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IMDbPro

Cowboy Bebop

Título original: Kaubôi bibappu: Cowboy Bebop
  • Serie de TV
  • 1998–1999
  • S/C
  • 24min
CALIFICACIÓN DE IMDb
8.9/10
156 k
TU CALIFICACIÓN
POPULARIDAD
617
45
Megumi Hayashibara, Unshô Ishizuka, Aoi Tada, and Kôichi Yamadera in Cowboy Bebop (1998)
Home Video Trailer from Bandai Entertainment
Reproducir trailer1:26
3 videos
99+ fotos
Adult AnimationAnimeCyberpunkHand-Drawn AnimationSpace Sci-FiActionAdventureAnimationComedyDrama

Las desventuras y tragedias futuristas de un cazarrecompensas y sus compañeros.Las desventuras y tragedias futuristas de un cazarrecompensas y sus compañeros.Las desventuras y tragedias futuristas de un cazarrecompensas y sus compañeros.

  • Elenco
    • Kôichi Yamadera
    • Unshô Ishizuka
    • Megumi Hayashibara
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.9/10
    156 k
    TU CALIFICACIÓN
    POPULARIDAD
    617
    45
    • Elenco
      • Kôichi Yamadera
      • Unshô Ishizuka
      • Megumi Hayashibara
    • 376Opiniones de los usuarios
    • 48Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Programa de TV con mejor calificación n.º 45
      • Ver las 250 series con mejor calificación de los usuarios de IMDb

    Episodios26

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    Videos3

    Cowboy Bebop
    Trailer 1:26
    Cowboy Bebop
    Cowboy Bebop
    Trailer 1:11
    Cowboy Bebop
    Cowboy Bebop
    Trailer 1:11
    Cowboy Bebop

    Fotos701

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    Elenco principal99+

    Editar
    Kôichi Yamadera
    Kôichi Yamadera
    • Spike Spiegel
    • 1998–1999
    Unshô Ishizuka
    Unshô Ishizuka
    • Jet Black
    • 1998–1999
    Megumi Hayashibara
    Megumi Hayashibara
    • Faye Valentine
    • 1998–1999
    Steve Blum
    Steve Blum
    • Spike Spiegel
    • 1998–1999
    Beau Billingslea
    Beau Billingslea
    • Jet Black
    • 1998–1999
    Kevin Seymour
    • Additional Voices…
    • 1998–1999
    Wendee Lee
    Wendee Lee
    • Faye Valentine
    • 1998–1999
    Isshin Chiba
    • Man 2…
    • 1998–1999
    Melissa Fahn
    Melissa Fahn
    • Edward Wong Hau Pepelu Tivruski IV
    • 1998–1999
    Aoi Tada
    • Edward Wong Hau Pepelu Tivruski IV
    • 1998–1999
    Hiroshi Naka
    • Jobim…
    • 1998–1999
    Tsutomu Tareki
    • Punch
    • 1998–1999
    Miki Nagasawa
    • Judy…
    • 1998–1999
    Toshihiko Nakajima
    • Carlos…
    • 1998–1999
    Jin Hirao
    • Antonio…
    • 1998–1999
    Skip Stellrecht
    • Vicious
    • 1998–1999
    Kazuhiro Nakata
    • Bodyguard 2…
    • 1998–1999
    Shinpachi Tsuji
    • Amjad…
    • 1998–1999
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios376

    8.9155.6K
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    Resumen

    Reviewers say 'Cowboy Bebop' is acclaimed for its genre-blending narrative, memorable characters, and high-quality animation. The show's unique fusion of space western, film noir, and action elements creates an immersive experience. Characters like Spike Spiegel and Faye Valentine are celebrated for their depth. Yoko Kanno's jazz-inspired soundtrack enhances the emotional and action scenes, while the episodic structure maintains consistent viewer engagement.
    Generado por AI a partir del texto de las opiniones de los usuarios

    Opiniones destacadas

    wilko_3000

    Every good movie you've ever seen in one show.

    Cowboy Bebop is a truly post-modern show. Not in the tired "Scream" sense of self-awareness, but in its willingness to mix genres and blur boundaries. At the most basic level it's a Space Western. But Bebop is not content to be merely that, so there are added dashes of film noir, gothic horror, creature-feature, black comedy, screwball comedy, spy action, crime, romance, tragedy, action, philosophy, science, spirituality, fatalism, optimism, buddy-buddy stories, slapstick humour, parody-- just about every type of tale under the sun appears in some shape or form during Bebop's run. It's a show where each episode really is different from the last. Were it not for the recurring characters, it would be hard to believe that the brightly-coloured blaxploitation parody "Mushroom Samba" could possibly come from the same series as the bleakly violent "Real Folk Blues".

