- Premios
- 11 nominaciones en total
Nathan Lee Lewis
- Cornelius
- (as Nathan Lewis)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Sam Raimi has a bit of folklore to him, at least in t horror movie circles. His story with Evil Dead is one that tells us that if you really believe in what you are doing and have an undeniable passion for it, you can succeed with an indie. Evil Dead was that film for Raimi. Now that he has bigger budgets and better casts, one could expect him to fail, but with terrific films like A Simple Plan and now this one, he proves that he does possess a gift as a film maker. The Gift takes him back to his roots as a horror director and he doesn't disappoint. The Gift is a tight, tense film with some questionable weakly written court room scenes, but take that away and you have a very effective thriller.
The Gift has an all star ensemble cast that takes everything they are given and shines with it. Cate Blanchet is awesome to watch as the small town clairvoyant that some people look upon with utter reverance and others disregard as nothing more than a Satan worshipper. Keanu Reeves is very effective as a wife abusing husband and Hilary Swank, Katie Holmes, Greg Kinnear, Giovanni Ribisi and Gary Cole are all very good in their roles. I especially liked Reeves as the wicked wife beater. I grew to hate his character and not just because he was a wife beater, but because he was such a smug, "I'm above the law" wife beater. I like seeing the smaller and perhaps more challenging roles Reeves is taking in between his billion dollar turn as Neo.
When a local town aristocratic beauty disappears, all fingers point towards Reeves as the murderer. He was having an affair with the girl, he has a violent temper, and he has scratch marks all over him from her and most importantly she was found dead in his swamp on his property. That is pretty compelling evidence against him. Also, Annie, the clairvoyant had visions about her whereabouts being located on his property. But soon after his impending incarceration, Annie begins to have other thoughts. She thinks the wrong man has been put away and now she fears that the real killer is going to come after her.
What The Gift benefits from, besides great performances, is tight direction. Raimi shows us here why it is that he got his start as a horror director. There are at least half a dozen scenes that are tense and frightening. When Annie is having her visions of death and sees dead women in trees and in bathtubs and such, there are collective gasps of fear in the audience. And when she is visited by ghosts or visions of people, you feel the heart race a little faster. This is not to say that the film is flawless because it's not. The flaws come from the writing of the court case where there is so much heresay and such that any good lawyer would have jumped all over the defense's case. When a man is being tried for murder and your defense is questioning how you came to know where the body was, they are two different issues. Why does it matter if an elephant told you where the body was or if you happened to fish it out of the pond with a crane. The point is that the body was there and it was on the accused's property and the accused had scratch marks on his arm from the deceased. That in my book is a pretty simple case. I was disappointed with how Thorton wrote the court room scenes but that is about all I was disappointed with.
The Gift is not one of the best horror films I've ever seen, but it is an enjoyable one and if I had to compare it to another similar one to it, I would have to say that this was better than What Lies Beneath. I think Zemekis is a great director but Raimi just has that certain intangible quality about him. He can make suspense out of something when perhaps there is none there. This is worth seeing and if you are a horror fan or just like a few thrills in your film, this'll keep you entertained.
8 out of 10- a good creepy horror film with a few genuine scares and a plethora of great performances.
The Gift has an all star ensemble cast that takes everything they are given and shines with it. Cate Blanchet is awesome to watch as the small town clairvoyant that some people look upon with utter reverance and others disregard as nothing more than a Satan worshipper. Keanu Reeves is very effective as a wife abusing husband and Hilary Swank, Katie Holmes, Greg Kinnear, Giovanni Ribisi and Gary Cole are all very good in their roles. I especially liked Reeves as the wicked wife beater. I grew to hate his character and not just because he was a wife beater, but because he was such a smug, "I'm above the law" wife beater. I like seeing the smaller and perhaps more challenging roles Reeves is taking in between his billion dollar turn as Neo.
When a local town aristocratic beauty disappears, all fingers point towards Reeves as the murderer. He was having an affair with the girl, he has a violent temper, and he has scratch marks all over him from her and most importantly she was found dead in his swamp on his property. That is pretty compelling evidence against him. Also, Annie, the clairvoyant had visions about her whereabouts being located on his property. But soon after his impending incarceration, Annie begins to have other thoughts. She thinks the wrong man has been put away and now she fears that the real killer is going to come after her.
