Zheng hun qi shi

When you compare the gulf that exists between the wretched quality of acting in the bulk of Taiwan's television dramas and that in the high proportion (but small number overall) of excellent films, you have to wonder whether there are two different worlds in this small country. "The Personals" is an example of the latter to treasure. Rene Liu is captivating in a quiet sort of way as a professional woman struggling with her well-concealed demons and subjecting herself to an endless round of meetings with various suitors. The acting is so natural and attractive that one almost feels like an eavesdropper at the table in the tea shop, but a welcome one.

The overall emphasis is wry comedy, but as with so many Taiwanese films that get foreign release, there is a drifting air of sadness and dislocation. This might be partly due to the fact that the bulk of Taiwan's foreign-screened films are obsessed with the fortunes and neuroses of the "mainlander" minority in Taipei (Eat Drink Man Woman is thus far the pinnacle of this syndrome). Many "mainlanders", even their Taiwan-born children, retain an equivocal attitude toward Taiwan as a home outside of the sphere of greater China and from this I suspect comes that sadness and dislocation. Yet pro-Taiwan independence zealots might even read into this film a more troubling interpretation: Rene Liu is smart, attractive, sassy, engaging - thoroughly modern - but is stung by prior romances, and unable to find a partner in anyone, yet is desperate for affirmation and companionship.

Ethnic interpretations aside, the film could have been an ugly disaster by mocking the men (and one woman) who would be her companion. Instead we get a lovely selection of real people, complex and banal, kooky and elegant. But never dull. If you walk down a Taipei street, these are the people you will meet.

The writer and director deserve the highest accolades for this effort. It's one of the best contemporary Taiwanese films out there.

I find it hard to describe why I liked this film so much. Suffice to say, it takes you to a unique and very real territory about the difficulty in being truthful. I did not realize the journey it had taken me on until its perfect ending, but my sister and I left the cinema in the firm glow of mutual joyous insight. See it, and throw all expectations where they belong: on the rubbish pile.

When I saw the movie at the Ghent Film Festival, I didn't know what to expect. The only thing I knew was that it was going to be the story of a woman who wants to get married and hopes to find the ideal man through a personal ad. A lot of time is spent on her sitting in a bar and talking to the men who answered the ad. This way the film wants to give us an idea of what life is like in Taiwan. Though this promises to be either very interesting or very boring, the result is that you are watching a film which can somehow move you, but at the same time you regret that it isn't more than only slightly moving. As the story continues and we meet weirdo after weirdo (a lot of these men are fun to watch), we learn that she once had a lover who abandoned her to return to hi wife. There is a lot more to the story, but I wouldn't like to spoil the ending. She regularly phones her ex-lover to tell him how much she misses him and how none of the men can compare to him, but he is never home so she tells her story to his answering machine. This second story is more intriguing than the first and it's a pity that the story can't fully grip you. But still, the movie is interesting and well worth its 7/10.

It's a jungle out there… The Personals is a movie for anyone who hasn't yet found what they're looking for or who remembers how tough it can be to find it. Rene Liu plays an eye doctor who's become disaffected with her present life and is craving something more— namely love and marriage. She's attractive, has a good job, and a decent apartment. Up until now she has done everything she's supposed to do, but it just hasn't worked for her. She's still alone. Now, she decides to take the extreme measure of advertising for a husband in the personals. The search leads her down the slippery slope of the modern dating scene whose universal quirkiness transcends the boundaries of all industrialized societies.

As a parade of diverse characters respond to the ad from obnoxious to bizarre to tragically pathetic (old coots, odd birds, pervs, nerds, frauds, conmen and salesmen), she starts to wonder if her standards are too high? And, watching the film you have to wonder…Do you have to settle for what's there and what you may not want because of social expectations? In Hollywood's hands, this little film would have become a relentless string of crude and infantile jokes and sight gags contrived to make us groan, but instead, this Taiwanese tale serves us up a quietly understated, poignantly humorous look at the dating scene. No matter where the film might have been set, you're sure to hear a ring of truth to it. At one time or another, we've all been there— whether we like to admit it or not.

Might be a little slow paced for some, but, on the whole, a solid little film with which most people will find something to identify. And, whether shy, bewildered, desperate, panicked, or outraged, Liu's performance is surprisingly sympathetic and often quite engaging.

A single professional woman in Taipei age about 30 (Rene Liu) has placed an ad searching for a husband. The movie is mostly her interviews with the suitors, though her painful past and present emerge gradually when she talks with a professor and leaves messages on her former lovers answering machine and as well as a few flashbacks.

Best are the scenes with the mostly weird men who answered the ad.