Drácula 2001

I saw this on cable the other night. C'mon give the movie a break, it wasn't that bad. This is not Shakespeare; it's a Vampire movie, for Pete's sake. It's not after the Oscar, its entertainment. Sometimes a lot of the User commentators lose sight of what some movies are about.

An example of this is a review of Santa Clause 2, where one guy wrote `The North Pole was a very distracting, annoying place to be. It seemed so far from reality'. Well I don't want to spoil his Xmas but Santa isn't reality. It was a MOVIE!

Dracula 2000 was a lot better than the old Hammer movies or in fact a lot better than a lot of other Vampire moves. If you could ever do an original story on Vampires, this was close. I mean, what is in a Vampire script. Spooky guy/girl gets out of coffin, kills people (usually girls with great bodies) another guy/girl tries to kill them before they kill again. Oh and I forgot the part about the heroine is a reincarnation of the Vamps long lost love. (See Blacula, Fright Night, Dracula 1992 etc etc)

Dracula 2000 was more original. At least he had a real reason for wanting the Heroine (his blood, her blood) and his origin was an interesting concept, better than Coppola's, which I still find confusing. This was never going to be An Interview with a Vampire, but it was a hell of a lot better than Queen of the Damned. If you like Vampire movies this should be on your viewing list.

So...the title is a bit dodgy. "Dracula 2000". Ick. Nevertheless, I was pleasantly surprised by the quality of the film. To begin with, an interesting cast. Christopher Plummer has, previously, suffered from what I call "Michael Caine" syndrome; making any film that will write him a cheque, Johnny Lee Miller was amusing in "Trainspotting" and, let's not kid each other, there is no mystery as to why Jennifer Esposito and Jeri Ryan were cast. Round it out with some second and third tier young "Actors du jour" and you probably haven't spent too much money.

Now...the most irritating aspect of the film is the almost surreal amount of flagrant Virgin Records placement. Seriously....Mary works in one of the stores which means we get prominent t-shirt coverage....not to mention the gawdy neon sign, the truck in the garage etc.....however, Dracula needs virgins, right?

By far the most interesting part of this film was the story behind the creation of Dracula. Taking the myth back to the time of the crucifixion, with Judas Iscariot suffering some fairly serious guilt issues leading to his suicide and eventual "re-birth"....good angle: it helped to explain the vampires aversion to all things holy and dislike of silver (as in 30 pieces of...). Still don't get the mirror-phobia but hey....

Someone on the creative team of this film has a sweet little visual gag in store. Check out the scene in the Laffayette Cemetery...there is a crypt bearing the name "Spencer Hepburn". Nice one.

The ending is a little rushed and it seems that Miller might have left the set early that day, since he apparently vanishes. It also leaves blatant amounts of room for a sequel, but I wouldn't hold my breath.

That I even considered seeing this film was primarily due to Wes Craven's participation. However, I found it to be an imaginative and fairly tasteful modernisation of one of the all-time cinematic horror legends.

I remember watching this 2000 fantasy horror movie titled "Dracula 2000" back in the early or mid-2000s. However, the movie never really stood out as being particularly memorable or outstanding. And I haven't returned to watch it since, at least not before now in 2023. I had the opportunity to revisit it and decided to do so, as I only vaguely remembered the movie.

First of all, I had entirely forgotten that the movie had Gerard Butler playing the part of Dracula, and that was actually a really nice touch to the movie.

The storyline in "Dracula 2000", as written by Joel Soisson and Patrick Lussier, is a reinvention of the Bram Stoker novel, but of course with some major changes added to it. And it actually worked out well enough, because I was certainly entertained by this movie. In fact, the movie was actually not as corny and cheesy as I remembered it to be.

The movie has a great cast ensemble, with the likes of Gerard Butler, Christopher Plummer, Jonny Lee Miller, Justine Waddell, Jennifer Esposito, Omar Epps, Sean Patrick Thomas, Danny Masterson, Lochlyn Munro and Nathan Fillion as well. So there are a bunch of familiar faces on the cast list.

