The Lady in Question

Unspeakably discombobulated turkey, a mix of anti-Nazi musical (!!), pre-war Americana and Agatha Christie whodunit spoof with one big, big problem: it's deadly unfunny. Besides the single-digit I.Q. plot and dialog, the most amazing aspect of "Lady..." is the berserk casting. Gene Wilder (star AND co-writer) tries hard at it all: he plays a romantic lead (with his looks!! and his age!! he and Woody Allen should start a club for clueless, mirrorless ageing comedians), and he tries to be moving and funny and poignant and smart, and tries to sing and dance, and succeeds in NONE!! A looong shot from his good old days with Mel Brooks.

For a while I thought I was having a myopia fit, because everybody in the movie keeps saying Cherry Jones is this pretty hot chick, and that Michael Cumpsty is this impossibly handsome stallion!! The guy who plays Claire Bloom's male secretary is a bespectacled balding thin actor as sexy as a chair and is the object of passion of the two leading ladies!! Mike Starr's over-the-top acting as the most incompetent, phoniest cop you EVER saw deserves to rank among the 10 most abhorrent performances in recent film history. The saddest note is to see wonderful Claire Bloom and Barbara Sukowa completely miscast and offensively wasted. At least I hope both stars payed their bills back home (and subsequently fired their agents) with this flop. No wonder acting prodigy Sukowa returned to Germany after she saw what Hollywood had in store for her!!

If you want to see how to accomplish a really bad film out of a really bad script with a berserk casting director, study this one - otherwise stay away!!! - 1/10

I love murder mysteries, particularly those of Agatha Christie(not that it is Christie, but it does have some elements of her plotting), and I like Gene Wilder so when I heard of Lady in Question I decided to give it a go. I wasn't expecting absolute perfection, considering it was a TV movie, I didn't get that, but what I got was a pretty satisfying and overall pleasant way to spend a couple of hours.

It does I do agree start off slowly complete with some draggy moments in the middle half, the plot does fall into predictability a little too much and the script has its weak spots.

However, I liked how it was filmed. The scenery, costumes, settings, hairstyles and make-up are authentic, charming and beautiful-looking. The soundtrack is nice and swinging and the direction is decent. The final solution did at least make some sense, and the film does have a somewhat appreciative nostalgic feel to it. The acting is nothing extraordinary but it was actually pretty good; Gene Wilder has been better, but he does a good job in the role of the theatre impresario turned detective. Claire Bloom is a nice touch as the anti-Nazi activist, while Mike Starr is surprisingly delightful as a detective and Barbara Sukowa is solid as a German sophisticate.

Overall, nothing brilliant, but I have to admit I quite liked it no matter how many faults it had. 7/10 Bethany Cox

It is 1938. Elderly and wealthy Jewish-rights activist Emma Sachs is on a plane when stewardess Mimi Barnes introduces herself because they have a common acquaintance. As she leaves the plane, Emma pushes a note into Mimi's hands that says "I'm going to be murdered". Later that night, Emma tells her family (who are used to the comfortable life) that she is going to change her will and use the vast majority of her estate to support those fighting the rise of the Nazi's. Meanwhile Mimi has mentioned this to her boyfriend, theatre director Larry Carter, who in turn has asked his cop friend Detective Tony Rossini in Stamford to take a look in on the Sachs house the next day. However during the night Sachs suffers a massive stroke and dies shortly afterwards. Rossini finds evidence of foul play and turns to Mimi and Larry to help his investigation.

Although this looked like a pretty basic television film I decided to give it a go for some reason. After a bit of a slow start the film gets into the mystery and down to the business of investigating the murder of Sachs. At this point it doesn't suddenly become a brilliant film but it does settle into the stride of a tvm mystery series and it wears it pretty well. The story itself lacks tension and pace but it plods along nicely with an interesting development across the time. It is nothing brilliant of course and it all feels very light and perhaps lacking in almost everything but it isn't actually "bad" and pushes the buttons for those who demand little.

Part of the reason I actually quite liked it was a great little turn the undervalued Mike Starr. He may have little to work with and not excel himself but he does dominate the film and bring much needed energy to the whole affair. Wilder is a nice presence but his performance made me think that really what he wants from his career now is lots of light fare that he won't find too taxing. Jones is OK and has an easy chemistry with most of her colleagues. The general support is not so memorable but they are mostly OK.

Overall this is a gentle and enjoyable mystery film that should please those of us just looking for something easy to watch on a slow weekend afternoon. It doesn't do anything that special but it is quite fun in its own easy way – a bit more energy and urgency would have been good but Starr helps that a bit with his entertaining if unsurprising performance.

Pleasant, diverting and charming. The best part is the swing numbers, especially the rendition of My Buddy, partial though it may have been. The acting was a bit over the top in areas but the mood set by Wilder is so pleasant it is hard not to enjoy this film.

A delightful if somewhat predictable TV movie, though I admit a little bias -- as far as I'm concered, the more Gene Wilder in this world the better. I'd love to see numerous additional movies detailing the adventures of Larry "Cash" Carter!