Mentes torcidas

Well what can u say abt this movie?. Bad acting, predictable story, same crap as the other "Horror movies from 1990-2000". The killer looks like a big pig and isnt that scary. He got shot several times without any kind of bad injury(ohh yes he sew himself up). I really dont like this movie. If u wanna see real horror movies then i suggest u check the 70´s horror movies out. This one u can throw in the trashcan.

Just to give an example of how poorly directed this piece of junk is: when Larry Drake is trying to escape from a straightjacket while chained to a chair, the close shots of him tearing out the seams of the straightjacket are backgrounded with Foley sound of him kicking the strut between the chair's legs - and yet he remains perfectly still! (Just try kicking the legs of a chair that you're sitting on and see if you can stay still, no matter how heavy you are - ludicrous.) Larry Drake, in the usual hackneyed role of serial killer-as-superman is badly miscast. Not to be weight-ist, but he is far too heavy to pull off the role convincingly. The film tries, for example, through shoddy editing techniques, to make us believe that a man as overweight as he is can outrun a bunch of cops. It looks so absurd that it's not even laughable. Actually everybody in this movie moves WAY too slowly. It's one of those films where the bad guy staggeringly advances on his victim while the victim, as yet uninjured and otherwise unimpaired, flounders on the floor, trying to scuttle away but managing instead to conveniently back into a wall, all the while yelling, "Nooooo! Please - aaaargh!" (Sort of like my reaction to this cinematic garbage.)

This movie had a lot going for it to start out with. Excellent setting of mood during the credits and a buildup of the main character. But it loses its way. It is obvious that Larry Drake can make a great bad guy (something every movie like this needs) but the screenplay ruins the role for him once the action starts. Before that he is actually a thoughtful, resourceful operator who works by intellect as well as brute strength. By the end he is just a brute and it turns out out that there is nothing there. You're expected to believe that he somehow takes out an entire swat team single handedly. And you never get to find out what his motivation was in all this.

This is the class of movie where every active character routinely does the worst possible thing for themselves. The police (except for the opening part) seem to know nothing about police procedure. Everyone -- even the bad guy! -- gratuitously maximizes the danger to themselves. It is too obvious.

They even blew Maggie's (Paulina Porizkova) "Ripley" moment, where she saddles up with cast aside hardware and wades back in to take on the bad guy because all the people who are supposed to be doing it are too stupid to do it.

And I thought Judd Nelson's career was in better shape than this. What is he doing taking on jobs like this? Maybe he owed someone a favor. His character at one point looks like it could be interesting, then fades like everything else in this movie.

Oh, well.

It's sounds interesting with the concept, but the execution is poorly done. There's barely any story other than the main character trying to figure out how to escape from the locked up asylum with a Madman inside. It does have a decent build-up with the madman introduction and how deadly he is. But most of the movie is just the characters trying to escape while surviving against the villain. The movie has a pacing issue with the suspenseful scenes happening too quickly to have tension in it and is predictable to guess what happened next. Also, there's not that much happened in the movie to make it interesting or enjoyable to watch throughout because it's mostly just the same things. The characters try to find ways to escape or fight back, but it ends up being a failure. The climax itself isn't that bad because it's somewhat suspenseful, but the characters don't make the best decisions.

Okay, I didn't expect much from this movie. No big names, except for Larry Drake (when was the last time he was in something decent?), and Pauline Porizkova (Ric Ocasek's SO). Your typical idiot plot (everybody acts like an idiot otherwise the movie would be over in about 5 minutes), your unstoppable loonie, your designated victims. Refreshing change in that we didn't have to listen to the loonie babble endlessly. However, the big oddity is the implicit message: sane people are stupid, ineffectual, weak, and incompetent. Crazies, on the other hand, are cunning, tough, brutally strong, and endure gunshots with only minor annoyance. This is seen not only in our unstoppable villain, but also in the sympathetic, supportive nutcase who aids our heroine. It is even seen (albeit briefly) in our heroine herself, who has her sanity repeatedly questioned when she starts behaving with some sense of self-preservation. Add in the coffee-swilling, donut scarfing cops and you have 90 minutes of stupidity you won't want to watch sober.