Malèna

I do not remember who, but some critic, complained about not knowing what Malena thought and not being able to see her act and speak more in a movie...

I am sure all of us, especially in our childhoods, were once so deeply infatuated by another human being, that they were as sacred and as untouchable to us as Da Vinci's Giaconda.

That is why Malena is portrayed as a work of art who always looks down, burdened by her beauty. We can only suspect what she feels and we can enjoy the sight of her sad gorgeous face.

And absolutely no words are necessary!

This film compliments the saying: BE BORN HAPPY RATHER THAN BEAUTIFUL

I do agree that Monica Belucci, who I consider to be the most beautiful actress alive and one of the most enchanting beauties in the world, was perfect for this part!

I found the film to be visually hypnotic and very moving. I was also impressed with the film maker's story telling technique. The film brought me into the bustling street life of the Sicilian village by eye-level camera work and the comments of the people in crowded scenes, through which I was taken with the characters. Just like walking down a busy urban street anywhere with your ears and eyes open. The film made me wake up to the fact that so much American film, perhaps all contemporary film, is composed mainly of close ups with two or a few people. Not this film. There is a sequence with airplanes overhead that is absolutely dizzying without any fancy 3-D or pyrotechnic effects. Mr. Tornatore brilliantly uses silent stares, pairs of eyes and silly dream sequences with amazing effect. The male lead, an adolescent boy, is portrayed with great empathy by Giuseppe Sulfaro without schmaltz or sanitizing, so typical in American films about puberty. The title role, played well by a dazzling Monica Bellucci, could have been written for a young Sophia Loren. (My dream sequence, I guess) My favorite character was Renato's father, hilariously played by Luciano Federico. A must see.

A gorgeous, voluptuous woman is the object of attention in this World War II period piece, set in an Italian town. The star is a horny 13-year-old who fantasizes about a relationship with this grown woman, "Malena," a sexy lady who gets all the mens' attention in the town, and all the wrath of the jealous town women.

This is a strange film at times but beautifully filmed and almost always interesting. Monica Bellucci is indeed a feast for any male's eyes. She is almost beyond description, looks-wise. What happens to her, unfairly, near the end is not pleasant. Otherwise, it's a pretty humorous film in segments, especially with dialog between the young kid and his dad. Some of the lines there and at other places made me laugh right out loud. Some of the language is not really profane but it's certainly crude. The kid is not that likable nor are his friends.

There is a such a mixture of genres in here that is makes the movie fresh almost every time I see it, which has been three times so far.

What a beautiful surprise. I loved Malena for its honesty, simplicity and the way it portrayed the life of the young boy in the early 40's. It reminded my of a lot of good movies I have seen throughout my life. Malena is one of those movies that gets stuck in your mind. I enjoyed the movie very much and recommend it to all.

Malena is a beautiful and deeply touching film. It is a masterful combination of sites, sounds and colors. The two leading actors (Monica Bellucci and Giuseppe Sulfaro) are simply excellent at what they are supposed to convey in this movie. Apart from her truly majestic elegance, Monica Bellucci invests her character (Malena) with an aura of tragedy, of some profound and unrelenting emotional trauma and pain which remains unspoken throughout the film and reaches its climax at the very end. Malena's stunningly beautiful eyes remain constantly downcast, and her face -- tense and pierced through by psychic pain (she rarely raises her face, let alone speaks words). Renato (the teenage boy) wins his audience by his incredibly pure and valiant love for Malena (this affection he carries in his heart for several years). She becomes his muse, his courage, his sense of honor, his whole rationale for confronting difficult and disruptive life of the war-torn Italy. I agree completely with another commentator who said that the ending of the movie is perhaps one of the most genuinely melancholic moments in modern cinematography. Simply brilliant. Superb music! This movie should be watched several times to be fully appreciated.