Visually then "Dracula 2000" was good, despite it being a movie that wasn't relying heavily on special effects.

My rating of director Patrick Lussier's 2000 movie "Dracula 2000" lands on a six out of ten stars.

An interesting new take on Dracula and vampires in general. It wasn't a bad movie, but then again it wasn't anything to brag about. Christopher Plummer (Abraham Van Helsing) was wonderful as was Jonny Lee Miller (Simon). Gerard Butler was an interesting new Dracula. He played the mysterious and seductive vampire extremely well. I think the biggest disappointment was Justine Waddell (Mary). When watching her first scene in the film, I burst into laughter (and so did everyone around me). Omar Epps was great, as always, as were the other "big names" in this movie. The rest of the acting was okay, but could have been better. The plot had some major potential but, unfortunately, it failed to really go anywhere exciting. This Dracula story is worth a watch but even though Wes Craven is involved here, don't get your hopes up too high.

Being a poor hen-pecked loser who isn't allowed cable television, I found myself in the rather alien position of being spoilt for choice over which movie to watch last Sunday night. British terrestrial television rarely throws up such a dilemma, so I had to consider carefully which one to select. In the corner marked 'safe option' we had Mel Gibson's Ransom (seen it; dull; can't really remember what happened but am assuming they eventually get the kid back), second was Man on the Moon (seen it; vaguely remember being a bit disappointed), and third was Wes Craven's Dracula 2000 (never seen it; presumably a straight-to-video job). Almost without hesitation I plumped for that.

A maverick choice, you might say - but there was method to my madness. On more than one occasion, drunken and deluded girls have approached me in bars and accused me of looking like Jonny Lee Miller. They are wrong of course - those close to me have taken sadistic pleasure in assuring me I look more like a cross between Woody Harrelson and Kelsey Grammar - not particularly good for my sex-symbol status, but useful if I ever wanted work as a stunt double on the set of Cheers.

Anyway, it turns out I chose wisely - Dracula 2000 is a hoot. More Schlock than horror (as you might expect from the creator of the Scream franchise) it has the kind of kitschy charm of Buffy the Vampire Slayer only with worse dialogue and a sillier plot. Those purists who prefer a more classic Peter Cushing/Christopher Lee tussle between good and evil are unlikely to stay beyond the first reel, but there are rewards for those who stick it out.

Miller plays Simon Shepherd the protégé of the mysterious Matthew Van Helsing (Christopher Plummer). A gang of thieves infiltrate Van Helsing's secret stash of old relics and unwittingly release Dracula from his silver coffin. Big mistake. The dark lord makes a bee-line for New Orleans in search Van Helsing's daughter Mary. On his way, he creates merry hell crafting a few undead henchwomen (mostly blonde) and enjoying unspeakable depravity in the middle of the Mardi Gras carnival. Unsurprisingly, Miller and Plummer pack their crucifixes and silver bullets and hurry over to save the day.

This being a sexed-up modern-day version of Bram Stoker's classic, Dracula himself is far from the urbane older gentleman with the black cloak and the widow's peak - this one is young and spunky and has the kind of barnet you might find in a L'oreal commercial. Try to imagine a bastard hybrid of David Copperfield and Alan Partridge and you won't be far off. Dracula's hair is not the only highlight though: There are some brilliantly awful modern cultural references - Sweet and innocent Mary works in Virgin Megastore (geddit?) - and an audacious religious sub-plot which goes some way towards explaining Dracula's hatred of silver.

All in all it is great fun. It was inevitably mauled by the critics, but I guess they don't have a sense of humour. Poor old Jonny's been in some turkeys since he made Trainspotting, but I'm backing him to hilt on this one - it certainly beats watching Mel Gibson and Rene Russo blubbing for two and a half hours.

7/10