Agrega una trama en tu idiomaAddie tries to invite her father's sworn enemy over for Thanksgiving dinner in the hopes of ending their long-standing feud.Addie tries to invite her father's sworn enemy over for Thanksgiving dinner in the hopes of ending their long-standing feud.Addie tries to invite her father's sworn enemy over for Thanksgiving dinner in the hopes of ending their long-standing feud.
- Dirección
- Guionistas
- Elenco
Frannie Michel
- Cora Sue
- (as Franny Michel)
Heather Graham
- Student
- (sin créditos)
Larry Reynolds
- Uncle Will
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I sought this movie out because it was the sequel to The House Without a Christmas Tree, another movie that I greatly enjoyed. I had hoped that it would equal the quality of the first film, but it actually surpassed it. Like its predecessor, this movie uses a holiday (in this case, Thanksgiving) as a backdrop to the story, but the movie is not about the holiday itself.
From reading the brief plot summary, I had thought this was going to be a typical morality tale, something like "Love your enemies and they'll become your friends and everything will turn out hunky dowry." Although the element of showing kindness toward one's enemies does form the heart of the narrative, the plot is actually more nuanced than that. There is no neat resolution to the characters' problems. Addie, especially, experiences some of the jarring losses that are bound to occur when one is growing up. Although her initiative and iron nerve initially pay off, they are not enough to cushion her from the blows that are to come.
As in the first movie, Mr. Mills is far from understanding Addie's actions--it is kindly Grandma who bridges the gap between the two of them. The movie also occasions many opportunities for adults to reflect on how their behavior affects children. One sees how Addie is greatly affected by all of the adult main characters in the movie. Her father, her grandmother, her teacher, and Mr. Rehnquist all influence her in different ways.
This movie is a great movie for parents to watch with their children. The movie deals with some pretty heavy topics, and children who empathize with Addie's great sadness near the end of the movie will likely have a lot of questions. Although the movie contains nothing grossly inappropriate, children under 5 or 6 are unlikely to get much out of it.
The production values are similar to The House Without a Christmas Tree. This is a made-for-television movie, and was apparently filmed on videotape instead of film. Although it has interspersed action scenes, it is mostly dialog-driven. Unlike its predecessor, this movie makes copious use of authentic rural, outdoor settings.
Overall, seeing this movie makes me wish that the Mills family could have had their own television series. However, whether or not the good writing that we see here could have held up for season after season is a matter open to debate.
From reading the brief plot summary, I had thought this was going to be a typical morality tale, something like "Love your enemies and they'll become your friends and everything will turn out hunky dowry." Although the element of showing kindness toward one's enemies does form the heart of the narrative, the plot is actually more nuanced than that. There is no neat resolution to the characters' problems. Addie, especially, experiences some of the jarring losses that are bound to occur when one is growing up. Although her initiative and iron nerve initially pay off, they are not enough to cushion her from the blows that are to come.
As in the first movie, Mr. Mills is far from understanding Addie's actions--it is kindly Grandma who bridges the gap between the two of them. The movie also occasions many opportunities for adults to reflect on how their behavior affects children. One sees how Addie is greatly affected by all of the adult main characters in the movie. Her father, her grandmother, her teacher, and Mr. Rehnquist all influence her in different ways.
This movie is a great movie for parents to watch with their children. The movie deals with some pretty heavy topics, and children who empathize with Addie's great sadness near the end of the movie will likely have a lot of questions. Although the movie contains nothing grossly inappropriate, children under 5 or 6 are unlikely to get much out of it.
The production values are similar to The House Without a Christmas Tree. This is a made-for-television movie, and was apparently filmed on videotape instead of film. Although it has interspersed action scenes, it is mostly dialog-driven. Unlike its predecessor, this movie makes copious use of authentic rural, outdoor settings.
Overall, seeing this movie makes me wish that the Mills family could have had their own television series. However, whether or not the good writing that we see here could have held up for season after season is a matter open to debate.
This is a heartwarming holiday classic created by the same folks that gave us The House Without A Christmas Tree. It is the touching story of a little girl's unlikely friendship with a lonely old man during the holidays. It stars Lisa Lucas, Jason Robards and, the late, Mildred Natwick. The setting is a small town in Nebraska in the late 40s. It gives us some true insight about human kindness. This was released as a movie for television in 1973 after the success of The House Without A Christmas Tree.