    The world that the series inhabits is distinctly post-modern, too; space ships fly through hyperspace gates, but once on the ground their pilots fight with twentieth-century handguns. Scenic bays would look for all the world like they were taken from modern-day Japan were they not dwarfed by Jupiter, the enormous gas giant looming in the sky like some enormous benevolent god.

    And the music - tribal drums and chants give way to electronic pulses that give way to jazz sax and trumpets that give way to rock guitars that give way to blues harmonicas... composer Yoko Kanno faultlessly turns her hand to an eclectc selection of genres and instruments, ably backed up by her band, "Seatbelts".

    All of which sounds terribly impressive, but why on Earth should you watch it? Because, buddy, it's one of the finest television shows ever made.

    I have to admit I'm not a big anime fan. Most anime that makes it over here seems to be either about schoolgirls with supernatural powers who battle evil, or adolescent boys who - for some convoluted reason - wind up having to pilot big giant robots. And whilst I'm assured that shows such as Escaflowne (schoolgirls and magic) and Evangelion (boys and robots) are actually rather good, they completely fail to get my blood pumping.

    Enter Bebop. Ultra cool Spike, grumpy strategist Jet, trigger-happy Faye, nutball Ed and intelligent dog Ein are as far away from the usual brats and bots anime as you can possibly get. Their motivation, too, is far from the usual anime fare. These guys aren't bounty hunters because they want to fight crime and keep the peace - all they want is a wad of cash, and bounty hunting seems like the best place to make big money fast. Although they will do the right thing when pressed, they rarely forget their true motivation - and if they do, their perpetual lack of food will soon remind them. Life isn't easy, and when you're a bounty hunter it's even harder.

    Not that the crew of the spaceship Bebop are one-note characters. As the series progresses, our initial assumptions about the characters are overturned. At first Spike appears to be the cliched laid-back slacker (who just happens to be a mean jeet-kun-do fighter), but we then learn of his fall from the criminal underworld and of a loss that killed him emotionally. Jet's the obvious gruff authority figure, until we realise that he actually cares for the crew of the Bebop as if they were his kids (and seems to have dabbled in pot and psychadelic drugs when he was a teenager). Faye's the usual feisty stand-offish female lead but only because her amazingly tragic past makes her push away friends for fear that she'll become attached to them. Ed's just some nutty kid until we meet her crazy father and realise that it could well be her deprived childhood that sent her over the edge. And Ein? Well sometimes it's hard being a super intelligent Welsh Corgi on a ship where nobody appreciates you, you know?

    But not every episode is deathly serious - the character development is mixed in perfectly with humour (both light and dark), fistfights, shoot-outs, car chases, aerial fights, space battles and some of the lushest animation you'll see in an animated TV series. And all of this spread over only 26 episodes.

    Yes, many people espouse the old "leave 'em wanting more" line, but so few of them actually do it; Buffy the Vampire Slayer is the perfect example of a series that spends three or four years being top-notch TV then freefalls due to apparent apathy from both the cast and writers. Bebop avoids this by wrapping every dangling plot thread up in just one season of television. And after the final jaw-dropping episode it's quite clear that the series is most definitely over.

    Never before or since have I seen a series of such astonishing variety, intelligence and style. Ten out of ten.
    whose_your_daddy_1999

    You have no idea what you are missing

    Cowboy Bebop will break any prejudgement you've ever had on anime. Simply put, the show is amazing. From the art, to the music, and most importantly, the story line - Cowboy Bebop delivers. Although most reviewers have summed up the storyline fairly well, I'll give a brief overview.

    In the not so distant future, many planets have been colonized and huge technological advancements have been made, but enough with the obvious. Two men, Spike and Jet meet up with future comrades Faye and Ed and team up (or fly it solo) to form the most effective bounty hunting team in the universe. Technology benefits both bounty hunter (known as Cowboys) and criminal as the crew of the Bebop Ship try to make an honest Wulong (the futuristic form of currency) while each member encounters shades of their illuminous past.

    A huge bondship amongst the characters is felt almost from the start, despite on-going tensions on the Bebop. Furthermore, each character is given at least two whole episodes, which elaborate on their past, which intertwines oddly with the present (an on-going theme in Cowboy Bebop).

    Their pasts are as diverse as their personalities and at some points you'll have a hard time even figuring out who the main character is. One is a former worker of a crime syndicate, one a former police officer, one a thief, and the last a computer hacker. Some similarities do exist though, namely stylish outfits and attitudes, but even then, these similarities are VERY few.

    The coolest thing about Cowboy Bebop is it's ability to give you something drastically different each session (don't call it an episode, it's a session). Some sessions wrap you up in action, some make you cry, still some sessions will make you roll on the ground in laughter. One thing for sure is you will get a very satisfying feeling once the credits hit.

