CALIFICACIÓN DE IMDb
6.6/10
4.7 k
TU CALIFICACIÓN
Una mirada al interior de una noche en la escena rave subterránea de San Francisco.Una mirada al interior de una noche en la escena rave subterránea de San Francisco.Una mirada al interior de una noche en la escena rave subterránea de San Francisco.
- Premios
- 2 nominaciones en total
Dmitri Ponce
- Guy
- (as Dmitri from the Lower Haight)
Wendy Turner
- Lisa
- (as Wendy Turner-Low)
Bradley K. Ross
- Aaron
- (as Bradley Ross)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie was pretty good, but it had some parts that I did not like. For instance, another comment, below me, said that a rave is not a time to reflect, and I agree. While it is a time to turn lose, and be yourself, you do not go through a whole, "as drunks call it, a moment of enlightenment"-pulp fiction. When you are rolling, you feel more like touching and feeling, like Colin, rather than talking and expressing. However, a good aspect is that the drugs played a big part in reluctant first-time ravers. It allowed them to leave their inhabitions at the door. Also, if you want a deeper film about the rave scene, check out "Be77er living through circuitry." It is a documentry with great music, visuals, and insight. For those who like fiction, and scripts, see this.
8/10
8/10
This is probably the closest you can come to experiencing a real rave without actually attending one. I can't understand user comments about poor acting, as I felt that everyone did a very good job here. The story centers around a group of people looking to have a harmless good time, with a number of side-characters. The rave organizer story is great, and the gay couple who can't find where the happening is is absolutely hilarious. The strongest part of the film is the magnificent soundtrack, and appearances by some of the best (and most underappreciated) DJ's around, John Digweed, Pollywog, etc. If you're at all into techno/rave music, just rent this for the great tunes. And you might find that you also enjoy the storyline.
Finally! A film that dead-on nails the rave experience. It's about time that an emotionally accurate depiction was shown to the public. These intimate underground parties are truly a positive unifying force; bringing all sorts of people together through music. There have been some previous attempts on film to capture the rave scene. Last year's film, "Go," tried, but the rave segment was merely a background setting. The story wasn't ABOUT the party. "Party Girl" was a pretty cool take on the New York scene of several years ago, but still failed to capture the true passionate essence of THE PARTY itself. Mainstream media has inaccurately and negatively smeared raves as being wholly BAD just because of some reckless drug use. Trying to use scare tactics by harping on the constant drug overdoses. It is indeed very unfortunate that there are party-goers who are not smart enough to know their limits. One must remember however that most rave folks' intentions are pure, like the promoter states in the film: It's all about the "nod"... the subtle, grateful acknowledgement from a party-goer who's spirts were lifted by the party. The rave experience is not solely about the pursuit of profit or the "perfect" drug high. It's about joining with your loved ones, friends, and peers in a magical and musical setting where anything seems possible. Even if only for a night (into an early morning!). "Groove" definitely captures this vibe and you can't help but love it. Even if you're not in the "scene," I beleive that there is a universal message of compassion and community that should speak to all. "Groove" literally puts you IN the party... the surround sound with the sounds of other party-goers talking around you create this amazing illusion. You feel like you're actually in the movie, taking part. "Groove" doesn't make you feel like an outsider. It wraps you up and sucks you in and leaves you jones-ing for more. That's why you'll have to make sure that you make plans to go out and dance right after you see it. "Groove" IS the Saturday Night Fever" for the Millennium. Get up and dance and FEEL IT!!!
I thought that this movie did a very good job of realistically portraying the all-night party atmosphere. I only wish they had parties that cheap with free water around here. Although the actual character acting wasn't all that great and the script was a tad thin, I thought that all the actors did a spectacular job of acting like they were high! I actually thought they were really wiggin in a few scenes. This writer/director has obviously had some experience with this lifestyle because that's the closest thing to any rave that I've ever seen on-screen.
I watched this movie because of a trailer I watched on HBO. Never heard of it before, but it seemed interesting.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
¿Sabías que…?
- TriviaThe featured or "Headliner" DJ who gives the young DJ Spaz the Bedrock anthem record at the end of the film really is John Digweed.
- ErroresMidway through the movie after the police man gets a tour of the "company" he is holding a bottle of water that is nearly full, but a few seconds later when he takes a drink, the bottle is nearly empty.
- Citas
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what?
Ernie: You don't know?
Guy: No.
Ernie: The Nod.
Guy: The Nod?
Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back.
Guy: [scoffs] ... That's it?
Ernie: That's it.
- Bandas sonorasProtocol
Written by Deryl Dorsett & Stan Dorsett
Performed by Symbiosis
Courtesy of Domestic Recordings
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Detalles
Taquilla
- Presupuesto
- USD 500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,115,313
- Fin de semana de estreno en EE. UU. y Canadá
- USD 55,946
- 11 jun 2000
- Total a nivel mundial
- USD 1,162,001
- Tiempo de ejecución1 hora 26 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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