The Holiday Treasure (1973), The House Without a Christmas Tree (1972), The Easter Promise (1975) and Addie and the King of Hearts (1976) are the four CBS TV stories about Addie Mills based on books by Gail Rock. Set in post-World War II Clear River, Nebraska. On the Platte River, I guess. In The Holiday Treasure, Addie's dad Jamie, played by Jason Robards, is an earthmoving contractor. He once dug a stock pond (called a "dugout" in the Northern Plains, a "tank" in Texas) with his dragline for a Mr. Walter Rehnquist, who refused to pay for the pond because it never filled with water. Jamie claimed that he dug it where Rehnquist wanted it and that Rehnquist should pay. However, Addie befriends Rehnquist's horse named Treasure, and eventually befriends the cranky old codger who lives alone on a rundown farm, even taking him food for Thanksgiving dinner. I remember that Addie had a bratty little boy relative at Thanksgiving whose suit coat pockets she filled with mashed potatoes. The four stories cover Christmas, Thanksgiving, Easter and Valentine's Day and grief, grudges, alcoholism and teenage crushes.
The same cast that had previously appeared in the made for TV movie THE HOUSE WITHOUT A Christmas TREE was reunited for this Thanksgiving movie. They seemed to have picked up without a hitch.
This one focuses on the feud between two incredibly stubborn old farts--Jason Robards and Barnard Hughes. Apparently, Robards had dug a pond for Hughes and had never been paid and they'd been arguing back and forth about it for some time.
Robards' daughter, Addie, has her curiosity peaked by all this and bicycles by Hughes farm after school one day. There, she discovers he has a horse in need of care. Despite the NO TRESPASSING signs and his repeated threats, she approaches him and offers to take care of the horse if he lets her ride it. All this is done WITHOUT telling her father.
Later, she feels sorry for Hughes as he is all alone and the holidays are approaching. When she asks her father if Hughes can come for Thanksgiving, she is told a loud and firm NO! So, she has her dinner and sneaks a plate to her new friend.
What happens next is best for you to see for yourself. The movie is so real and poignant, you can't help but fall under its spell.
This one focuses on the feud between two incredibly stubborn old farts--Jason Robards and Barnard Hughes. Apparently, Robards had dug a pond for Hughes and had never been paid and they'd been arguing back and forth about it for some time.
Robards' daughter, Addie, has her curiosity peaked by all this and bicycles by Hughes farm after school one day. There, she discovers he has a horse in need of care. Despite the NO TRESPASSING signs and his repeated threats, she approaches him and offers to take care of the horse if he lets her ride it. All this is done WITHOUT telling her father.
Later, she feels sorry for Hughes as he is all alone and the holidays are approaching. When she asks her father if Hughes can come for Thanksgiving, she is told a loud and firm NO! So, she has her dinner and sneaks a plate to her new friend.
What happens next is best for you to see for yourself. The movie is so real and poignant, you can't help but fall under its spell.
Watched these specials back in 1973 with my new husband, 36 years later this Christmas we still remembered them and how much we enjoyed them. There was something so heart wrenching about the little girl Addy. her father played by Jason Robards was less than loving and sympathetic to a little girl that was as strong in spirit as her father. I am sure they would be less polished than the movies we have now but life was not politically correct back then, but much more real. They need to blow the cobwebs off some of these old specials it would blow the minds of the young people of today. I for one would love for my children and grandchildren to watch them.
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- TriviaThe collages that opened and closed each "act" between commercial breaks were done by Norman Sunshine. Sunshine later won an Emmy award for the collages he created for this story.
- Citas
Addie Mills: What is heavier: a pound of gold or a pound of feathers?
Cora Sue: A pound of gold, naturally.
Addie Mills: Uh-uh, neither. A pound is a pound the world round, no matter what it consists of.
- ConexionesFollowed by The Easter Promise (1975)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Holiday Treasure
- Locaciones de filmación
- Uxbridge, Ontario, Canadá(The Mills home)
- Productora
- Ver más créditos de la compañía en IMDbPro
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