The Whole Shebang

C'mon. Aren't you glad to see a movie about Italians and Italian-Americans that's got absolutely nothing to do with the mafia, vendettas or spaghetti? This little piece is a wonderful and entertaining film about fireworks, family, food, life, death, deceit, trauma, pride and, of course, love. If you know Italians as well as I do, you'll recognize that this is all in a day's work. Stereotypes aside, they shook out the box on this one with Talia Coppola Shire, Gaincarlo Giannini, Tony DeSando and the uncompilable Anamaria Alberghetti. This latter is one year older than I am and still looks like a million dollars plus interest. Then there's Fonda the younger and Tucci. Yes, Tucci, who steals every scene he's in ala Peter Sellers. Tucci with the great eyes and great face. What could be a cheesy, maudlin, drippingly sentimental story moves quickly because of the chemistry of these people who play wonderfully off of each other and keep you amused with the same Mediterranean hyperbole you saw in Moonstruck, My Cousin Vinny, The Rose Tattoo and My Big Fat Greek Wedding. Now, we all know that every Italian family does not go into a state of crisis every day but the complexity of Italian familial relations does give us food for thought in delightful comedies such as this one.

In New Jersey, there are two well-established fireworks manufacturers. Family Bazzini, led by Pops (Giancarlo Giannini) concocts many innovative designs and has the whole family, including his wife Contessa (Talia Shire) working in their large shop. The other folks, the Zitos, are helmed by Tough Mama (Anna Maria Alberghetti) and a bevy of sons. Yet, the Zitos are always out to buy or steal recipes from the Bazzinni's, because they recognize that Pops is a superior inventor. Also, their financial position becomes more precarious when Pops Jr dies in a tragic accident at the shop, while having a clandestine affair. His widow, Val (Bridget Fonda), blonde and smart, is not Italian like the rest but totally committed to the family. Her only child, Bobby, refuses to speak after his dad's death. Aha, Mama Zito, sensing an opportunity, sends one of her sons to try and get Val out on a date, and, perhaps, get married in time. Yet, other things may throw her off kilter. Pops, still grieving and angry at this lost son, writes to his family back in Italy and begs for a creative cousin to come take his child's place. This Giovanni (Stanley Tucci), thwarted in love, has attempted clumsy suicide after suicide, with no luck. A strolling cafe violinist, he seizes on this new invitation to change his life. Once installed in family Bazzini, its obvious that Giovanni has eyes immediately for Val and that he may be able to bring young Bobby out of his traumatic silence. More importantly, with the Zitos breathing down their necks, can Giovanni provide the spark needed to invent the "best" fireworks in the region? This lovely, sweet, and funny film is a total treat. Yes, there may be some stereotypes of Italian Americans involved but weren't there some in other movies such as Moonstruck? The cast is wonderful, too, with Tucci transforming himself into a bumbling Italian while its so fabulous to see Giannini, Shire, and Alberghetti on screen. Most lovely of all is Fonda, who made this movie her last. She looks so beautiful as the blonde surrounded by brunettes and she gives a most touching and strong performance. In addition, the scenery, costumes, lively script and direction provide a most enjoyable film experience. Want to add a bit of fireworks to your life some future evening? Get The Whole Shebang and sparks will light up your sky.

I really liked the movie. It was funny and warm with a lot of heart. Giancarlo Giannini, Stanley Tucci and Bridget Fonda as well as the supporting cast were terrific. A great unexpected ending, beautifully shot and a feel good movie. Definitely recommend it. I give it a 10!

This is a shockingly badly made movie! There are dozens of continuity errors, glaring ones, throughout. Could it be that nobody cared, not the director, not the editor, not even the continuity person (if there was one)?

Of the many instances here is just one example: Bridget Fonda goes out on a date. As she leaves with the man she is wearing a dress and her hair is styled a certain way. When they are eating in the restaurant she is wearing a radically different dress of a different style and color and her hair is completely redone.

Other such errors abound in profusion. I wonder how such a stellar cast of great actors, real stars, could be assembled and then such a careless effort put in by the filmmakers. It defeats the film. Great actors sound like they are just saying lines. Even Stanley Tucci looks like he is just making faces when he tries to put spirit or emotion into his dialogue. I expected this to be a good movie, and to like it a lot. Instead it took an effort to watch it to the oh-too-predictable end, which was itself very rushed and riddled with plot holes.

30 January 2006. The decent, if not great or awesome, romantic comedy has a solid Italian flavor with Stanley Tucci with a so-so Italian accent and Bridget Fonda as the recently spurred and widowed wife that come together in this fireworks movie that contains an interesting (though not compelling) look at the explosive product storyline. Except for a confusing and disjointed wet piece of the letter that Bridget Fonda discovers though it is predictably tied up by the end, this is an average comedy movie that is light-weight but entertaining, worth a DVD rental price over the weekend with that special one. Six out of Ten Stars.