What The Gift benefits from, besides great performances, is tight direction. Raimi shows us here why it is that he got his start as a horror director. There are at least half a dozen scenes that are tense and frightening. When Annie is having her visions of death and sees dead women in trees and in bathtubs and such, there are collective gasps of fear in the audience. And when she is visited by ghosts or visions of people, you feel the heart race a little faster. This is not to say that the film is flawless because it's not. The flaws come from the writing of the court case where there is so much heresay and such that any good lawyer would have jumped all over the defense's case. When a man is being tried for murder and your defense is questioning how you came to know where the body was, they are two different issues. Why does it matter if an elephant told you where the body was or if you happened to fish it out of the pond with a crane. The point is that the body was there and it was on the accused's property and the accused had scratch marks on his arm from the deceased. That in my book is a pretty simple case. I was disappointed with how Thorton wrote the court room scenes but that is about all I was disappointed with.
The Gift is not one of the best horror films I've ever seen, but it is an enjoyable one and if I had to compare it to another similar one to it, I would have to say that this was better than What Lies Beneath. I think Zemekis is a great director but Raimi just has that certain intangible quality about him. He can make suspense out of something when perhaps there is none there. This is worth seeing and if you are a horror fan or just like a few thrills in your film, this'll keep you entertained.
8 out of 10- a good creepy horror film with a few genuine scares and a plethora of great performances.
Having seen this film several times and never remembering the composer of the score, I decided to look it up at IMDb. While here, I decided to check out the various user reviews. And I was kind of surprised at the "love it or hate it" division.
I'm mainly surprised that anyone thought it was "typical" Hollywood pap or that it was slow moving, labored or simply so-so.
Maybe you just have to like Sam Raimi to enjoy this. I couldn't help but appreciate the fact the style and many elements were a lot like "Evil Dead 1 & 2", but more subtle and refined. Sam obviously made the most of the camera angles, scenery and lighting for specific reasons...the general "darkness" of the town versus the "light" surrounding Cate(the only one who could see the truth).
Maybe some didn't see a lot of the dark humor or appreciate the fine acting with non-stereotypical southern accents by all, especially Cate.
This is a film well worth repeated viewings.
I'm mainly surprised that anyone thought it was "typical" Hollywood pap or that it was slow moving, labored or simply so-so.
Maybe you just have to like Sam Raimi to enjoy this. I couldn't help but appreciate the fact the style and many elements were a lot like "Evil Dead 1 & 2", but more subtle and refined. Sam obviously made the most of the camera angles, scenery and lighting for specific reasons...the general "darkness" of the town versus the "light" surrounding Cate(the only one who could see the truth).
Maybe some didn't see a lot of the dark humor or appreciate the fine acting with non-stereotypical southern accents by all, especially Cate.
This is a film well worth repeated viewings.
An interesting story line and a fine cast make The Gift a good choice, if you want some mystery and suspense on your screen. A good good mix of drama, mystery, fantasy and a slight touch of horror.
Maybe i'm wrong but it's the first movie i watch with a lot of big names and that ends up really good : Hillary, Keanu, Katie, Cate, Kinnear and Ribisi really push their original characters and thus the movie never lost quality. In addition, we have Sam's team on the board as well with « aunt May », « JJJ », « sheriff Lucas Buck » and the famous yellow Oldsmobile. It's a pity that we don't have the usual cameos of Sam himself, his brother or Campbell ! It's also a great thing to find a story in a small town, with « ordinary » people having simple life as ours. I expected Sam to be more dynamic and on the contrary, the movie is as quiet as lying water. But as the main hero isn't Darkman or Spiderman but a widower mother of three boys, he was inspired to choose this pace: it really fits the Cate's compassion and maternal instinct, all the more than as told in the movie, she is really the heart of the town ! And for sure this wild nature with swamps and torn trees are as much frightening as any other supernatural monsters !
Firstly I need to say this isn't a horror. It's a thriller. Also it's not a fantasy movie so both of those tags should be ignored.
That doesn't mean it isn't a good movie. What's particularly good is how some of the actors play roles that ho against their usual character types.
Without a doubt Giovanni Ribissi steals the movie and plays his part perfectly.
Recommended.
That doesn't mean it isn't a good movie. What's particularly good is how some of the actors play roles that ho against their usual character types.
Without a doubt Giovanni Ribissi steals the movie and plays his part perfectly.
Recommended.
¿Sabías que…?
- TriviaBased on Billy Bob Thornton's own mother's reputed psychic abilities.
- ErroresAt the end, Annie is holding a cloth over her eyebrow and she is bleeding. When she comes back to see her children, her eyebrow is perfectly fine, she is not even wearing a bandage.
- Bandas sonorasTrouble Is A Lonesome Town
Written and Performed by Lee Hazlewood
Courtesy of Okemah Productions - SLR Records
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Detalles
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 12,008,642
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,827
- 25 dic 2000
- Total a nivel mundial
- USD 44,567,606
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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