive" in the cinephile community are used, and there's, of course, the sepia tone that covers most of the film.
Shigeru Chiba is definitely the shining star of the film, portraying qualities that Hollywood action, drama, and comedy stars would kill to have. Chiba is also featured in the other two films in the box set, and definitely carries all three films with his small yet enormous presence.
This film, along with "Stray Dog" and "Talking Head," does not spell out each and every little thing for the viewer... Mr. Oshii trusts the audience to be able to come to its own conclusions. I definitely respect that and would recommend this film to anyone who would listen.
Shigeru Chiba is definitely the shining star of the film, portraying qualities that Hollywood action, drama, and comedy stars would kill to have. Chiba is also featured in the other two films in the box set, and definitely carries all three films with his small yet enormous presence.
This film, along with "Stray Dog" and "Talking Head," does not spell out each and every little thing for the viewer... Mr. Oshii trusts the audience to be able to come to its own conclusions. I definitely respect that and would recommend this film to anyone who would listen.
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Detalles
- Tiempo de ejecución
- 1h 56min(116 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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