    The soundtrack for the entire series is another high point. Virtually each session is entangled in some form of sophisticated music, usually Jazz, which is a welcome breeze from the stagnation of today's modern music.

    Compared to other anime, Bebop reigns supreme (along with a couple of others), and puts kids shows like Dragon Ball Z (which are virtually plotless in the light of Cowboy Bebop) to shame. This is definitely worth viewing if you're looking for something new to watch, but worried you might just fall victim to another piece of trash reality show or sitcom. Your previous conceptions of anime are about to be shattered.
    mattwakeman

    so good its just not real

    a series that is so good it is just a shame that so few people will ever get to see it. its not the thing to get around loads of people and there are so many others that would refuse to watch it because: 'it's just a cartoon'.

    well they are the unlucky ones. because this series is not only the best anime series that i have ever seen but it is the best series of any kind that i have ever seen. the characters, the dialogue, the awesome music, but most of all the writing. this is food for adults. for people that will be able, and willing, to empathise with what is in front of them.

    and the end, my god the end. get a hold of this series. watch it. it really is that good.

    "bang"
    suffer-smart-magnet

    A Story Worth Watching

    CB is a happy blend of story, action, and characters.

    Set in the future, CB takes its name from the spaceship, around which the story loosely revolves. The main characters, Spike and Jet, try to make their living while not getting killed, traveling around looking for bounties.

    Technically, the animation is very good, though a friend pointed out that sometimes the frame rate is low, or they use a still in a shot. These didn't bother me because they were used tastefully, and were balanced by action shots that carried a lot of energy.

    The voice acting for the english version is great, and adds to character depth. They seem to understand who the characters are and how they would react.

    The story line is interesting. With each episode being around 25 minutes, the time is filled with a balanced blend of action, character development, and plot. The story within an episode develops rapidly, while the whole series moves more slowly, with the exception of the last few episodes (where they were trying to wrap things up).

    If you've never tried any anime, this would be my first choice. I watched it on DVD, and would definitely watch it again.
    hyperexcel

    Superbly styled anime

    Cowboy Bebop should need no introduction; it's more than a uniquely defining series on several levels. Shinichi Watanabe crafted this mostly episodic anime with a beautiful plot arc that doesn't detract a bit from any moment in the series.

    Following the misadventures of a crew of unlikely bounty hunters through the future solar system, Bebop liberally dabbles in jazz, both the music and the attitude. The lead character, Spike Spiegel, is as much an antihero in the anime tradition as he would be in a Hemingway novel- witty and gutsy, with a twist of nihlistic worldview. Along with Spike, each part of the ensemble main cast do more than enough to stand out on their own, with perfectly human qualities. Jet Black, the gruff pilot, is truly epitomized in the episode "Ganymede Elegy," where he confronts an old flame. Ed and Ein, the genius teenage hacker and her supersmart Corgi dog, throw the limits of standard comic relief out the window. And who could forget Faye Valentine, the eat-your-heart-out sprite of a woman with pizazz, flair, and a penchant for gambling.

    If you're not a fan of anime because of its tendency to be far-fetched and downright weird at times, Bebop is the right starter series for you. A melodrama, a jazzy jam session, and a sci-fi detective thriller all wrapped into a tight, upbeat package. Superb.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The city of Faye's memories is recognizably Singapore.
    • Errores
      Spike's hair changes from green to black repeatedly throughout the show.
    • Citas

      Spike Spiegel: Hunger is the best spice they say.

    • Créditos curiosos
      Most of the episodes end with an intertitle that reads "SEE YOU SPACE COWBOY..." However, certain episodes end with different text: Session #03: EASY COME, EASY GO... Session #11: THE END Session #12: TO BE CONTINUED Session #13: DO YOU HAVE A COMRADE? Session #15: SLEEPING BEAST... Session #17: LIFE IS BUT A DREAM... Session #22: SEE YOU SPACE SAMURAI... Session #24: SEE YOU COWGIRL,SOMEDAY, SOMEWHERE! Session #25: TO BE CONTINUED Session #26: YOU'RE GONNA CARRY THAT WEIGHT.
    • Versiones alternativas
      In "Session 22 Cowboy Funk" Spike, Jet and Faye go to a costume party to catch a bounty head. Jet is dress up as an hippy with a marijuana leaf on his shirt.In the TV version Cartoon Network edited out the leaf and replaced it with a peace sign.
    • Conexiones
      Featured in Cowboy Bebop: Session XX - Mish-Mash Blues (1998)

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    Preguntas Frecuentes16

    • How many seasons does Cowboy Bebop have?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 5 de noviembre de 2001 (México)
    • País de origen
      • Japón
    • Idioma
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      • Kovboy Bibop
    • Productoras
      • Sunrise
      • Bandai Visual Company
      • Sunrise
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    Especificaciones técnicas

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    • Tiempo de ejecución
      24 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.33 : 1

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